The American Film Institute Catalog of Motion Pictures Produced in the United States
Author: American Film Institute
Publisher:
Published: 1993
Total Pages: 0
ISBN-13: 9780520079083
DOWNLOAD EBOOKRead and Download eBook Full
Author: American Film Institute
Publisher:
Published: 1993
Total Pages: 0
ISBN-13: 9780520079083
DOWNLOAD EBOOKAuthor: Alan Gevinson
Publisher: Univ of California Press
Published: 1997
Total Pages: 1588
ISBN-13: 9780520209640
DOWNLOAD EBOOK"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Author: American Film Institute
Publisher: Univ of California Press
Published: 1993
Total Pages: 1198
ISBN-13: 9780520079083
DOWNLOAD EBOOK"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Author: American Film Institute
Publisher: Univ of California Press
Published: 1999
Total Pages: 1464
ISBN-13: 9780520215214
DOWNLOAD EBOOKAuthor: American Film Institute
Publisher:
Published: 1997
Total Pages: 1268
ISBN-13: 9780520209701
DOWNLOAD EBOOKAuthor: David Pierce
Publisher:
Published: 2013
Total Pages: 74
ISBN-13:
DOWNLOAD EBOOK"Commissioned for and sponsored by the National Film Preservation Board."
Author: American Film Institute
Publisher:
Published: 1993
Total Pages:
ISBN-13: 9780520079083
DOWNLOAD EBOOKAuthor: Martin L. Johnson
Publisher: Indiana University Press
Published: 2018-01-23
Total Pages: 316
ISBN-13: 0253032547
DOWNLOAD EBOOK"See yourself in the movies!" Prior to the advent of the home movie camera and the ubiquitousness of the camera phone, there was the local film. This cultural phenomenon, produced across the country from the 1890s to the 1950s, gave ordinary people a chance to be on the silver screen without leaving their hometowns. Through these movies, residents could see themselves in the same theaters where they saw major Hollywood motion pictures. Traveling filmmakers plied their trade in small towns and cities, where these films were received by locals as being part of the larger cinema experience. With access to the rare film clips under discussion, Main Street Movies documents the diversity and longevity of local film production and examines how itinerant filmmakers responded to industry changes to keep sponsors and audiences satisfied. From town pride films in the 1910s to Hollywood knockoffs in the 1930s, local films captured not just images of local people and places but also ideas about the function and meaning of cinema that continue to resonate today.
Author: American Film Institute
Publisher: Univ of California Press
Published: 1997
Total Pages: 1712
ISBN-13: 9780520209695
DOWNLOAD EBOOKAfter more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.
Author: Eric Hoyt
Publisher: Univ of California Press
Published: 2014-07-03
Total Pages: 286
ISBN-13: 0520282647
DOWNLOAD EBOOKHollywood Vault is the story of how the business of film libraries emerged and evolved, spanning the silent era to the sale of feature libraries to television. Eric Hoyt argues that film libraries became valuable not because of the introduction of new technologies but because of the emergence and growth of new markets, and suggests that studying the history of film libraries leads to insights about their role in the contemporary digital marketplace. The history begins in the mid-1910s, when the star system and other developments enabled a market for old films that featured current stars. After the transition to films with sound, the reissue market declined but the studios used their libraries for the production of remakes and other derivatives. The turning point in the history of studio libraries occurred during the mid to late 1940s, when changes in American culture and an industry-wide recession convinced the studios to employ their libraries as profit centers through the use of theatrical reissues. In the 1950s, intermediary distributors used the growing market of television to harness libraries aggressively as foundations for cross-media expansion, a trend that continues today. By the late 1960s, the television marketplace and the exploitation of film libraries became so lucrative that they prompted conglomerates to acquire the studios. The first book to discuss film libraries as an important and often underestimated part of Hollywood history, Hollywood Vault presents a fascinating trajectory that incorporates cultural, legal, and industrial history.