Written for students, graduates and academics from the disciplines of film, media and related subjects, and for those from other disciplines who want to break into the media, this book is a virtual career coach and an employability course all in one package. A practical handbook, it offers encouragement, advice, information and case studies to help students to make the most of the opportunities in this very competitive career world. The book can be used as a textual support for careers modules and PDP (Personal Development Planning), graduate workshops, on-line courses and as a departmental or careers library resource. Equally, it works effectively as a self-help guide to enable individuals to focus on their career / life development.
Written for students, graduates and academics from the disciplines of film, media and related subjects, and for those from other disciplines who want to break into the media, this book is a virtual career coach and an employability course all in one package. A practical handbook, it offers encouragement, advice, information and case studies to help students to make the most of the opportunities in this very competitive career world. The book can be used as a textual support for careers modules and PDP (Personal Development Planning), graduate workshops, on-line courses and as a departmental or careers library resource. Equally, it works effectively as a self-help guide to enable individuals to focus on their career / life development.
Nearly everybody wants to get into the movies or be on television—and here's the book that shows them how! Every year, thousands of students graduate from film schools, then settle in major centers of film and TV activity—mainly Los Angeles or New York. This book is a practical guide to help these newcomers launch their careers. Not everybody can be a star actor or director, but the closely related film and television industries offer exciting, financially rewarding careers in scores of affiliated fields. Here are just some that are discussed in this book, which also gives practical advice on how to make contacts and get job offers: Talent Agent. . . Apprentice Editor. . . Art Director. . . Assistant Cameraman . . . Assistant Director . . . Costume Designer . . . Director of Photography . . . Film Editor . . . Gaffer . . . Music Mixer . . . Production Assistant . . . Stage Manager . . . Storyboard Artist . . . and many more. In addition to career advice, the author presents true stories of men and women who tell how they launched their own successful careers. There is no clear, simple road to success in the film and television industry, but this book gives career-seekers the facts they need to develop a solid game plan and achieve their goals.
The film and TV industry has changed dramatically over the last few decades due to the advancement of computer software. Not only has technology improved but it has also opened unforeseen venues of distribution for independent and small-budget productions. Computer science job openings involve virtual reality, artificial intelligence, robotics, drones, and other advanced applications. This extensive guide provides an in-depth look at established and emerging career developments in major entertainment industry studios and production facilities. It also profiles opportunities in adjacent businesses, such as equipment dealers and vendors skilled in visual effects, sound, and other applications.
Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.
This supplement profiles employment opportunities in media and points out often overlooked options for students seeking a job in the highly selective and competitive media world. Included is a discussion of portfolio development and valuable appendices with state and job websites.
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
MANY OF THE MOST EXCITING, LUCRATIVE and prestigious careers available today are available in television production. The field includes producers, directors, cinematographers, writers, editors, camera operators, special effects experts, and sound engineers. Many TV professionals work at studios and production companies in the major entertainment centers of Hollywood and New York City. Others are employed in smaller cities, creating local news programs, morning talk shows, instructional videos, web-based video series, and commercials. Could you be successful in the television industry? Talent - creativity, imagination, the ability to tell a good story - is an important qualification. Add some training on the technical and artistic aspects of TV, supplemented by practical experience as you learn the business, and you will be ready to start. Do you enjoy the creative process? Could you work well in a collaborative environment, teaming with fellow creative workers to guide a show from initial idea through broadcast? Can you handle constructive criticism? Are you persistent? If so, you could be successful in a TV career. A four-year degree is not required but is typically helpful to get started. Some TV professionals start out in film school, but others get their training from traditional colleges and universities. A degree in TV production, journalism, or mass communication will give you a broad overview of the industry. More advanced technical training will be required for certain specialties, such as camera operator or sound engineer. TV professionals work for major production studios, local television stations, corporations, not-for-profit organizations, marketing firms, and advertising agencies. Some are employees of production houses or studios, working as part of a team that creates each week's episodes for a series. Others are contractors who move among different studios to tackle individual projects. It is not easy to break into television, as competition is fierce for the limited number of positions available. There are about 130,000 positions available in television productions, with average annual earnings of about $70,000. You will need talent, training, and determination to succeed. If you are willing to spend the necessary time studying the industry, learning the basics of TV production, you can achieve the personal and professional satisfaction that accompanies a career in television.
A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trends In a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood’s “invisible money machine,” probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money? We also learn: + How and why the studios harvest silver from old film prints ... + Why stars do—or don’t do—their own stunts ... + The future of Netflix: Why the “next big thing” now seems in such deep trouble... + What it costs to insure Nicole Kidman’s right knee… + How Hollywood manipulates Wall Street: including the story of the acquisition of MGM… wherein a consortium of banks and hedge funds lost some $5 billion… while Hollywood made millions. + Why Arnold Schwarzenegger is considered a contract genius… + The fate of serious fare: How HBO, AMC, and Showtime have found ways to make money offer adult drama, while the Hollywood studios prefer to cater to teen audiences. + Why Lara Croft: Tomb Raider is considered a “masterpiece” of financing ...
