Bedtime story for kids is much fascinating to tell by using personalized kids' book with your child's name in the story! This "Carson & Bedtime Teddy Bear Fellows" -book for toddlers is a pleasant trip to your child to see a few lovely teddy bears! It is surely an excellent option when you are looking for a perfect present for your child! Children's books with their names in the storybook are a pleasant and charming journey to a child to feel to be a part of the story! Tell a good night story to your child just in 5 minutes using this book, or use it any time when your child wants to see fascinating teddy's! A unique gift idea to your or your friend's child! Features: Personalized book with your child's name in the story Different teddy illustration on every other page 24 Pages, 11 Illustrations with the personalized story text 8.5 x 8.5 in, 21,59 x 21,59 cm
At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.
"Forgive state poet #289-128 / for not scribbling illusions / of trickery as if timeless hell / could be captured by stanzas / alliteration or slant rhyme," remarks the speaker, Maryland Department of Corrections prisoner {#289-128}, early in this haunting collection. Three sections—{#289-128} Property of the State, {#289-128} Poet-in-Residence (Cell 23), and {#289-128} Poet in New York—frame the countless ways in which the narrator's body and life are socially and legally rendered by the state even as the act of poetry helps him reclaim an identity during imprisonment. These poems address the prison industrial complex, the carceral state, the criminal justice system, racism, violence, love, resilience, hope, and despair while exploring the idea of freedom in a cell. In the tradition of Dennis Brutus's Letters to Martha, Wole Soyinka's A Shuttle in the Crypt, and Etheridge Knight's The Essential Etheridge Knight, {#289-128} challenges the language of incarceration—especially the ways in which it reinforces stigmas and stereotypes. Though {#289-128} refuses to be defined as a felon, this collection viscerally details the dehumanizing effects of prison, which linger long after release. It also illuminates the ways in which we all are relegated to cells or boundaries, whether we want to acknowledge it or not.
A poetry collection that celebrates Black culture, creativity, and memory. From Kendrick to Kanye, to a Sunday in Oakland with Frank Ocean's falsetto in the foreground, Mausoleum of Flowers is still life set against the backdrop of demise. Daniel Summerhill's sophomore collection grabs fate by the throat and confronts it. What does it mean to continue living when your friends are dying beside you? This collection melds an exploration of spirituality and rebellion with Black tradition. Summerhill's poems invite the reader near in order to self-excavate and explore tones of loss, love, and light.
Updated to include a new chapter about the influence of social media and the Internet—the 20th anniversary edition of Bowling Alone remains a seminal work of social analysis, and its examination of what happened to our sense of community remains more relevant than ever in today’s fractured America. Twenty years, ago, Robert D. Putnam made a seemingly simple observation: once we bowled in leagues, usually after work; but no longer. This seemingly small phenomenon symbolized a significant social change that became the basis of the acclaimed bestseller, Bowling Alone, which The Washington Post called “a very important book” and Putnam, “the de Tocqueville of our generation.” Bowling Alone surveyed in detail Americans’ changing behavior over the decades, showing how we had become increasingly disconnected from family, friends, neighbors, and social structures, whether it’s with the PTA, church, clubs, political parties, or bowling leagues. In the revised edition of his classic work, Putnam shows how our shrinking access to the “social capital” that is the reward of communal activity and community sharing still poses a serious threat to our civic and personal health, and how these consequences have a new resonance for our divided country today. He includes critical new material on the pervasive influence of social media and the internet, which has introduced previously unthinkable opportunities for social connection—as well as unprecedented levels of alienation and isolation. At the time of its publication, Putnam’s then-groundbreaking work showed how social bonds are the most powerful predictor of life satisfaction, and how the loss of social capital is felt in critical ways, acting as a strong predictor of crime rates and other measures of neighborhood quality of life, and affecting our health in other ways. While the ways in which we connect, or become disconnected, have changed over the decades, his central argument remains as powerful and urgent as ever: mending our frayed social capital is key to preserving the very fabric of our society.
Paul is a schoolboy, described as tall and thin with strange eyes. He is facing the headmaster and several of his teachers, with whom he does not have a good relationship. All of them, in one way or another, find him difficult and disturbing to teach.
“I am a one-year-old and this is my autobiography....” Have you ever looked at your baby and wondered what he or she is thinking? Are you ready to find out? “I thought it was about time someone told it like it is. So I’m spilling the beans on the world of a one-year-old. A world where you’re left in the charge of totally inept parents. Where everything’s at completely the wrong height. Where you’re not allowed to splash in the bath but you are in the pool. Where nobody understands a single word you say. And where diapers and poop loom large at every turn. “It’s a roller-coaster ride through one heck of a year. I’ve laughed a lot, I’ve cried a lot, I’ve learned a lot. And so will you. You might even discover the answer to that age-old question: Humpty Dumpty — did he fall or was he pushed? “Anyway, must run. I see a bowl of tepid gloop is being spooned out for me. What joy.” Welcome to the wonderful world of your one-year-old.
