"The 160-page book highlights the art pieces, most of which are originals, from 50 incredible Canadian and First Nation artists like Robert Bateman, Robert Davidson, Craig Benson, Carol Evans, Lissa Calvert and Roy Henry Vickers. The art is featured with writings from esteemed Canadian scientists such as David Suzuki, Wade Davis and Paul Paquet. All works are grouped into one of nine chapters that cover the region, the people, sea birds, land mammals, marine mammals, forests, estuaries, salmon, and the underwater marine life of Canada's raincoast, including the Queen Charlotte Basin and the Great Bear Rainforest."--Publisher's website.
At Sea with the Marine Birds of the Raincoast tells the stories of conservation scientist Caroline Fox and the marine birds she studies as she sails along the Northwest Coast.
"Sustainable development is, for government and industry at least, primarily a way of turning trees into lumber, tar into oil, and critique into consent; a way to defend the status quo of growth at any cost." —from the Introduction In Unsustainable Oil: Facts, Counterfacts and Fictions, Jon Gordon makes the case for re-evaluating the theoretical, political, and environmental issues around petroleum extraction. Doing so, he argues, will reinvigorate our understanding of the culture and the ethics of energy production in Canada. Rather than looking for better facts or better interpretations of the facts, Gordon challenges us to embrace the future after oil. Reading fiction can help us understand the cultural-ecological crisis that we inhabit. In Unsustainable Oil, using the lens of Alberta’s bituminous sands, he asks us to consider literature’s potential to open space for creative alternatives.
Hardly a day goes by without news of the extinction or endangerment of yet another animal species, followed by urgent but largely unheeded calls for action. An eloquent denunciation of the failures of Canada’s government and society to protect wildlife from human exploitation, Max Foran’s The Subjugation of Canadian Wildlife argues that a root cause of wildlife depletions and habitat loss is the culturally ingrained beliefs that underpin management practices and policies. Tracing the evolution of the highly contestable assumptions that define the human–wildlife relationship, Foran stresses the price wild animals pay for human self-interest. Using several examples of government oversight at the federal, provincial, and territorial levels, from the Species at Risk Act to the Biodiversity Strategy, Protected Areas Network, and provincial management plans, this volume shows that wildlife policies are as much – or more – about human needs, priorities, and profit as they are about preservation. Challenging established concepts including ecological integrity, adaptive management, sport hunting as conservation, and the flawed belief that wildlife is a renewable resource, the author compels us to recognize animals as sentient individuals and as integral components of complex ecological systems. A passionate critique of contemporary wildlife policy, The Subjugation of Canadian Wildlife calls for belief-change as the best hope for an ecologically healthy, wildlife-rich Canada.
The farming of aquatic organisms is one of the most promising but controversial new industries in Canada. The industry has the potential to solve food supply problems, but critics believe it poses unacceptable threats to human health, local communities, and the environment. This book is not about the methods and techniques of aquaculture, but it is an exploration of the controversy itself. The authors present the controversy as a multi-layered conflict about knowledge, rights, and development. Comprehensive and balanced, this book addresses one of the most contentious public policy and environmental issues facing the world today.
Fish were once so abundant in BC waters that Indigenous elders recall dried salmon being stacked like firewood behind the stove. But declines on the BC coast have accelerated over the last century, with marine wildlife cut in half in just four decades. Protecting the Coast and Ocean explores how we can reverse such precipitous declines. This meticulous work catalogues not only Canadian laws and designations – marine protected areas, Indigenous protected and conserved areas, land-use measures, and zoning bylaws – but also international treaties that shape marine conservation and support collaboration. The authors analyze and compare legal tools, rating their strengths and weaknesses. In-depth case studies illustrate how each instrument has been used in practice. Despite the impact of climate change, overfishing, and pollution, Protecting the Coast and Ocean convincingly demonstrates that legal tools are available to reverse species extinction and plan for a resilient ocean.
How do you begin to write an art history and what are the vital questions to ask? Which marks are most prominent in the visual culture of a particular place, and which are nearly invisible? In Future Possible (a riff on an Andy Jones monologue about how Newfoundlanders talk about their future, an attitude which he describes as "Future possible, possibly horrible"), Mireille Eagan and writers and artists such as Heather Igloliorte, Lisa Moore, Andy Jones, and Craig Francis Power navigate the tangled histories and cultures of Newfoundland and Labrador to investigate the visual output and to write the narrative that it has created. The result is an ambitious volume, arising from a two-part exhibition of the same name at The Rooms, that provides a multi-vocal, multi-faceted history spanning pre- and post-Confederation Newfoundland. Lavishly illustrated with 180 images of art and objects from the province's visual history, Future Possible features essays by curators and artists on topics such as pre-Confederation art; contemporary art, craft, and Indigenous culture; and outsider and folk art. This intriguing volume places artifacts from the province's history and work by iconic Newfoundland and Labrador artists such as David Blackwood and Helen Parsons Shepherd in conversation with works by contemporary artists like Jordan Bennett and Kym Greeley. Together they explore how history is told and retold through objects and images and how these objects and images, and the power structures that preserve them, define an understanding of place.
The short story and the short story cycle have long been considered a marginal genre, free to make room for fresh or risk-taking voices. But in thematizing masculinity in crisis, the genre uses the premise of the marginal to elevate recuperative masculinity politics and nostalgia for traditional patriarchy. Despite the scholarly tendency to link marginal genres and marginalized voices, features of the CanLit infrastructure – including genre criticism and literary prize culture – are complicit in normalizing hegemonic masculinity and the Settler colonial project. Bearers of Risk examines how male Canadian writers mobilize the early twenty-first-century short story cycle as an illustration of post-9/11 recuperative masculinity politics, exposing the tendency to position White, heteronormative men’s viewpoints as objective. Neta Gordon introduces the civil bearer of risk, a figure who comprehends the position of men as being marked by or for failure, and who reasserts masculine authority as civil duty towards community. This book looks at contemporary experimental short story cycles, debut cycles by ethnically minoritized and immigrant writers, and cycles unified by setting, whether suburban, urban, or rural. Bearers of Risk unsettles popular notions of the inherent outsider status of the short story cycle while also scrutinizing expressions of recuperative masculinity politics through which men assert their right to reclaim the centre.
From shipments of Canadian waste rotting in developing countries to overflowing landfills and ineffective recycling programs, Canada is facing a waste crisis. Canadians are becoming increasingly aware that waste is an acute environmental and human health issue – and a complex one, the solutions to which are often contradictory. Canada's Waste Flows is an honest look at the production and movement of Canadian waste, from region to region and across the globe, and its consequences. Through a series of timely empirical case studies, the book reveals waste as less of a technological problem and more of a material, economic, political, historical, and cultural concern. Canada's Waste Flows demonstrates that Canadians are misdirecting their attention to post-consumer waste and their responsibility for minimizing it through recycling; waste must be understood as a social justice issue, and in particular as a symptom of ongoing settler colonialism. Through a comparative study of waste management in southern and northern Canadian communities, Myra Hird argues that we will only resolve our waste crisis through democratic engagement. A critical and compelling book that will generate conversation and incite change, Canada's Waste Flows uncovers how Canada's role as a global leader in waste production and export is key to changing Canada's waste future.
