This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.
Referred to by some as The Eighth Wonder of the World, Stone Mountain, located 16 miles from Atlanta, Georgia, is the largest exposed mass of granite in the world. Freeman, a freelance historian, narrates the development of the mountain from the days that it served as a Native American domain, through the carving of an historic Confederate monument, to its present status as a tourist attraction and recreational area. Enhanced with bandw photographs. Annotation copyrighted by Book News, Inc., Portland, OR
The United States Military Academy at West Point is one of America’s oldest and most revered institutions. Founded in 1802, its first and only mission is to prepare young men—and, since 1976, young women—to be leaders of character for service as commissioned officers in the United States Army. West Point’s success in accomplishing that mission has secured its reputation as the foremost leadership-development institution in the world. An Academy promotional poster says it this way: “At West Point, much of the history we teach was made by people we taught.” Carved from Granite is the story of how West Point goes about producing military leaders of character. An opening chapter on the Academy’s nineteenth-century history provides context for the topic of each subsequent chapter. As scholar and Academy graduate Lance Betros shows, West Point’s early history is interesting and colorful, but its history since then is far more relevant to the issues—and problems—that face the Academy today. Drawing from oral histories, archival sources, and his own experiences as a cadet and, later, a faculty member, Betros describes and assesses how well West Point has accomplished its mission. And, while West Point is an impressive institution in many ways, Betros does not hesitate to expose problems and challenge long-held assumptions. In a concluding chapter that is both subjective and interpretive, the author offers his prescriptions for improving the institution, focusing particularly on the areas of governance, admissions, and intercollegiate athletics. Photographs, tables, charts, and other graphics aid the clarity of the discussion and lend visual and historical interest. Carved from Granite: West Point since 1902 is the most authoritative history of the modern United States Military Academy written to date. There will be lively debate over some of the observations made in this book, but if they are followed, the author asserts that the Academy will emerge stronger and better able to accomplish its vital mission in the new century and beyond.
The story of Holyoke, the industrial marvel of the mid-nineteenth century, begins in the small church-centered farming community at the turn of the 18th century. It wasn?t until the mid-1840s, about the time the Connecticut River Railroad was built through Ireland Parish, that the little village on the rapids began to attract the attention of outsiders. In 1848, Holyoke, with its proposed configuration of dams, canals, and mills, became the first planned industrial city in the United States. Laborers, earning eighty-five cents a day, built three dams across the rapids and excavated nearly five miles of canals. Though intended as a textile city, by 1890 there were twenty-six paper mills. As the mills proliferated, a steady source of labor was needed, and immigration began in earnest.Holyoke, Massachusetts: Stories Carved in Stone, takes you into Holyoke's graveyards for a look at more than two hundred and fifty years of history, and the people who lived it.This third book in the Stories Carved in Stone series completes the three-part overview of early West Springfield, Massachusetts, before Agawam and Holyoke became towns. Together they present a full picture of the gravestone carvers, the mourning practices, and the families who lived and died here. Gravestone fans and genealogists alike will find much to explore in these old cemeteries.
Oral histories, legends, and accounts of contemporary life of a New Zealand Maori tribe are presented in this cultural that includes colonial histories of the Native Land Court and traditional histories from the Northern Hawke's Bay.
A look at the inspirational lives of ten Black women of faith Do the names Elizabeth Freeman, Nannie Helen Burroughs, or Charlotte Forten Grimké ring any bells? Have you ever heard of Sarah Mapps Douglass, Frances Ellen Watkins Harper, or Maria Fearing? What about Sara Griffith Stanley, Amanda Berry Smith, Lucy Craft Laney, and Maria Stewart? While these names may not be familiar to you, these women lived faithful and influential lives in a world that was filled with injustice. They worked to change laws, built schools, spoke to thousands, and shared the Gospel all around the world. And while history books may have forgotten them, their stories can teach us so much about how we can live today. Praise for Carved in Ebony "What a gift this book . . . will be to you! Jasmine has a way of teaching you a history lesson you never knew you needed, while pointing you to a God who deeply cares for his children."--JAMIE IVEY, bestselling author and host of The Happy Hour with Jamie Ivey podcast
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
