This volume captures a wide spectrum of phonological explorations covering three main areas: research architecture, pattern analysis, and inter-linguistic interface. These numerous shades of phonology are revealed through the work of authors who hail from Asia and America, featuring, among others, such giants as Paul Kiparsky, Diana Archangeli, Douglas Pulleyblank, Sharon Inkelas, Ellen Broselow, Duanmu San, Yen-hwei Lin, and James Myers.
This volume captures a wide spectrum of phonological explorations covering three main areas: research architecture, pattern analysis, and inter-linguistic interface. These numerous shades of phonology are revealed through the work of authors who hail from Asia and America, featuring, among others, such giants as Paul Kiparsky, Diana Archangeli, Douglas Pulleyblank, Sharon Inkelas, Ellen Broselow, Duanmu San, Yen-hwei Lin, and James Myers.
This volume brings together a collection of original articles investigating state-of-the-art themes in morphology. The papers in the volume provide an in-depth analysis for spoken and sign languages within morphological word domain, morphosyntax and morphophonology. Bringing data from a variety of languages including Turkish, some understudied ones (e.g. Turkish Sign Language, Late Ottoman Turkish) and also endangered languages (e.g. Karachay-Balkar, Sauzini, Cappadocian, Aivaliot and Pharasiot Greek), the volume will be of special interest to a wide audience ranging from typologists to theoretical linguists and graduate students in linguistics and is expected to generate further research on the above mentioned languages, as well as to contribute to the cross-linguistic literature on the themes explored in the volume.
This volume offers a selection of interface studies in generative linguistics, a valuable “one-stop shopping” opportunity for readers interested in the ways in which the various modules of linguistic analysis intersect and interact. The boundaries between the lexicon and morphophonology, between morphology and syntax, between morphosyntax and meaning, and between morphosyntax and phonology are all being crossed in this volume. Though its focus is on theoretical approaches, experimental studies are also included. The empirical focus of many of the contributions is on Hungarian, and several chapters respond to work published by István Kenesei, to whom the volume is dedicated.
This volume focuses on the theoretical and analytical challenges that languages with complex morphologies pose for the theory and typology of word-level prosodic phenomena. The morphological complexity and phonological length that are characteristic of words in these languages make them a particularly fruitful ground for investigating the effects of both phonological and morphological factors in the assignment of prominence. The first three chapters in the volume explore general theoretical issues pertaining to word prominence in synthetic languages, including the issue of 'wordhood' and the empirical, theoretical, and methodological issues with delineating word-level prominence and the higher-level prosodic phenomena in these languages. These are followed by a series of case studies on stress, accent, and tone in a geographically and genetically diverse set of languages with highly synthetic morphologies including languages of the Americas, Europe and Asia, and Australia. The volume adopts an interdisciplinary perspective, combining phonetic, phonological, and morphosyntactic insights. It will be of interest not only to phonologists and morphologists, but to all those interested in the typological and theoretical issues relating to polysynthetic languages.
Prosody is one of the core components of language and speech, indicating information about syntax, turn-taking in conversation, types of utterances, such as questions or statements, as well as speakers' attitudes and feelings. This edited volume takes studies in prosody on Asian languages as well as examples from other languages. It brings together the most recent research in the field and also charts the influence on such diverse fields as multimedia communication and SLA. Intended for a wide audience of linguists that includes neighbouring disciplines such as computational sciences, psycholinguists, and specialists in language acquisition, Prosodic Studies is also ideal for scholars and researchers working in intonation who want a complement of information on specifics.
From the physiology and acoustics to their patterning across human languages, tone is one of the fundamental constructs in human languages that is also among the hardest to apprehend. Drawing upon a large number of languages around the world, this volume explores the concept of tone starting from its physical properties of articulation and acoustics to its manifestation in phonology. Designed as a comprehensive study accessible to the novice and useful for the expert, each chapter covers a particular aspect of tone in increasing depth and complexity, weaving together key concepts and theories that provide complementing or competing accounts of tone's phonological intricacies. In the process, one uncovers the underlying laws and principles that inform today's understanding of the subject to form a more synthesized view that also allows us to explore the relation of tone to other important areas of humanity such as literature, history, music and cognition.
The complexity of tone can only be appreciated through phonological patterning that unveils structures beyond differences in pitch heights and contour profiles. Following an introduction on tone's ability to express lexical and grammatical contrasts, Section 2 explains that phonetically, fundamental frequency profiles make for the best descriptors. From these descriptions, Section 3 explains how, through postulations of subatomic entities that comprise tones, a language's tone inventory can be quite symmetrical. In looking at tone's independence from the syllable and segments, Section 4 establishes tone as an autosegment. Sections 5, 6, and 7 go on to discuss a myriad of complexities where tones interact with one another and with other phonological entities. Here, the authors offer a suggestion on how some of these interactions can be captured within the same analytical umbrella. Section 8 then peeks into tone's phonological properties through music and poetry.
