This book compiles essays from individuals and groups of Saskatchewan women, highlighting the province's diversity in race, ethnicity, class, religion, and language. The book begins with an essay on the development of Saskatchewan women's history through three stages, then presents essays on the interplay of ethnicity and gender in Swedish women; French-speaking women and homesickness; Jewish women in two rural settings; the Imperial Order Daughters of the Empire; women and relief in Saskatoon; farmers' wives; aboriginal women adapting to change; and recent immigrant women.
It is hard to imagine a person who embodied the ideals of postwar Canadian foreign policy more than John Wendell Holmes. Holmes joined the foreign service in 1943, headed the Canadian Institute of International Affairs from 1960 to 1973, and, as a professor of international relations, mentored a generation of students and scholars. This book charts the life of a diplomat and public intellectual who influenced both how scholars and statespeople abroad viewed Canada and how Canadians saw themselves on the world stage.
Inspired by history, Our Story is a beautifully illustrated collection of original stories from some of Canada’s most celebrated Aboriginal writers. Asked to explore seminal moments in Canadian history from an Aboriginal perspective, these ten acclaimed authors have travelled through our country’s past to discover the moments that shaped our nation and its people. Drawing on their skills as gifted storytellers and the unique perspectives their heritage affords, the contributors to this collection offer wonderfully imaginative accounts of what it’s like to participate in history. From a tale of Viking raiders to a story set during the Oka crisis, the authors tackle a wide range of issues and events, taking us into the unknown, while also bringing the familiar into sharper focus. Our Story brings together an impressive array of voices—Inuk, Cherokee, Ojibway, Cree, and Salish to name just a few—from across the country and across the spectrum of First Nations. These are the novelists, playwrights, journalists, activists, and artists whose work is both Aboriginal and uniquely Canadian. Brought together to explore and articulate their peoples’ experience of our country’s shared history, these authors’ grace, insight, and humour help all Canadians understand the forces and experiences that have made us who we are. Maria Campbell • Tantoo Cardinal • Tomson Highway • Drew Hayden Taylor • Basil Johnston • Thomas King • Brian Maracle • Lee Maracle • Jovette Marchessault • Rachel Qitsualik
Born in Barbados to a poor black family bordering a major sugar cane plantation, Tony Blenman immigrated to Canada in 1969. All he wanted was to be treated as a decent human being worthy of love and respect. Instead, he experienced multiple traumas in the form of sexual abuse by two siblings and a person in the community, physical abuse by his mother, and emotional abuse by his mother and others in the community, including more than one teacher who thought children learned through being beaten. As a child, he witnessed violence and abuse in his home, in the behaviour of others, and at school. A devout Christian who knew the difference between right and wrong, he was constantly called a liar and beaten for telling the truth. He survived a mother who was herself physically abused as a child. Through it all, he nurtured the light of his faith, his dreams of escaping poverty and abuse, and finding a new life, new hope and new purpose in Canada. Other Voices is one man's journey to a life of hope, love, faith and perseverance in the face of sometimes overwhelming adversity. It tells the story of the many voices that shaped his life, for better or for worse. It is a testament to the strength of the human spirit and its potential to understand, forgive, and paying good forward to those who need a helping hand in their healing. Other Voices will touch your heart and soul-and sometimes your funny bone-with its wise observations on the human condition and its call to treat our children with love and respect to end the cycle of multi-generational family violence....
