State Hermitage Museum Catalogue
State Hermitage Museum Catalogue

Author: Natalʹi︠a︡ Ivanovna Grit︠s︡aĭ

Publisher: Yale University Press

Published: 2008

Total Pages: 526

ISBN-13:

DOWNLOAD EBOOK

Among the many treasures of The State Hermitage Museum in St. Petersburg is its remarkable collection of seventeenth- and eighteenth-century Flemish paintings--more than five hundred in all--including key works by Rubens, Van Dyck, Jordaens, Snyders, and Teniers. Forming the core of the Hermitage's Flemish collection, these works were acquired from all over Europe by the Empress Catherine II, and the collection has continued to develop. This magnificent volume is the first to provide detailed information in English with illustrations for every work. More than 140 artists are represented in the collection and in this complete catalogue, which provides a comprehensive picture of the golden age of Flemish painting. Individual illustrated entries for every work are accompanied by detailed indexes and provenance information that provides a unique view of the history of collecting in Russia. Bard Graduate Center

Rubens and His Age
Rubens and His Age

Author: Art Gallery of Ontario

Publisher: London [England] : Merrell Publishers ; Toronto : Art Gallery of Ontario

Published: 2001

Total Pages: 264

ISBN-13:

DOWNLOAD EBOOK

Rubens was the most important and creative Flemish artist of the seventeenth century, an era noted for the internationalism of its art. As political and cultural barriers fell, Rubens and his contemporaries, including Van Dyck and Brueghel, travelled throughout Europe, working for a wide variety of patrons that included the different European courts, the Church and the most prominent private collectors of the age. Catherine the Great of Russia sent advisers throughout Europe in search of the most prestigious art collections, with the result that the State Hermitage Museum in St Petersburg is filled with examples of paintings, drawings and the decorative arts from Antwerp, where Rubens and his circle formed a close-knit artistic community, the hub of a network of influence that spanned the Continent. Rubens and his Age presents the jewels of the Hermitage's collection, many of them never before published, including Rubens's monumental allegory The Union of Earth and Water, as well as a remarkable selection of objets d'art, some of which were either owned, designed or commissioned by Rubens himself. This book represents an unprecedented opportunity to explore one of the world's finest collections of European art.

The Flemish Primitives: Masters with provisional names
The Flemish Primitives: Masters with provisional names

Author: Musées royaux des beaux-arts de Belgique

Publisher: Brepols Publishers

Published: 2006

Total Pages: 480

ISBN-13:

DOWNLOAD EBOOK

The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum's archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium's Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liege. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible.