Tall sky, a bright elf, and Melody, with her miniature dragon, Daisy, join King Aryantes caravan to help rescue Aksandan girls who were abducted by bitter elves and sold into sexual slavery in Orendia, where men view women as properties to be used for pleasure and for childbearing. Throughout their journey, the caravan was attacked by pirates, bandits, giant mantises, and demons sent by the kings adviser, an evil sorcerer named Ahriman. The rescued girls were in need of healing and counseling. They had been used and abused for eight months and had lost hope. On their journey home, the girls learn to trust, to forgive, and to have hope for the future.
The Runaways of Phayendar explores the themes of love, forgiveness, and redemption amid a land of turmoil over the slave trade and greed. It is a story of innocence and heroism in the face of formidable danger. It shows the triumph of the human spirit over evil as it ravages the country of Aksanda, a country of farmers and fishermen whose children are abducted and sold into slavery to foreigners at auctions. Homes are burned and people killed by hordes of evil elves called Bitters who organize for a battle at Orthrund against the dwarves living in the Aikasse Mountains. Bright Elves, men and dwarves, unite to defend Orthrund. Tall Sky, while helping a few runaways, is caught off guard by love with a feisty redhead named Melody and her little dragon, Daisy. They become involved with King Aryantes purge of slavery that has far-reaching effects on the country of Aksanda and beyond.
Chengli is an orphaned errand boy who lives in Chang'an China in 630 A.D. His mother has died from illness and his father is presumed dead after disappearing into the desert when Chengli was a baby. Now thirteen, Chengli feels ready for independence. He is drawn to the desert, beckoned by the howling of strange winds and the hope of learning something about his father--who he was and how he died. Chengli joins a caravan to travel down the merchant route known as the Silk Road, but it is a dangerous life, as his father knew. The desert is harsh, and there are many bandits--bandits interested in Chengli's caravan because a princess, her servants, and royal guards are traveling with them. But the desert is full of amazing places and life-changing experiences, as the feisty princess learns the meaning of friendship and Chengli learns the heroism of which he is capable.
Insurance mathematician Henri has his life under control, when a man from the past appears and a shady trio take over the adventure park's equipment supply company ... Things are messier than ever in the absurdly funny, heart-stoppingly tense second instalment in Antti Tuomainen's bestselling series... &‘In these uncertain times, what better hero than an actuary?' Chris Brookmyre &‘The antic novels of Antti Tuomainen prove that comedy is not lost in translation ... Tuomainen, like Carl Hiaasen before him, has the knack of combining slapstick with genuine emotion' The Times **Soon to be a major motion picture starring Steve Carell** _________________________________________ Insurance mathematician Henri Koskinen has finally restored order both to his life and to YouMeFun, the adventure park he now owns, when a man from the past appears &– and turns everything upside down again. More problems arise when the park's equipment supplier is taken over by a shady trio, with confusing demands. Why won't Toy of Finland Ltd sell the new Moose Chute to Henri when he needs it as the park's main attraction? Meanwhile, Henri's relationship with artist Laura has reached breaking point, and, in order to survive this new chaotic world, he must push every calculation to its limits, before it's too late... Absurdly funny, heart-stoppingly poignant and full of nail-biting suspense, The Moose Paradox is the second instalment in the critically acclaimed, pitch-perfect Rabbit Factor Trilogy and things are messier than ever... _________________________________________ Praise for The Rabbit Factor Trilogy: &‘A thriller with black comedy worthy of Nabokov' Telegraph Book of the Year 'The funniest writer in Europe, and one of the very finest. There is a beautiful rhythm and poetry to the prose ... original and brilliant story-telling' Helen FitzGerald &‘British readers might think they know what to expect from Nordic noir: a tortured detective, a bleak setting, a brutal crime that shakes a small community. Finnish crime novelist Tuomainen turns all of this on its head ... The ear of a giant plastic rabbit becomes a key weapon. It only gets darker and funnier' Guardian 'Antti Tuomainen turns the clichéd idea of dour, humourless Scandi noir upside down with The Rabbit Factor. Dark, gripping and hilarious ... Tuomainen is the Carl Hiaasen of the fjords' Martyn Waites 'The Rabbit Factor is a triumph, a joyous, feel-good antidote to troubled times' Kevin Wignall &‘Finland's greatest export' M.J. Arlidge &‘The Rabbit Factor is an astounding read. It has the suspenseful twists of a thriller, the laugh-out-loud moments of a comedy and a tragic dimension that brings a tear to the eye' Crime Fiction Lover 'You don't expect to laugh when you're reading about terrible crimes, but that's what you'll do when you pick up one of Tuomainen's decidedly quirky thrillers' New York Times &‘Tuomainen is the funniest writer in Europe' The Times &‘Right up there with the best' Times Literary Supplement &‘Tuomainen continues to carve out his own niche in the chilly tundras of northern' Daily Express
The Frankfurt Book Fair is the leading global industry venue for rights sales, facilitating business-to-buzzness deals and international networks. In this Element, we pursue an Ullapoolist approach to excavate beneath the production of bestsellers at the Fair. Our investigation involved three consecutive years of fieldwork (2017–2019) including interviews and autoethnographic, arts-informed interventions. The Element argues that buzz at the Fair exists in two states: as market-ready media reports and partial, lived experiences linked to mood. The physical structures and absences of the Fair enact its power relations and direct the flow of books and buzz. Further, the Fair is not only a site for commercial exchange but a carnival of sorts, marked by disruptive historical events and problematic socio-political dynamics. Key themes emerging from the Element are the presence of excess, the pseudo(neo)liberal self-satisfaction of book culture, and the interplay of optimism and pessimism in contemporary publishing.
A poignant, coming of age novel about an Irish gypsy boy’s childhood in the 1950’s from the national bestselling author of A Rip in Heaven and American Dirt. Ireland, 1959: Young Christopher Hurley is a tinker, a Pavee gypsy, who roams with his father and extended family from town to town, carrying all their worldly possessions in their wagons. Christy carries with him a burden of guilt as well, haunted by the story of his mother’s death in childbirth. The wandering life is the only one Christy has ever known, but when his grandfather dies, everything changes. His father decides to settle briefly, in a town, where Christy and his cousin can receive proper schooling and prepare for their first communions. But still, always, they are treated as outsiders. As Christy struggles to find his way amid the more conventional lives of his new classmates, he starts to question who he is and where he belongs. But then the discovery of an old newspaper photograph, and a long-buried secret from his mother’s mysterious past, changes his life forever....
A gripping standalone thriller from the “first-rate British crime writer” and internationally bestselling author of the Tom Thorne novels (The Washington Post). Alice Armitage is a police officer. Or she was. Or perhaps she just imagines she was. Whatever the truth is, following a debilitating bout of PTSD, self-medication with drink and drugs, and a psychotic breakdown, Alice is now a long-term patient in an acute psychiatric ward. When one of her fellow patients is murdered, Alice becomes convinced that she has identified the killer and that she can catch them. Ignored by the police, she begins her own investigation. But when her prime suspect becomes the second victim, Alice’s life begins to unravel still further as she realizes that she cannot trust anyone, least of all herself. Praise for Mark Billingham and the Tom Thorne novels “Morse, Rebus, and now Thorne. The next superstar detective is already with us―don’t miss him.” —Lee Child, author of the Jack Reacher series “Billingham is a world-class writer and Tom Thorne is a wonderful creation. Rush to read these books.” —Karin Slaughter, international bestselling author “With each of his books, Mark Billingham gets better and better. These are stories and characters you don’t want to leave.” —Michael Connelly, author of the Harry Bosch series “Mark Billingham has brought a rare and welcome blend of humanity, dimension, and excitement to the genre.” —George Pelecanos, writer and producer of The Wire “Tom Thorne is one of the most credible and engaging heroes in contemporary crime fiction.” —Ian Rankin, author of the Inspector Rebus novels and The Travelling Companion
