Campaspe and Sappho and Phao

Campaspe and Sappho and Phao

Author: John Lyly

Publisher: Manchester University Press

Published: 1991

Total Pages: 332

ISBN-13: 9780719031007

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This is the finest critical edition of the two earliest comedies written by John Lyly. The text of "Sappho and Phao" is based on a first edition that was never before recognized as such. The text of "Campaspe" has also been take from early editions. The substantial introductions and commentary notes give a new view of Lyly's learning, style, wit and theatrical genius, along with the presentation of the battle of the sexes that offered such vital models for the early Shakespeare. The editors have worked to ensure that the two plays in this joint edition will compliment and illuminate each other. The plays are set in their historical, literary and theatrical context. With modernized spelling, explanations of difficult passages and extensive footnotes, this book will be a welcome addition for anyone interested in English Renaissance drama.


Sapho and Phao, 1584

Sapho and Phao, 1584

Author: John Lyly

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 88

ISBN-13:

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This volume in the Malone Society Reprints series consists of a photofacsimile of the Huntington Library copy of the first edition of Lyly's Sapho and Phao (1584). The volume is prefaced by a detailed bibliographical introduction, and includes the songs from the play, first published in 1632.


The Oxford Handbook of Shakespearean Comedy

The Oxford Handbook of Shakespearean Comedy

Author: Heather Hirschfeld

Publisher: Oxford University Press

Published: 2018-09-06

Total Pages: 592

ISBN-13: 019104346X

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The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. All the chapters offer contemporary perspectives on the plays even as they gesture to critical traditions, and they illuminate as well as challenge some of our most cherished expectations about the ways in which Shakespearean comedy affects its audiences. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.


The Children's Troupes and the Transformation of English Theater 1509-1608

The Children's Troupes and the Transformation of English Theater 1509-1608

Author: Jeanne McCarthy

Publisher: Routledge

Published: 2016-11-25

Total Pages: 277

ISBN-13: 1315390809

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The Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.


Galatea

Galatea

Author: John Lyly

Publisher: Manchester University Press

Published: 2000

Total Pages: 306

ISBN-13: 9780719030956

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"Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas (the golden touch and the ass's ears) in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court."--BOOK JACKET.


The Plays of John Lyly

The Plays of John Lyly

Author: Michael Pincombe

Publisher: Manchester University Press

Published: 1996

Total Pages: 232

ISBN-13: 9780719038587

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John Lyly, Shakespeare's forerunner in English comedy, wrote eight highly individual plays. This study of the plays, with each chapter devoted to a different play, concentrates on the courtly aspects of Lyly's work - he wrote all but one of his plays for court performance. In particular, it examines the relationship of Lylian drama to royal panegyric, a kind of writing which he did much to establish. However, the plays also present a parody of panegyric, and thus might also be said to have a counter-courtly aspect.


Blackfriars in Early Modern London

Blackfriars in Early Modern London

Author: Christopher Highley

Publisher: Oxford University Press

Published: 2022-02-17

Total Pages: 299

ISBN-13: 0192662465

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Blackfriars: Theater, Church, and Neighborhood in Early Modern London is a cultural history of an urban enclave best known in the later sixteenth and seventeenth centuries for the incongruous juxtaposition of playing and godly preaching. As the former site of one of London's great religious houses, the post-Reformation Blackfriars was a Liberty free from mayoral control. The legal exemptions and privileges enjoyed by its residents helped attract an unusual mix of groups and activities. Zealous preachers and puritan parishioners mingled with playhouse workers and playgoers, as well as with the immigrant 'strangers' who settled here. The book focuses on local playhouse-church relations and asks how a theatrical culture was able to flourish in a parish dominated by committed puritans. Physically, the church of St Anne's and the playhouse were virtually next-door, but ideologically they seemed poles apart. Yet despite the occasional efforts of some residents to close the playhouse, godly religion and commercial playing managed to coexist. In explanation, the book examines the conflicting economic and ideological priorities of residents and the overriding desire to promote order and neighborliness. More provocatively, I argue that the Blackfriars pulpit and stage could be mutually reinforcing sites of performance. Preachers as well as playwrights exploited the Liberty's vexed relations with authority to air satirical and dissident views of the established church and state. By examining Blackfriars sermons and plays side-by-side, the book reveals a synergy between two institutions usually considered implacable enemies.