“This is a book,” writes guest editor Souvankham Thammavongsa, “about what I saw and read and loved, and want you to see and read and love.” Selected from work published by Canadian poets in magazines and journals in 2020, Best Canadian Poetry 2021 gathers the poems Thammavongsa loved most over a year’s worth of reading, and draws together voices that “got in and out quickly, that said unusual things, that were clear, spare, and plain, that made [her] laugh out loud … the voices that barely ever survive to make it onto the page.” From new work by Canadian icons to thrilling emerging talents, this year’s anthology offers fifty poems for you to fall in love with as well. Featuring: Margaret Atwood Ken Babstock Manahil Bandukwala Courtney Bates-Hardy Roxanna Bennett Ronna Bloom Louise Carson Kate Cayley Kitty Cheung Dani Couture Kayla Czaga Šari Dale Unnati Desai Tina Do Andrew DuBois Paola Ferrante Beth Goobie Nina Philomena Honorat Liz Howard Maureen Hynes George K Ilsley Eve Joseph Ian Keteku Judith Krause M Travis Lane Mary Dean Lee Canisia Lubrin Randy Lundy David Ly Yohani Mendis Pamela Mosher Susan Musgrave Téa Mutonji Barbara Nickel Ottavia Paluch Kirsten Pendreigh Emily Pohl-Weary David Romanda Matthew Rooney Zoe Imani Sharpe Sue Sinclair John Steffler Sarah Yi-Mei Tsiang Arielle Twist David Ezra Wang Phoebe Wang Hayden Ward Elana Wolff Eugenia Zuroski Jan Zwicky
Voices and Visions introduces students to the development of Canada through the varied and rich perspectives of the Aboriginal, British, Francophone, and other groups. It also introduces students, in language they can understand, to active and responsible citizenship at the local, provincial, national, and global levels. Components include Teacher's Resource and Website. French version Voix et Visions available. For details, teachers in Alberta should contact the Learning Resources Centre (www.lrc.education.gov.ab.ca). Teachers in all other provinces, please contact Cheneliere Education (www.cheneliere.ca).
Voices of the Left Behind contains the personal stories of nearly 50 Canadian war children who have been helped by Project Roots. It is filled with fascinating archival images and documents as well as original wartime correspondence between the mothers, the Canadian fathers, and the Department of National Defence, Veterans Affairs, and other Canadian institutions. Letters from the war children to the Military Personnel Records Unit of the National Archives of Canada illustrate the historic pattern of denial. What these institutions all have in common is their consistent refusal to help war children find their Canadian fathers. Introductory essays frame the subject and give a historical context to the tragic situations these women and their children found themselves in.
Winner of the NASSS Outstanding Book Award Hockey and multiculturalism are often noted as defining features of Canadian culture; yet, rarely are we forced to question the relationship and tensions between these two social constructs. This book examines the growing significance of hockey in Canada’s South Asian communities. The Hockey Night in Canada Punjabi broadcast serves as an entry point for a broader consideration of South Asian experiences in hockey culture based on field work and interviews conducted with hockey players, parents, and coaches in the Lower Mainland of British Columbia. This book seeks to inject more “color” into hockey’s historically white dominated narratives and representations by returning hockey culture to its multicultural roots. It encourages alternative and multiple narratives about hockey and cultural citizenship by asking which citizens are able to contribute to the webs of meaning that form the nation’s cultural fabric.
Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.
Indigenous activism put small-town northern Ontario on the map in the 1960s and early 1970s. Kenora, Ontario, was home to a four-hundred-person march, popularly called "Canada's First Civil Rights March," and a two-month-long armed occupation of a small lakefront park. Canada's Other Red Scare shows how important it is to link the local and the global to broaden narratives of resistance in the 1960s; it is a history not of isolated events closed off from the present but of decolonization as a continuing process. Scott Rutherford explores with rigour and sensitivity the Indigenous political protest and social struggle that took place in Northwestern Ontario and Treaty 3 territory from 1965 to 1974. Drawing on archival documents, media coverage, published interviews, memoirs, and social movement literature, as well as his own lived experience as a settler growing up in Kenora, he reconstructs a period of turbulent protest and the responses it provoked, from support to disbelief to outright hostility. Indigenous organizers advocated for a wide range of issues, from better employment opportunities to the recognition of nationhood, by using such tactics as marches, cultural production, community organizing, journalism, and armed occupation. They drew inspiration from global currents - from black American freedom movements to Third World decolonization - to challenge the inequalities and racial logics that shaped settler-colonialism and daily life in Kenora. Accessible and wide-reaching, Canada's Other Red Scare makes the case that Indigenous political protest during this period should be thought of as both local and transnational, an urgent exercise in confronting the experience of settler-colonialism in places and moments of protest, when its logic and acts of dispossession are held up like a mirror.
