One day, after Dan is forced to close the boardwalk carousel, he and his neighbors search for their missing cat friend at the same time that a local building catches fire.
It is Halloween night and two very different witches are preparing for the evening’s festivities. While Karen, a young trick ’r treater, is putting on her witch’s costume, a witch named Hexabell is whipping up a potion to turn a stray kitten into a Halloween cat—a cat with witchy abilities.
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
All for the Love of Cats is a collection of stories, poems and interesting facts about America’s most popular pet the house cat. It was written in the 87th year of my life. I am a retired person who never really retired. My life began in April of the year 1935. A time when America suffered from a great depression. I was born in Mount Vernon, New York into a family that was poor. My mother and father married very soon after graduating from high school with no skills to qualify them for good jobs. So, my farther made a merger salary and my mother stayed home with me. His jobs came and went. Before I was five, we moved from Mount Vernon to Cos Cob Connecticut to Riverside, to Roatan, to Old Greenwich. I spent the war years there and at my age ten we moved to a small town in upstate New York named Sempronius where we ran a chicken farm. It was there that I met my first cat and I have loved cats ever since. I left there in 1953, tried a semester of college, flunked out and joined the Navy in Key West, Florida and I didn’t have contact with another cat until I married my wife Kay in 1962 and we bought a copper-eyed Persian cat named Buzzy. Buzzy lived with us for nineteen years and after he died, we didn’t have another cat until the nineteen eighties when a white short-hair cat named Marco Polo came to our summer home in Cashiers, North Carolina. Marco soon had a small Maine Coon female for a friend and soon the stray started coming to our door and by the time we retired in 1993 we had anywhere from six to ten cats sharing our home. But it wasn’t until 1995 when we moved from Clearwater, Florida to Cashiers, North Carolina and found that that town and all the other towns around us had a serious problem with stray and abandoned cats and we began helping to save as many of them as we could and any other plans we had for our retirement were gone with the wind and we spent all of our years of retirement operating a no-kill shelter and adoption center and we worked harder than I did a college professor and Kay as a school social worker harder than we had ever worked before. When you operate a cat shelter you don’t work nine to five, you work seven-twenty-four- three sixty-five because cats work those same hours and they may need assistance at any time of the day or night. This book tells the story of our life since we though we retired in 1993. All the stories are true, I wrote the poems and put together the facts about cats and how they became pets and companions that enriched our lives. The idea for a cat museum had been in our minds since we learned that there were none in America and we began buying items for a museum. But it wasn’t until 2017 that we were able to open a small cat museum in one room of a local antique mall and we learned that cat people did, indeed, want to visit a cat museum and people from all over the world have come to visit. I hope I live forever, but my wife died at age 87 so it is unlikely I will live forever and when I do I hope all the people who love cats will come together and help the museum live on after me with donations to the cause. Information of how you can help can be found on the last few pages on this book. Please buy a copy, learn more about your cats and help the museum to live on into the future to educate and entertain cat lovers in the near and far future.
Cat fanciers and coloring enthusiasts will be enchanted with this gallery of original designs. More than 30 full-page portraits form a rich tapestry of hearts, flowers, and paisleys in various patterns.
A lively exploration of eclecticism, playfulness, and whimsy in American postwar design, including architecture, graphic design, and product design This spirited volume shows how postwar designers embraced whimsy and eclecticism in their work, exploring playfulness as an essential construct of modernity. Following World War II, Americans began accumulating more and more goods, spurring a transformation in the field of interior decoration. Storage walls became ubiquitous, often serving as a home's centerpiece. Designers such as Alexander Girard encouraged homeowners to populate their new shelving units with folk art, as well as unconventional and modern objects, to produce innovative and unexpected juxtapositions within modern architectural settings. Playfulness can be seen in the colorful, child-sized furniture by Charles and Ray Eames, who also produced toys. And in the postwar corporate world, the concept of play is manifested in the influential advertising work of Paul Rand. Set against the backdrop of a society that was experiencing rapid change and high anxiety, Serious Play takes a revelatory look at how many of the country's leading designers connected with their audience through wit and imagination.
