Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art

Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art

Author: Timothy Wilson

Publisher: Metropolitan Museum of Art

Published: 2016-08-29

Total Pages: 394

ISBN-13: 1588395618

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The form of tin-glazed earthenware known as maiolica reveals much about the culture and spirit of Renaissance Italy. Engagingly decorative, often spectacularly colorful, sometimes whimsical or frankly bawdy, these magnificent objects, which were generally made for use rather than simple ornamentation, present a fascinating glimpse into the realities of daily life. Though not as well known as Renaissance painting and sculpture, maiolica is also prized by collectors and amateurs of the decorative arts the world over. This volume offers highlights of the world-class collection of maiolica at the Metropolitan Museum. It presents 135 masterpieces that reflect more than four hundred years of exquisite artistry, ranging from early pieces from Pesaro—including an eight-figure group of the Lamentation, the largest, most ambitious piece of sculpture produced in a Renaissance maiolica workshop—to everyday objects such as albarelli (pharmacy jars), bella donna plates, and humorous genre scenes. Each piece has been newly photographed for this volume, and each is presented with a full discussion, provenance, exhibition history, publication history, notes on form and glaze, and condition report. Two essays by Timothy Wilson, widely considered the foremost scholar in the field, provide overviews of the history and technique of maiolica as well as an account of the formation of The Met's collection. Also featured is a wide-ranging introduction by Luke Syson that examines how the function of an object governed the visual and compositional choices made by the pottery painter. As the latest volume in The Met's series of decorative arts highlights, Maiolica is an invaluable resource for scholars and collectors as well as an absorbing general introduction to a multifaceted subject.


Ritratto

Ritratto

Author: Francesco Xanto Avelli

Publisher: Paul Holberton Publishing

Published: 2007

Total Pages: 220

ISBN-13:

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"Francesco Xanto Avelli da Rovigo (c. 1486-c.1542) painted some of the most beautiful and fascinating ceramics produced in Renaissance Italy, often drawing on classical mythology for his subjects. He was also a poet, and commented on the tempestuous events of his time--including the infamous Sack of Rome in 1527--both in verse and allegorically in the imagery of the dishes and plates he decorated. This book is a comprehensive study of Xanto as a remarkable painter of Italian Renaissance tin-glazed earthenware (maiolica) decorated with narrative subjects (istoriato), a poet and a loyal follower of the condottiere Francesco Maria I della Rovere, Duke of Urbino. It contains a full transcription of his sonnets with a parallel English translation. A list of maiolica by or attributable to Xanto is another first. Through his ceramics, beautiful and interesting in themselves, and here superbly reproduced, it provides an enlightening cross-section of the dawn of the early modern era"--Provided by publisher.