Masters of Color and Light
Masters of Color and Light

Author: Linda S. Ferber

Publisher: Smithsonian Books (DC)

Published: 1998

Total Pages: 248

ISBN-13:

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"In the 1870s and 1880s, artists' societies promoted watercolors as attractive, decorative, inexpensive alternatives to oils, successfully elevating them to the mainstream of American art. Based in New York City, this American watercolor movement paved the way for larger, more seriously received exhibition watercolors, and for a broad turn-of-the-century effort by public institutions - among them the Brooklyn Museum of Art - to acquire American works in the medium." "Highlighting 150 paintings that span nearly two centuries, this richly illustrated volume documents the origin and development of one of the nation's finest collections by investigating for the first time aspects of American watercolor's patronage and critical reception." "Less often displayed than oils because of their sensitivity to light, watercolors nevertheless have enjoyed a lively, complex history. Illuminating well-known works as well as many that have never before been reproduced, Masters of Color and Light showcases an array of paintings that range far beyond watercolor's early reputation as the "lighter and daintier" medium."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Kandinsky Drawings Vol 2
Kandinsky Drawings Vol 2

Author: Vivian Endicott Barnett

Publisher: Philip Wilson Publishers

Published: 2006

Total Pages: 386

ISBN-13:

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The first volume of the catalogue raisonné comprises 1236 works from all periods of Vasily Kandinsky's career. It begins with an addendum of fifteen watercolors and two oil-paintings, which were not included in the previous four volumes of the catalogue raisonné , followed by India ink drawings, sketches and individual works. There is complete provenance, exhibition history and bibliography for each catalogue entry as well as numerous commentaries discussing date, iconography and related works. Vivian Barnett has written a text on the artist's discovery of his own drawings in the early 1930s and his efforts to exhibit them during his lifetime. The volume concludes with a comprehensive list of one-person and group exhibitions, a selective bibliography and indexes. A second volume, which is devoted to Kandinsky's thirty-five sketchbooks that have remained intact, will appear in spring 2007.