Reporter Onoe and photographer Kaburagi constantly bicker and argue on their stakeouts, but will their antagonistic behavior paradoxically evolve into something sweeter? Satoshi Onoe, a reporter for a weekly magazine, has a new stakeout partner, and he’s anything but thrilled about it. Photographer Motoharu Kaburagi’s unconventional reporting methods and overall bad attitude are enough to drive Onoe insane. But the more the two work together, the closer they get. Both work and love are going pretty great for both Onoe and Kaburagi! But one day Kaburagi bumps into Sanjo, an old high school buddy who happens to be the heir to a hotel chain. While Sanjo looks ecstatic to see Kaburagi again, Kaburagi himself seems a little awkward about it. Seeing this, Onoe starts to wonder if maybe the two of them were more than just friends once upon a time…
Reporter Onoe and photographer Kaburagi constantly bicker and argue on their stakeouts, but will their antagonistic behavior paradoxically evolve into something sweeter? Satoshi Onoe, a reporter for a weekly magazine, has a new stakeout partner, and he’s anything but thrilled about it. Photographer Motoharu Kaburagi’s unconventional reporting methods and overall bad attitude are enough to drive Onoe insane. But the more the two work together, the closer they get. Satoshi Onoe takes pride in the good writing and ethical reporting he does in his job at a weekly magazine. But when the stakeout teams are shuffled around, he ends up being paired up with Motoharu Kaburagi, an ill-mannered photographer who is nothing but trouble. Onoe despises Kaburagi’s haphazard and unethical reporting methods, and the two bicker constantly. But Onoe’s annoyance begins to shift as he spends more time with Kaburagi, and his feelings turn a bit sweeter…
Kaburagi and Onoe still bicker constantly, but at the end of the day they’re firmly in love. But suddenly, Kaburagi’s sister Noriko shows up! Apparently, the two of them don’t get along very well...or at all, really. But Noriko does manage to hit it off with Onoe, and the two start hatching plots to knock Kaburagi’s ego down a peg or three... -- VIZ Media
It’s been nearly a year since Onoe and Kaburagi began dating, and their office has just hired a new recruit—Kasai. Onoe is thrilled to have a junior to mentor, but Kasai seems to see Onoe only as a rival. And when Kasai discovers Onoe gets most of his scoops through Kaburagi, he throws down the gauntlet and declares that he will make Kaburagi his! -- VIZ Media
Ever since the yakuza incident and Onoe’s daring rescue, rookie reporter Kasai has gone from viewing Onoe as a rival to admiring him to a fault! And Kaburagi is not pleased—at all. While chasing a story about a famous actor having an affair, Onoe and Kaburagi run into Kasai. In a fit of jealousy, Kaburagi blurts out that he and Onoe are a couple. Overhearing this, the devious Inami decides to target Onoe. -- VIZ Media
Aoi Yamamoto is 20 years old. Determined to get his first girlfriend, he joined a Nihonshu Club...only to find it chock-full of men. Disappointed, Aoi overindulges, and is taken home by a fellow club member to recover. This club member is also a virgin, even though he's had many girlfriends, and when he shows Aoi why, well...Aoi finds he wants to try it out for himself.
“Time travel, murder, corruption, restless baby dinosaurs, and a snarky robot named Ruby collide in this excellent, noir-inflected, humor-infused, science-fiction thriller.”—The Boston Globe An impossible crime. A detective on the edge of madness. The future of time travel at stake. From the author of The Warehouse . . . FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF THE BEST BOOKS OF THE YEAR: NPR, Kirkus Reviews January Cole’s job just got a whole lot harder. Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting to catch their “flights” to the past. Or where proximity to the timeport makes the clocks run backward on occasion—and, rumor has it, allows ghosts to stroll the halls. None of that compares to the corpse in room 526. The one that seems to be both there and not there. The one that somehow only January can see. On top of that, some very important new guests have just checked in. Because the U.S. government is about to privatize time-travel technology—and the world’s most powerful people are on hand to stake their claims. January is sure the timing isn’t a coincidence. Neither are those “accidents” that start stalking their bidders. There’s a reason January can glimpse what others can’t. A reason why she’s the only one who can catch a killer who’s operating invisibly and in plain sight, all at once. But her ability is also destroying her grip on reality—and as her past, present, and future collide, she finds herself confronting not just the hotel’s dark secrets but her own. At once a dazzlingly time-twisting murder mystery and a story about grief, memory, and what it means to—literally—come face-to-face with our ghosts, The Paradox Hotel is another unforgettable speculative thrill ride from acclaimed author Rob Hart.
In these five eloquent and passionate pieces (which she gave as the prestigious Reith Lectures for the BBC) Patricia J. Williams asks how we might achieve a world where "color doesn't matter"--where whiteness is not equated with normalcy and blackness with exoticism and danger. Drawing on her own experience, Williams delineates the great divide between "the poles of other people's imagination and the nice calm center of oneself where dignity resides," and discusses how it might be bridged as a first step toward resolving racism. Williams offers us a new starting point--"a sensible and sustained consideration"--from which we might begin to deal honestly with the legacy and current realities of our prejudices.
Limit overload—confession imminent. After struggling with his feelings for his adorable kouhai Mya-chan for almost a year, Sasaki takes the plunge and admits how he really feels. But has Miyano’s admiration for his senpai turned into… something more? Or will Sasaki be friend-zoned— permanently…?!
Whether we're buying a pair of jeans, ordering a cup of coffee, selecting a long-distance carrier, applying to college, choosing a doctor, or setting up a 401(k), everyday decisions—both big and small—have become increasingly complex due to the overwhelming abundance of choice with which we are presented. As Americans, we assume that more choice means better options and greater satisfaction. But beware of excessive choice: choice overload can make you question the decisions you make before you even make them, it can set you up for unrealistically high expectations, and it can make you blame yourself for any and all failures. In the long run, this can lead to decision-making paralysis, anxiety, and perpetual stress. And, in a culture that tells us that there is no excuse for falling short of perfection when your options are limitless, too much choice can lead to clinical depression. In The Paradox of Choice, Barry Schwartz explains at what point choice—the hallmark of individual freedom and self-determination that we so cherish—becomes detrimental to our psychological and emotional well-being. In accessible, engaging, and anecdotal prose, Schwartz shows how the dramatic explosion in choice—from the mundane to the profound challenges of balancing career, family, and individual needs—has paradoxically become a problem instead of a solution. Schwartz also shows how our obsession with choice encourages us to seek that which makes us feel worse. By synthesizing current research in the social sciences, Schwartz makes the counter intuitive case that eliminating choices can greatly reduce the stress, anxiety, and busyness of our lives. He offers eleven practical steps on how to limit choices to a manageable number, have the discipline to focus on those that are important and ignore the rest, and ultimately derive greater satisfaction from the choices you have to make.