Caterina Cammino is an attractive and reclusive thirty-five-year-old woman whose nightly ritual is to go to the beach and drink wine from the bar of her car. Though alcohol is her crutch and companion, it cant erase the memory of the summer of 1988 when she lost her innocence--and awoke to a scream. Tyler Beck is an intellectually gifted eighteen-year-old loner who has an invisible, magical cord above his right shoulder; he is also a former drug addict who was rehabilitated with the help of a counselor named Robie. After Robie dies, however, a distraught Beck exits his friends funeral and seeks refuge at the beachand in heroin. Their lives collide when Caterinas car strikes a trashcan that crashes into the semi-conscious Beck. When they both ask aloud for help, the grieving parts of themselves are transported to another dimension called 10-17. Caterina arrives in this dimension as her seventeen-year-old self, Cat, and there she meets Beck, whom she nicknames Ty. Once in this new world, set against a backdrop of Italy, they meet a Watcher named Miranda who tells them that they are in 10-17 for healing, even while their parallel lives are continuing on Earth. Miranda explains that the dimensions are spaced like slats on a window blind; she also tells the teenagers about a place called Thare, an Earth-like dimension populated by humans, but without suffering or addiction. While Beck readily embraces his love for the mature Caterina, she is conflicted over her feelings for a man half her age. Meanwhile, in Dimension 10-17, as Cat and Ty complete their lesson, they are torn over the choice that Miranda offers them: To go to the perfect world of Thare and leave the Earth and their families behind, or to return wholly to their Earthly selves...
"That buildings are made of elements doesn't mean that architecture should be based on elementarism; on the contrary, we should strive for an architecture of continuity that fuses tectonics with textile, abstraction with empathy, and matter with expressivity." This is the crux of the argument Lars Spuybroek makes in this book, the first fully theoretical account of his innovative work. The state of contemporary architecture is the product of a 150-year battle between the Polytechnique and Beaux-Arts schools of design, which has forced us into a stalemate between the radically opposed positions of high-tech and sculpturism. Spuybroek aims to do no less than mend this rift through rethinking technology as an extension of our feeling senses, materiality as the realm of activity and agency, and structure as the result of genesis. Building on Gottfried Semper's materialist theory of architecture, he takes us from a philosophy of technology to a surprisingly historical argumentation that constantly revives the words of John Ruskin, William Hogarth and Wilhelm Worringer. Alongside a number of essays, the book contains extensive conversations in which we witness him refining and sharpening his arguments ("We will see a merging of Art Nouveau and Bauhaus, where empathy has been liberated from manual labor and machines have been liberated from uniform repetition"). In a period of theoretical tranquility in architecture, this book takes a refreshing turn back to the basics, one in which tools, methodology and architectural aesthetics are recalibrated.
Theatre was made for children. With their fertile imaginations and their honest ability to be carried away by a story, they are the best audiences that directors, actors, and playwrights could ever hope to encounter. They also represent the future of the arts. Theatre for Children is a collection of new and classic plays for children. Adapted from some of the most beloved stories in children's literature, such as Roald Dahl's The Witches, The Great Gilly Hopkins, and Dr. Seuss' How the Grinch Stole Christmas, as well as original plays, this anthology brings together new and overlooked plays that children are sure to love. Theatre for Children is an invaluable resource for directors, teachers, and students of theatre. Foreword Country Mouse and the Missing Lunch Mystery by Sandra Fenichel Asher Ernie's Incredible Illucinations by Alan Ayckbourn Two Donuts by Jose Cruz González Dr. Seuss' How the Grinch Stole Christmas by Timothy Mason and Mel Marvin A Laura Ingalls Wilder Christmas by Laurie Brooks Braille: The Early Life of Louis Braille by Lola H. and Coleman A. Jennings Bless Cricket, Crest Toothpaste, and Tommy Tune by Linda Daugherty The Great Gilly Hopkins by David Paterson and Steve Liebman The Witches by David Wood Mississippi Pinocchio by Mary Surface and David Maddox The Wolf and Its Shadows by Sandra Fenichel Asher Ezigbo, The Spirit Child by Max Bush and Adaora Nzelibe Schmiedl Inuk and the Sun by Henry Beissel A Village Fable by James Still The Witch of Blackbird Pond by Y York