Enter a realm where the supernatural intertwines with the eerie and the uncanny. This gripping collection of short stories plunges readers into a world filled with ghostly apparitions, unexplainable phenomena, and the macabre. Can Such Things Be? contains one of Ambrose Bierce’s most famous works, the short story »The Death of Halpin Frayser«. Among the others in this collection are »The Damned Thing«, which explores the concept of an unseen entity preying on the living, and »The Moonlit Road«, recounting a tragic murder from three perspectives, including that of the victim from beyond the grave. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
A collection of speculative short stories by the renowned American writer Ambrose Bierce, 'Can Such Things Be?' was first published in 1890s. An interesting and engaging collection for those who like detective and mysterious literature.
Ambrose Bierce’s second major short story collection, Can Such Things Be? collected nearly all of Bierce’s supernatural horror stories. Bierce himself was a skeptic of the supernatural, having once written a satirical essay “The Clothing of Ghosts,” in which he insisted that “The materialized spook appealing to our senses for recognition of his ghostly character must authenticate himself otherwise than by familiar and remembered habiliments. He must be credentialed by nudity—and that regardless of temperature or who may happen to be present.” Despite his personal skepticism, Bierce was able to capture the essence of the supernatural horror story. “The Moonlit Road” is a strong example, providing three distinct vantage points of the same events, and both “The Death of Halpin Frayser” and “The Damned Thing” are frequently anthologized as pioneers in the genre. Not all stories in the collection are strictly “ghost stories”—“Moxon’s Master” is one of the first examples in English literature to describe a robotic thinking machine (and the fate of its master), and “Haïta the Shepherd” is a tale of a young man’s search for meaning in his life. Bierce also plays with the idea of holes in reality in the various “Mysterious Disappearances” stories, portals to horrifying locations in “The Spook House,” and parallel dimensions or altered states in “A Psychological Shipwreck” and “The Realm of the Unreal.” H.P. Lovecraft discusses Bierce in his essay “Supernatural Horror in Literature,” quoting Samuel Loveman: “In Bierce, the evocation of horror becomes for the first time, not so much the prescription or perversion of Poe and Maupassant, but an atmosphere definite and uncannily precise. Words, so simple that one would be prone to ascribe them to the limitations of a literary hack, take on an unholy horror, a new and unguessed transformation.” Like his other major published collection of short stories, Bierce updated and modified his stories for each new edition. This collection includes all stories as revised and published in his 1910 Collected Works, Volume III: Can Such Things Be?, as well as several stories from the “Bodies of the Dead” section in an earlier 1903 edition, which were not included in his Collected Works.
Ambrose Bierce’s second major short story collection, Can Such Things Be? collected nearly all of Bierce’s supernatural horror stories. Bierce himself was a skeptic of the supernatural, having once written a satirical essay “The Clothing of Ghosts,” in which he insisted that “The materialized spook appealing to our senses for recognition of his ghostly character must authenticate himself otherwise than by familiar and remembered habiliments. He must be credentialed by nudity—and that regardless of temperature or who may happen to be present.” Despite his personal skepticism, Bierce was able to capture the essence of the supernatural horror story. “The Moonlit Road” is a strong example, providing three distinct vantage points of the same events, and both “The Death of Halpin Frayser” and “The Damned Thing” are frequently anthologized as pioneers in the genre. Not all stories in the collection are strictly “ghost stories”—“Moxon’s Master” is one of the first examples in English literature to describe a robotic thinking machine (and the fate of its master), and “Haïta the Shepherd” is a tale of a young man’s search for meaning in his life. Bierce also plays with the idea of holes in reality in the various “Mysterious Disappearances” stories, portals to horrifying locations in “The Spook House,” and parallel dimensions or altered states in “A Psychological Shipwreck” and “The Realm of the Unreal.” H.P. Lovecraft discusses Bierce in his essay “Supernatural Horror in Literature,” quoting Samuel Loveman: “In Bierce, the evocation of horror becomes for the first time, not so much the prescription or perversion of Poe and Maupassant, but an atmosphere definite and uncannily precise. Words, so simple that one would be prone to ascribe them to the limitations of a literary hack, take on an unholy horror, a new and unguessed transformation.” Like his other major published collection of short stories, Bierce updated and modified his stories for each new edition. This collection includes all stories as revised and published in his 1910 Collected Works, Volume III: Can Such Things Be?, as well as several stories from the “Bodies of the Dead” section in an earlier 1903 edition, which were not included in his Collected Works. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
This eBook features the unabridged text of ‘Can Such Things Be?’ from the bestselling edition of ‘The Complete Works of Ambrose Bierce’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Bierce includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Can Such Things Be?’ * Beautifully illustrated with images related to Bierce’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
A sweeping, authoritative, and entertaining history of the Christian cult of the saints from its origin to the Reformation From its earliest centuries, one of the most notable features of Christianity has been the veneration of the saints—the holy dead. This ambitious history tells the fascinating story of the cult of the saints from its origins in the second-century days of the Christian martyrs to the Protestant Reformation. Robert Bartlett examines all of the most important aspects of the saints—including miracles, relics, pilgrimages, shrines, and the saints' role in the calendar, literature, and art. The book explores the central role played by the bodies and body parts of saints, and the special treatment these relics received. From the routes, dangers, and rewards of pilgrimage, to the saints' impact on everyday life, Bartlett's account is an unmatched examination of an important and intriguing part of the religious life of the past—as well as the present.
»The Damned Thing« is a short story by Ambrose Bierce, originally published in 1893. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
"Chronicles the life and career of the acerbic author, from his youth, through his experiences during the Civil War, to his 1913 disappearance in revolution-torn Mexico"-OCLC
Those who do such things is a sordid novel, told from the first person perspectives of the characters. Love, lust, sin and betrayal are all central themes of this fast-paced southern thriller. Jackson, the handsome jock at the center of this whirlwind tale, begins the story along with his mother and sister as they flee the home they've known all their lives to start anew in North Carolina. Having been left behind by their drunken father, the three try to build a life for themselves. However, it isn't long before a sexy young girl, a burgeoning little lesbian, a controlling mother and a young chemistry teacher collide paths only to meet a bloody end. LGBTQ themes are also explored. The reader will not only engage, but will also laugh with, be angry at, and even feel sorry for some of the flamboyant personalities in this novel as they play out their curiosities and fantasies...even their rage. The novel ends with a final twist that will certainly leave your jaw wide open.
