Cartier in Motion' unravels the unique story of Cartier?s approach to watchmaking and design. Curated by Lord Norman Foster, the book explores the creativity of Cartier. Whilst telling the story of Cartier watchmaking and the invention of the modern wristwatch, Cartier in Motion explores the change in society at the turn of the 20th century. Amidst upheavals in art, architecture, travel and lifestyles, the traces of a new world could be seen.0.
"Explore the elements of composition, light, and direction that effectively create the illusion of time and motion in a digital image." The author explains how best to create these illusions and guides you through simple yet effective shooting techniques and post processing strategies.--[back cover].
Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work.
This catalogue accompanies an international touring jewellery exhibition. Ettore Sottsass presents the Collection Art de Cartier, viewing the collection as a reflection of form and design, while understanding its function and relation with the surrounding space and bodies it adorns.
Cartier’s peerless designers have continued to amaze decade after decade—from the 1930s into the twenty-first century—with their fanciful and trendsetting creations. Figurative pieces comprise a significant portion of the house’s collection—a veritable menagerie that includes bejeweled roosters and cobras cohabitating with tigers and angelfish. In addition to whimsical fauna and resplendent flora, Cartier crafted items of precisely mastered abstraction, from virtuoso work in gold to chromatic harmonies ranging from subtle to bold. The second half of the twentieth century was to provide an inexhaustible repertoire of forms for decorative objects and finery. Close-ups of hundreds of Cartier pieces are supplemented with archival drawings, as well as society and fashion photographs. This volume chronicles the rise of a pioneering firm and illustrates the power of constantly renewed styles based on a fine balance between imagination and know-how, creativity and experience. Fashion writer Nadine Coleno situates the emergence of Cartier’s creations in their historical and stylistic context. This volume offers an eloquent tribute to the multiple talents that have transformed the name of a dynasty of jewelers into the universal gold standard in jewelry design.
After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.
"'The air is on fire' is the first exhibition to comprehensively present David Lynch's work as a visual artist. Created for the Fondation Cartier pour l'art contemporain and shown in Paris from March 3 to May 27, 2007, it includes diverse forms of his artistic expression, culled from his extensive collection of his own artwork that dates back to 1965. Initially trained as a painter, he has continued to prolifically produce artwork - from paintings to photographs to drawings - throughout his career as a filmmaker, and has broadened his practice to include animation, music composition and sound production." - page [15]
