Today’s top could be tomorrow’s bottom when playing the caste game! School is hard enough as it is, but when students are forced to play a cutthroat game to determine their social ranks—and subsequent treatment—all bets are off. Ever since Karino betrayed him by dragging him off his kingly throne, dropping him to target, Azusa has sworn revenge. But as he’s planning his next move, he’s approached by shy geek Inugai, who’s taken a rather sudden—if odd—interest in photography. What are Inugai’s true motives? And is revenge really what Azusa seeks?
Today’s top could be tomorrow’s bottom when playing the caste game! School is hard enough as it is, but when students are forced to play a cutthroat game to determine their social ranks—and subsequent treatment—all bets are off. It’s a cruel game where the card you possess determines your class rank. Azusa has the king, the most powerful of the cards, allowing him to rule his class however ruthlessly he chooses. But all bets are off when Azusa is double-crossed, shattering his pride as he drops to target, the lowest of the ranks. Now bullied by the very people he himself mistreated, Azusa is given a choice—become the new king’s plaything…or service the entire class! Atsumu, a regular target of the school bullies, has had a rough life. But his luck changes when Kuze, the classmate he idolizes, helps him out during the caste game by giving him his jack card. Despite his reservations about Kuze’s true intentions, Atsumu can’t help but lose himself in the pleasures Kuze gives him. But will those pleasures come at a cost?
Today’s top could be tomorrow’s bottom when playing the caste game! School is hard enough as it is, but when students are forced to play a cutthroat game to determine their social ranks—and subsequent treatment—all bets are off. Karino’s older half brother Tatsumi is a proper honor student, diligently and obediently following the path laid out for him by others. But after he unexpectedly falls for eccentric Senzaki, he takes a surprising detour by unscrupulously securing the delinquent caste for himself. Senzaki accepts Tatsumi’s feelings with reckless abandon, expecting him to do the same. But is Tatsumi willing to forge a new path to be with the impetuous Senzaki?
Another summer has passed, and fall’s arrival brings with it the excitement of the school’s culture festival! It’s fun event after fun event, with Karino and Azusa cosplaying, Kuze joining a band, and Atsumu discovering his feminine side. But while everyone is enjoying themselves, third-year eccentric Eno is cooking up a dastardly plan! Just how long can Karino protect Azusa from someone so bent on revenge? -- VIZ Media
It’s the annual class trip, and Azusa is assigned to the same group as Atsumu and Kuze. While the three of them enjoy the sights in Kyoto, someone repeatedly attempts to harm Azusa. It isn’t long before Karino, Azusa’s knight in tarnished armor, comes to the rescue. The two spend the rest of the trip alone together, with their relationship undergoing a major change! -- VIZ Media
Today’s top could be tomorrow’s bottom when playing the caste game! School is hard enough as it is, but when students are forced to play a cutthroat game to determine their social ranks—and subsequent treatment—all bets are off. Karino slips up by publicly shielding Azusa, the target, during Eno’s frenzied public hunt for him. Branded a failure as a king, Karino is quickly dragged from his throne, and once again, class 2-1 must play the caste game. Then, ten years after their tumultuous high school days, what futures have Azusa, Karino, and the others been able to make for themselves?
It’s a cruel game where the card you possess determines your class rank. Azusa has the king, the most powerful of the cards, which allows him to rule his class however ruthlessly he chooses. But all bets are off when Azusa gets double-crossed, shattering his pride as he drops to target, the lowest of the ranks. Now bullied by the very people he himself mistreated, Azusa is given a choice—become the new king’s plaything...or service the entire class! -- VIZ Media
“What the Communist Manifesto is to the capitalist world, Annihilation of Caste is to India.” —Anand Teltumbde, author of The Persistence of Caste The classic work of Indian Dalit politics, reframed with an extensive introduction by Arundathi Roy B.R. Ambedkar’s Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. Ambedkar – a figure like W.E.B. Du Bois – offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. The world’s best-known Hindu, Mahatma Gandhi, responded publicly to the provocation. The hatchet was never buried. Arundhati Roy introduces this extensively annotated edition of Annihilation of Caste in “The Doctor and the Saint,” examining the persistence of caste in modern India, and how the conflict between Ambedkar and Gandhi continues to resonate. Roy takes us to the beginning of Gandhi’s political career in South Africa, where his views on race, caste and imperialism were shaped. She tracks Ambedkar’s emergence as a major political figure in the national movement, and shows how his scholarship and intelligence illuminated a political struggle beset by sectarianism and obscurantism. Roy breathes new life into Ambedkar’s anti-caste utopia, and says that without a Dalit revolution, India will continue to be hobbled by systemic inequality.
Three years ago Tora and Ryota were an unbeatable pitching duo. The two were feared on the mound and were admired off. These days, Tora is a himbo ne'er-do-well and Ryota is slaving over ramen in his hometown. Furthermore Ryota is being set up for marriage by his family. So when Tora hears that his old partner might get taken off the board, he makes a beeline for home hoping to score big with his old teammate. The love between two former ball players can be a little bit of a swing-and-a-miss and a little bit of a homerun. But either way some one is going to score in this romance-comedy!
First Enoch is an ancient Judean work that inaugurated the genre of apocalypse. Chapters 1-36 tell the story of the descent of angels called "Watchers" from heaven to earth to marry human women before the time of the flood, the chaos that ensued, and God's response. They also relate the journeying of the righteous scribe Enoch through the cosmos, guided by angels. Heaven, including the place and those who dwell there (God, the angels, and Enoch), plays a central role in the narrative. But how should heaven be understood? Existing scholarship, which presupposes "Judaism" as the appropriate framework, views the Enochic heaven as reflecting the temple in Jerusalem, with God's house replicating its architecture and the angels and Enoch functioning like priests. Yet recent research shows the Judeans constituted an ethnic group, and this view encourages a fresh examination of 1 Enoch 1-36. The actual model for heaven proves to be a king in his court surrounded by his courtiers. The major textual features are explicable in this perspective, whereas the temple-and-priests model is unconvincing. The author was a member of a nontemple, scribal group in Judea that possessed distinctive astronomical knowledge, promoted Enoch as its exemplar, and was involved in the wider sociopolitical world of their time.
