Two aliens have wandered Earth for centuries. The Changeling has survived by adapting the forms of many different organisms. The Chameleon destroys anything or anyone that threatens it. Now, a sunken relic that holds the key to their origins calls to them to take them home—but the Chameleon has decided there's only room for one. Camouflage delivers a riveting exploration of alien presence and the eternal quest for identity.
From its origins to its use in combat today, The Little Book of Camouflage tells the history of camouflage in conflict. Its conception, its uses and the colours are looked at, as well as the key patterns such as the German uniforms of World War II, the ever-recognisable American type worn during Vietnam and the British DPM forming a sort of recognition guide to the various patterns in use in the armies of history and present day. Illustrated throughout with the patterns themselves and images of camouflage in use, Tim Newark presents a quick and detailed look at the most prolific camouflage patterns.
Camouflage has come a long way from jungle drab to modern-day colorful fluorescents—and this volume covers its history and development, with 450 patterns from around the world. It includes the pioneering and now highly collectible camouflage equipment of the German Army in World War II; the famous Tigerstripe worn by American soldiers in Vietnam; and the classic designs worn by today’s armies, including the U.S. Military “woodlands” pattern and the British DPM (Disruptive Pattern Material).
In the last decade, research on the previously dormant field of camouflage has advanced rapidly, with numerous studies challenging traditional concepts, investigating previously untested theories and incorporating a greater appreciation of the visual and cognitive systems of the observer. Using studies of both real animals and artificial systems, this book synthesises the current state of play in camouflage research and understanding. It introduces the different types of camouflage and how they work, including background matching, disruptive coloration and obliterative shading. It also demonstrates the methodologies used to study them and discusses how camouflage relates to other subjects, particularly with regard to what it can tell us about visual perception. The mixture of primary research and reviews shows students and researchers where the field currently stands and where exciting and important problems remain to be solved, illustrating how the study of camouflage is likely to progress in the future.
Poetry. Women's Studies. Translation. Translated by Erín Moure. CAMOUFLAGE is a new collection of poems by the Galician poet and journalist Lupe Gómez. The poems in CAMOUFLAGE are sharp, tender elegies for a mother and for a rural village, its changing walks and ways and words. In CAMOUFLAGE, we see how one person can be "two sisters," with "two pasts." We learn about making cheeses, but also that "Death is a political project." Gómez's bold voice erases the line between the political and the domestic, the experimental and the sequential, and allows for celebratory insight. CAMOUFLAGE was published in Spain in 2017 and is Gómez's eleventh book of poetry but her first published in the United States. The poems were originally written in Galician, a language spoken by about 3 million people, primarily in Galicia, an "autonomous community" in the northwest of Spain. Translator and poet Erín Moure has translated the book into an intimate English with a vivid and tight "linguistic embrace." CAMOUFLAGE is a bilingual edition with a translator's introduction, and presents a new approach to designing work in translation.
Introduces general ways animals camouflage themselves, such as coloration, mimicry, and disguise, and discusses how specific animals protect themselves using these techniques.
