"Ein feste Burg ist unser Gott," Cantata No. 80, by Johann Sebastian Bach, was composed in Leipzig, Germany for Reformation Day and was first performed between 1727 and 1731. It is based on the famous chorale of Martin Luther, "Ein feste Burg ist unser Gott," or "A Mighty Fortress is Our God." German and English text.
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
The year 2017 marks the five-hundredth anniversary of the Reformation, if that event is dated from the posting of Martin Luther's Ninety-Five Theses. Admittedly, 2017 is an arbitrary and somewhat artificial milestone. Nevertheless, anniversaries can be special occasions that allow for an appreciation and evaluation of memorable persons and events. As a number of Reformation anniversaries approach, the historical significance of the Reformation merits increased attention. Employing a variety of historiographical methods from intellectual history to postcolonial theory, this volume demonstrates how four major traditions observed the Reformation: Lutheran, Anglican, Reformed, and Roman Catholic. The foreword and preface place the essays into the contemporary and broader historical contexts in the history of reform. Commemorations of the Reformation varied in different periods, often influenced by immediate historical contexts. How are those sixteenth-century events, which caused both renewal and conflict in church and society as well as divisions between those expressions, to be viewed in the twenty-first century in a setting broader than Europe?
The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.