Catalogue of the Oil Paintings, Water-colour Drawings, Engravings, Lithographs, Photographs, &c. in the National Gallery of Victoria
Author: National Gallery of Victoria
Publisher:
Published: 1879
Total Pages: 170
ISBN-13:
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Author: National Gallery of Victoria
Publisher:
Published: 1879
Total Pages: 170
ISBN-13:
DOWNLOAD EBOOKAuthor: Liverpool (England). Public Libraries, Museums, and Art Gallery. Library
Publisher:
Published: 1908
Total Pages: 392
ISBN-13:
DOWNLOAD EBOOKAuthor: Carnegie Institute
Publisher:
Published: 1917
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKIncludes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author: William Brough (bookseller.)
Publisher:
Published: 1853
Total Pages: 844
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1868
Total Pages: 672
ISBN-13:
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Publisher:
Published: 1918
Total Pages: 806
ISBN-13:
DOWNLOAD EBOOKThe biographical material formerly included in the directory is issued separately as Who's who in American art, 1936/37-
Author: ElizabethA. Pergam
Publisher: Routledge
Published: 2017-07-05
Total Pages: 397
ISBN-13: 135154280X
DOWNLOAD EBOOKAn overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.