Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
Published: 1971
Total Pages: 700
ISBN-13:
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Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
Published: 1971
Total Pages: 700
ISBN-13:
DOWNLOAD EBOOKAuthor: Carnegie Institute
Publisher:
Published: 1917
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKIncludes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author: General Society of Mechanics and Tradesmen of the City of New York. Apprentices' Library
Publisher:
Published: 1892
Total Pages: 428
ISBN-13:
DOWNLOAD EBOOKAuthor: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
Published: 1980
Total Pages: 784
ISBN-13:
DOWNLOAD EBOOKAuthor: Bernard Quaritch (Firm)
Publisher:
Published: 1906
Total Pages: 244
ISBN-13:
DOWNLOAD EBOOKAuthor: Alfred Trumble
Publisher:
Published: 1889
Total Pages: 420
ISBN-13:
DOWNLOAD EBOOKAuthor: Montgomery Ward & Co.
Publisher: Courier Corporation
Published: 1969-08-01
Total Pages: 648
ISBN-13: 0486223779
DOWNLOAD EBOOKTea gowns, bleached damask, and yards of flannel and pillow-case lace, stereoscopes, books of gospel hymns and ballroom gems, the New Improved Singer Sewing Machine, side saddles, anti-freezing well pumps, Windsor Stoves, milk skimmers, straight-edged razors, high-button shoes, woven cane carpet beaters, spittoons, the Studebaker Road Cart, commodes and washstands, the "Fire Fly" single wheel hoe, cultivator, and plow combined, flat irons, and ice cream freezers. What man, woman, or child of the 1890s could resist these offerings of the Montgomery Ward catalogue, the one book that was read avidly, year after year, by millions of Americans on farms and in small towns across the nation? The Montgomery Ward catalogue provides one of the few irrefutably accurate pictures of what life was "really like" in the gay nineties, for it described and illustrated almost anything that anybody could possibly need or want in the way of "store-bought" goods. In fact, in that pre-department store era, it was usually the only source for such goods. Imagine if Montgomery Ward had issued an illustrated catalogue in the days of Louis XIV, or Elizabeth I, or Charlemagne: what insights would we have into the daily life of the "common folk," the farmers and shopkeeper, housewives and schoolchildren . . . what sources of information for historians and scholars, collectors and dealers, what models for artists and designers. In 1895, Montgomery Ward was the oldest, largest, and most representative mail-order house in the country. The brainchild of a former traveling salesman, it issued its first catalogue in 1872, a one-page listing of items. By 1895, the catalogue, reprinted here, had grown to 624 pages and listed some 25,000 items, almost all of them illustrated with live drawings. Montgomery Ward was by then a multi-million dollar business that profoundly affected the American economy; and since it reached the most isolated farms and backwoods cabins, its effect on American culture was almost as great. Now once again available, it is our truest, most unbiased record of the spirit of the 1890s. An introduction on the history of the Montgomery Ward Company and its catalogue has been prepared especially for this edition by Boris Emmet, Ph.D. (Johns Hopkins), a foremost expert on retail merchandising. His monumental work Catalogues and Counters has long been recognized as a landmark in the study of American economic history.
Author: Sarah Burns
Publisher: Univ of California Press
Published: 2023-09-01
Total Pages: 1101
ISBN-13: 0520943821
DOWNLOAD EBOOKFrom the simple assertion that "words matter" in the study of visual art, this comprehensive but eminently readable volume gathers an extraordinary selection of words—painters and sculptors writing in their diaries, critics responding to a sensational exhibition, groups of artists issuing stylistic manifestos, and poets reflecting on particular works of art. Along with a broad array of canonical texts, Sarah Burns and John Davis have assembled an astonishing variety of unknown, little known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. American Art to 1900 highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, popular culture and vernacular imagery, institutional history, and more. With its hundreds of explanatory headnotes providing essential context and guidance to readers, this book reveals the documentary riches of American art and its many intersecting histories in unprecedented breadth, depth, and detail.
Author: Avery Library
Publisher:
Published: 1958
Total Pages: 1972
ISBN-13:
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