Patriotic Taste

Patriotic Taste

Author: Colin B. Bailey

Publisher: Yale University Press

Published: 2002-01-01

Total Pages: 374

ISBN-13: 9780300089868

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During the final decades of the ancient regime, prominent collectors in Paris commissioned and collected French paintings of the period, works by Greuze, Fragonard, David and others that together comprised 'l'Ecole Francoise' - the French School. In this book, an art historian discusses six of these collectors and the collections they assembled, showing that private patronage in this period was revitalized by this patriotic desire to collect contemporary art. Colin B. Bailey explains why a taste for modern art emerged at this time and how it was encouraged and fostered. Examining the relationship between artist and patron, he discusses the degree of influence these enlightened patrons and collectors expected to exercise when new works were being commissioned. Bailey shows that collectors of eighteenth-century French painting seem not to have made rigid distinctions between the various genres or styles of the Academy's practitioners. Instead, history paintings and genre paintings - both rococo and neo-classical - were exhibited proudly on their walls as superb examples of the French School.


Credere aude

Credere aude

Author: Giovanna Summerfield

Publisher: Narr Francke Attempto Verlag

Published: 2008-06-18

Total Pages: 149

ISBN-13: 3823373838

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By analyzing the Kantian response to the query What is Enlightenment?, esotericism, and, more specifically, Freemasonry as a spiritual search, this study offers a re-interpretation of the eighteenth century, one in which Enlightenment, as the predominance of rationalism, and Illuminisme are viewed as complementary rather than antithetical. By focusing on the history and nature of continental Freemasonry and the Masonic affiliation of two French authors as expressed in their work--Louis-Claude de Saint-Martin and Dominique Vivant Denon--this study addresses issues of importance today. Links between material possessions, human self-realization, and regeneration, which were exploited by these writers, call for a new look at the esoteric origins of and component in psychoanalysis, spirituality, sexuality, and power, and, ultimately, cause us to view our modern society as, in part, the inheritor of a spiritual legacy from the eighteenth century


Revolutionary Paris and the Market for Netherlandish Art

Revolutionary Paris and the Market for Netherlandish Art

Author: Darius A. Spieth

Publisher: BRILL

Published: 2017-11-06

Total Pages: 535

ISBN-13: 9004276750

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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.