Canadian Filmography Series
Author:
Publisher:
Published: 1974
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author:
Publisher:
Published: 1974
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKAuthor: Jerry White
Publisher: Wallflower Press
Published: 2006
Total Pages: 292
ISBN-13: 9781904764601
DOWNLOAD EBOOKContaining 24 essays, each on a different film, this work provides a fascinating historical account of the development of film and documentary traditions across the diverse national and regional communities in Canada.
Author: George Melnyk
Publisher: Athabasca University Press
Published: 2014-05-01
Total Pages: 319
ISBN-13: 1927356598
DOWNLOAD EBOOKMost Canadians are city dwellers, a fact often unacknowledged by twentieth-century Canadian films, with their preference for themes of wilderness survival or rural life. Modernist Canadian films tend to support what film scholar Jim Leach calls “the nationalist-realist project,” a documentary style that emphasizes the exoticism and mythos of the land. Over the past several decades, however, the hegemony of Anglo-centrism has been challenged by francophone and First Nations perspectives and the character of cities altered by a continued influx of immigrants and the development of cities as economic and technological centers. No longer primarily defined through the lens of rural nostalgia, Canadian urban identity is instead polyphonic, diverse, constructed through multiple discourses and mediums, an exchange rather than a strict orientation. Taking on the urban as setting and subject, filmmakers are ideally poised to create and reflect multiple versions of a single city. Examining fourteen Canadian films produced from 1989 to 2007, including Denys Arcand’s Jésus de Montréal (1989), Jean-Claude Lauzon’s Léolo (1992), Mina Shum’s Double Happiness (1994), Clément Virgo’s Rude (1995), and Guy Maddin’s My Winnipeg (2007), Film and the City is the first comprehensive study of Canadian film and “urbanity”—the totality of urban culture and life. Drawing on film and urban studies and building upon issues of identity formation in Canadian studies, Melnyk considers how filmmakers, films, and urban audiences experience, represent, and interpret urban spatiality, visuality, and orality. In this way, Film and the City argues that Canadian narrative film of the postmodern period has aided in articulating a new national identity.
Author: Loren R. Lerner
Publisher: University of Toronto Press
Published: 1997-01-01
Total Pages: 1862
ISBN-13: 0802029884
DOWNLOAD EBOOKThis extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Author: Ted Magder
Publisher:
Published: 1993
Total Pages: 360
ISBN-13:
DOWNLOAD EBOOK"The development of the feature film industry in Canada has been uncertain and difficult, with problems usually attributed to the country's small population and US domination of the movie industry. Ted Magder goes beyond these obvious influences in his examination of Canada's state policies as they affected the production of Canadian feature films from the First World War to the present. He presents a study focusing on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. State policies, Magder points out, are related to domestic forces that impinge upon and set limits to policy decisions and their implementation." "In the immediate postwar period, the tone for much of Canada's cultural policies was set by the National Film Board and the recommendations of the Massey Commission. Members of both organizations expressed distaste for films designed to entertain and deemed feature filmmaking unworthy of support. A change of heart took place in the watershed year of 1967 with the passing of the Canadian Film Development Corporation Act, when Canadians finally entered the business of feature film production. Magder considers how this came to pass, what had changed within the industry itself to make feature film production viable, and why the state changed its position from one of neglect to one of support. In the last five chapters, he examines the contradictions and limitations that have bedevilled Canadian feature film production over the last two decades." "In his conclusion, Magder proposes that both the notion of cultural dependency and the goal of public support for cultural production to express national identity need to be re-examined."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: George Melnyk
Publisher: University of Toronto Press
Published: 2004-01-01
Total Pages: 378
ISBN-13: 9780802084446
DOWNLOAD EBOOKMelnyk argues passionately that Canadian cinema has never been a singular entity, but has continued to speak in the languages and in the voices of Canada's diverse population.
Author: Virginie Augustin
Publisher: Ablaze Publishing
Published: 2021-04-07
Total Pages: 32
ISBN-13:
DOWNLOAD EBOOKRobert E. Howard’s Conan is brought to life UNCENSORED! Discover the true Conan, unrestrained, violent, and sexual. Read the story as he intended! A young woman in danger is pursued by her vile master. Conan, whose family has just been wiped out by this same master, puts an end to the beauty's pursuer, and saves her with a blow of his sword. Bound by fate, the couple decide to hit the road together. Their journey takes them to an island where they discover strange ruins inhabited by dark magic. Their paradise-like refuge soon turns into a suffocating nightmare where shadows lurk. Who knows the extent of the dangers that lie there? They will quickly learn that on an island, the biggest threat does not always come from the outside...
Author: Wyndham Wise
Publisher: University of Toronto Press
Published: 2001-01-01
Total Pages: 292
ISBN-13: 9780802083982
DOWNLOAD EBOOKThe most exhaustive and up-to-date reference book on Canadian film and filmmakers, combining 700 reviews and biographical listings with a detailed chronology of major events in Canadian film and television history.
Author: Gerald G. Graham
Publisher: University of Delaware Press
Published: 1989
Total Pages: 284
ISBN-13: 9780874133479
DOWNLOAD EBOOKThe first director of technical operations and research for Canada's National Film Board profiles the people and technology that together met the challenges of early documentary filmmaking north of the forty-ninth parallel and discusses the board's emergence as an international model for documentary film units. An Ontario Film Institute Book.
Author: Jim Leach
Publisher: Rutgers University Press
Published: 2020-07-17
Total Pages: 242
ISBN-13: 0813598885
DOWNLOAD EBOOKDenys Arcand is best known outside Canada for three films that were nominated for Academy Awards for Best Foreign-Language Film: The Decline of the American Empire (1986), Jesus of Montreal (1989), and The Barbarian Invasions (2003), the last of which won the Award. Yet Arcand has been making films since the early 1960s. When he started making films, Quebec was rapidly transforming from a relatively homogeneous community, united by its Catholic faith and French language and culture, into a more fragmented modern society. The Films of Denys Arcand sheds light on how Arcand addressed the impact of these changes from the 1960s, when the long-drawn-out debate on Quebec's possible separation from the rest of Canada began, to the present, in which the traditional cultural heritage has been further fragmented by the increasing presence of diasporic communities. His career and films offer an ideal case study for exploring the contradictions and tensions that have shaped Quebec cinema and culture in a period of increasing globalization and technological change.