Disillusioned by Amerika at the end of the 1980s, Jess packs a bag and heads for Europe not knowing what he will find in his search for Bohemian ideals of Truth, Beauty, Love and Freedom. This quest of a young man's search for himself leads the young artist from California to an art school in Norway and on to Spain where he befriends a coterie of bohemian artists that give him everything he ever dreamed of, and much more. This Kerouacian road trip drowns Jess in wine, drums, horses, love, devotion, adventure, Hemingwayesque festivals, questionable gurus, fireworks, and finally a home.
The majority Evangelical view is that once someone has accepted Christ as Saviour they are guaranteed salvation. But is it safe to assume that once we are saved, we are saved for always? David Pawson investigates this through biblical evidence, historical figures such as Augustine, Luther and Wesley, and evangelical assumptions about grace and justification, divine sovereignty and human responsibility. He asks whether something more than being born again is required so that our inheritance is not lost. This book helps us decide whether ‘once saved, always saved’ is real assurance or a misleading assumption. The answer will have profound effects on the way we live and disciple others.
This literary history examines Guillaume Apollinaire's reception and influence in the Western hemisphere during the early twentieth century. Ir identifies and reconstructs major literary and art historical paths of development, about which surprisingly little is known. In particular, it discusses Apollinaire's reception and formative influence in North America, England, Germany, Spain, Argentina, and Mexico, and includes important documents by Apollinaire himself that have not appeared in print until now. "Bohn brings together a worldwide network of writers, artists, and critics to reveal the role and centrality of Apollinaire as the icon of Parisian modernism, cult figure of the avant-garde, poet with a new series of techniques, esthetician of the New, innovator of modern culture, and literary and cultural arbiter of his generation. "This is Rezeptionsesthetik in its most intense form. It is the definitive reference book for checking on who had any dealings with Apollinaire, the man or his work, and French modernism in English, German, Spanish or Catalan linguistic and cultural domains in both the Old and New Worlds. Bohn's translations from the various languages he commands are superb and prove that he is always working from source material. His text is simply a tour de force, a virtuoso performance". -- Seth L. Wolitz, University of Texas, Austin "Given the centrality of French poetry for European and New World poetry since Baudelaire, one simply cannot overstate Apollinaire's role in the evolution of the most advanced poetry written throughout Europe and North and South America since circa 1900. However, no one before has tracked his impact on avant-garde circles outsideFrance with so much attention to the specifics involved. Bohn has emerged as the dean of Apollinaire studies in North America; thus everything he has to say about the poet has the ring of absolute authority". -- Robert W. Greene, State University of New York, Albany
