Catalog of Metrostyle and Themodist Music for the Pianola and Pianola Piano
Author: Aeolian Company
Publisher:
Published: 1906
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Aeolian Company
Publisher:
Published: 1906
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Reference Department
Publisher:
Published: 1964
Total Pages: 768
ISBN-13:
DOWNLOAD EBOOKAuthor: Boston Public Library
Publisher: Boston : G. K. Hall
Published: 1972
Total Pages: 808
ISBN-13:
DOWNLOAD EBOOKAuthor: Craig H. Roell
Publisher: UNC Press Books
Published: 2018-06-05
Total Pages: 467
ISBN-13: 1469610612
DOWNLOAD EBOOKRoell uses company records and the popular press to chronicle the piano industry through changing values, business strategies, economic conditions, and technology. For Roell, as for the industry, music is a byproduct. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: New York Public Library. Reference Dept
Publisher: Boston : G. K. Hall
Published: 1964
Total Pages: 782
ISBN-13:
DOWNLOAD EBOOKAuthor: Joseph Rezits
Publisher:
Published: 1978
Total Pages: 1524
ISBN-13:
DOWNLOAD EBOOKAuthor: Timothy D. Taylor
Publisher: University of Chicago Press
Published: 2017-04-11
Total Pages: 256
ISBN-13: 022644239X
DOWNLOAD EBOOKIn music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music in the World is a collection of some of Taylor’s most recent writings—essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades. In addition to chapters on music, capitalism, and globalization, Music in the World includes previously unpublished essays on the continuing utility of the concept of culture in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor’s essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives.