The raw revolution that began in 2003 with the Adobe Camera Raw plug-in for Adobe Photoshop has changed the way photographers work with images. Shooting in the raw format gives digital photographers complete control over every aspect of image quality. Adobe Camera Raw makes the process of using raw files easier by providing a standardized way of accessing and working with these uncompressed digital negatives. Today serious photographers shoot raw images only. Real World Camera Raw with Adobe Photoshop was the first book devoted exclusively to the topic, explaining the advantages and challenges of using Adobe Camera Raw to produce magnificent images. Real World Adobe Camera Raw in Photoshop CS3 keeps pace with new directions in digital photography and raw image processing. Jeff Schewe, a contributor to the development of Adobe Camera Raw from its beginnings, updates Bruce Fraser’s best-selling book with inside knowledge of how new features let photographers optimize and convert images for the best results in Adobe Photoshop CS3. Hands-on techniques show readers how to expose and shoot for raw image capture as well as use new features such as Spot Healing. Readers will also learn how to use the latest version of Adobe Bridge to manage the thousands of images—and gigabytes of data—that result from raw shooting. Finally, Schewe discusses how Adobe’s latest revolutionary imaging software Photoshop Lightroom adds to the raw equation.
Les fichiers RAW produits par un appareil photo numérique contiennent toutes les informations enregistrées par le capteur, sans aucun traitement préalable. Souvent associés à des " négatifs numériques ", ils doivent être développés par des logiciels dédiés pour devenir des fichiers images exploitables par les photographes. Sans doute le plus populaire des logiciels de conversion RAW, Camera Raw simplifie le traitement de ces fichiers grâce à une parfaite intégration avec Photoshop CS3 et à son nouvel outil de gestion, Bridge 2. Cet ouvrage décrit de manière précise comment tirer le meilleur parti de cette suite logicielle afin d'obtenir un contrôle optimal sur ses images (réglage de la balance des blancs, modification du contraste et de la saturation, gestion du bruit, récupération des détails perdus...) et d'optimiser son flux de travail.
How to make better pictures using Photoshop and Photoshop Elements Working with digital photographs in raw format isn’t just for pros. Today, point-and-shoot cameras can capture images in raw format, giving shutterbugs of all stripes additional control and editing flexibility for richer, more vibrant photographs. If you’re ready to learn how you can use Adobe Photoshop or Adobe Photoshop Elements to make the most of your camera’s raw capabilities, this book is the place to start. Author and photographer Ben Long introduces you to the raw format, explaining when it offers advantages over your camera’s default options, and then shows you how best to use it. In this book, completely updated for Photoshop CS4 and Photoshop Elements 7, you’ll learn: How your digital camera captures and stores data The pros and cons of working with Camera Raw data versus standard JPEG files How to sort and process images using Camera Raw in Photoshop Elements and Photoshop Basic Photoshop and Photoshop Elements editing techniques, such as adjusting for exposure, brightness, contrast, and saturation How to work with the Camera Raw histogram to improve the color and tone of your images Great techniques for shooting to get the best from the raw format
Today serious photographers shoot raw images only. Real World Camera Raw with Adobe Photoshop was the first book devoted exclusively to the topic, explaining the advantages and challenges of using Adobe Camera Raw to produce magnificent images. Real World Camera Raw in Adobe Photoshop CS5 keeps pace with new directions in digital photography and raw image processing. Jeff Schewe, a contributor to the development of Adobe Camera Raw from its beginnings, updates Bruce Fraser’s bestselling book with insider knowledge of how new features let photographers optimize and convert images for the best results in Adobe Photoshop CS5. Hands-on techniques show readers how to expose and shoot for raw image capture as well as use features such as the Adjustment Brush and the Graduated Filter and the new and improved Noise Reduction, Perspective Crop, and automatic Lens Correction. Readers will also learn how to use the latest version of Adobe Bridge to manage the thousands of images--and gigabytes of data--that result from shooting in raw. This edition: Builds on the latest version of Camera Raw to extend control over your digital camera's raw file format to produce the best quality images. Shows you how to take advantage of new features in Adobe Bridge CS5 to select, sort, annotate, and edit thousands of raw images quickly and efficiently. Guides you in developing an efficient raw workflow incorporating Adobe Photoshop CS5, Camera Raw 6, and Bridge CS5
Expert photographer Rob Sheppard explains the details of Camera Raw, the steps for using it, the workflow process, and certain best practices that demonstrates how Camera Raw can empower the digital photographer. Encouraging you to use it as you see fit, he explores the enhancements in the newest generation and helps you deal with RAW's limitations, manage white balance and exposure, reduce noise (especially in night shots,) and learn to use camera settings that make the most of RAW capabilities.
Black and white photography has come a long way in the digital world. Feeling overwhelmed by the endless conversion options in (and around) Photoshop, Lightroom and beyond? If so, you are not alone, and this is definitely the book for you! In this thoroughly up-to-date book that covers all of the new features of Photoshop CS3 and Lightroom, you'll learn how to use methods within an application or raw converter, scripts, plug-ins, and more. Leslie Alsheimer and Bryan O'Neil Hughes show you everything you need to know to uncover the secrets to successful black and white conversion and printmaking. Let the stunning images (presented in both color and black and white) show you just what is possible when you master these powerful tools. Bryan O'Neil Hughes is a Product Manager for the Photoshop team, and a Product Evangelist for the Photoshop Lightroom Team. Working for Adobe since 1999, Bryan has helped test, develop, drive and demonstrate Adobe's digital imaging applications. Beyond Adobe, Bryan is a published photographer, editor and author. Leslie Alsheimer is a freelance photographer, and photo educator based in Santa Fe, New Mexico. With the Santa Fe Digital Darkroom, Leslie travels around the country teaching photography, Photoshop and digital imaging workshops, as well as working with private clients as a creative imaging consultant, instructor, and trainer. She has worked extensively with many of the foremost digital image makers in the US. She is an instructor with the American Photo/Nikon Mentor Series and a member of the Adobe Beta Testing Team. Leslie is also the Director of Community Photography Outreach. Find out more about Leslie at: www.santafedigitaldarkroom.com/ What the readers are saying: "I have a bunch of Photoshop and Lightroom books but yours is overwhelmingly the very best. Congratulations!"--Leo Skogstroem Pyttis, Finland "I learned more about photoshop in the three days I spent studying your book than I did in the 5 years playing around with it on my own. Your coverage of Color Management solved many issues I'd been having in trying to get the printed image to look like what I was seeing on my monitor. What I learned from you is that I was doing just about everything wrong with regards to capture and destructive editing. I have now completely changed both my pre- and post production work flow habits with amazing results. As a writer and small-publisher, I give you many kudos on creating a book that is by all accounts a real home run."--Rick Miller "I just wanted to write and say this is one of the best books I have ever read! I got it today and have spent all night reading it (it's about 1 am now) and I'm almost half way through it. Everything makes so much more sense now. I just wanted to tell you great job! It has gotten me more excited about photography in six hours than otherwise in the last six years! I really like your style and would like to "relearn" photography with your way of explaining. Thank you so much for writing this book. It's the first time I've been impressed enough with a product to write the maker and thank them."--Zachary Miklich Nashville, TN "Long story short this is probably the best book that anyone in the digital world should put their hand to, it is far from being only about BW."--Patrick Lavoie photo.net patron "I am halfway through your new book on B & W in CS 3 and LR and I want to compliment you on a clear and concise treatise on CS3 and LR and your integrated workflow. Again, congratulations on an excellent book!"--Jeff Peters "I am enjoying your new book "Black and White". It is rare to find so many wonderful images in a 'How To' book."--Robert Sachs "I wish that I can tell you how I appreciate your contribution to making the digital darkroom something that I have fell in love with. Up to now I have used various books and sources: bits here and bits there. I have actually build up quite a library. No one particular reference book addressed the B+W worker with some basic understanding of Photoshop. You have produced something that fills this gap, and which is written and illustrated in a remarkable manner. I hail from the chemical darkroom, and as such have never really enjoyed correcting images on the computer. Photoshop, which is my program of choice, is quite intimidating, and the haphazard way in which I learned my skills from various sources, reflected in the inconsistent results that I was producing. Well, now all have changed. At least - something good is happening. I hope that you make a killing with your book - you deserve to! Keep abreast of the distant 'also-runners' by releasing updates as the technology changes."--Andre du Plessis (South African, living in London) "Black And White In Photoshop CS3 And Lightroom explains in clear and easy to understand steps what it takes to generate quality black and white images using Photoshop and/or Lightroom. It is really geared for the intermediate to advanced user who is looking to understand both workflow and color management techniques. There are a number of thing that I like about Black And White In Photoshop CS3 And Lightroom. First, I like the fact that it takes you down a number of paths on creating black and white images. It doesn't just say this is the best way and so that is all you learn. Second, I like the step-by-step approach to guide you through what you need to do to get results like this. I think that if you want to become a master of Black and White photography then Black And White In Photoshop CS3 And Lightroom is highly recommended reading." -T. Michael Testi Published January 25, 2008 Part of The Enlightened Image . Learn from step-by-step tutorials and work through each conversion with clear, easy-to-follow instructions illustrated by a multitude of images and screengrabs . Maximize image quality in capture and output with professional tips and tricks for speeding up your workflow . Save time and learn professional techniques to creatively and technically improve your black and white photography and printmaking
Describes the features of the Adobe Photoshop CS2 plug-in, Camera Raw, covering such topics as setting the balance, using the File Browser, automating raw conversions, and embedding copyright notices in images.
Photoshop users, rejoice! Adobe has released a public beta of the upcoming Photoshop CS3, and author Ben Long walks readers through how to use the next version of Photoshop today. In this indisperisable guide, readers learn what's new and what's changed with the Photoshop CS3 beta and how to tap Photoshop's new and improved capabilities.
The RAW file format is the uncompressed data file captured by a digital camera's electronic sensor. When your camera saves an image in RAW format, settings like white balance, sharpening, contrast and saturation are not applied to the image but are saved instead in a separate header. Because RAW files remain virtually untouched by in-camera processing, they are essentially the digital equivalent to exposed but undeveloped film. This makes RAW an increasingly popular format with amateur and professional digital photographers, because it affords greater flexibility and control during the editing process-if you know how to work with RAW files. Most digital camera manufacturers supply their own software for converting RAW data, as do some third party vendors. Increasingly, however, the RAW converter of choice is a plug-in included in the latest version of Adobe Photoshop, the most popular and widely-used digital image editing tool in the world. Adobe Photoshop CS2 is emerging as the best place to edit RAW images, and the best way to master this new format is with Photoshop CS2 RAW. An important book dedicated to working with RAW in Photoshop, this comprehensive guide features a unique design that helps readers grasp the subject through visual instruction and prompts. The entire RAW process is explored, from shooting to using the Adobe plug-in converter and new Bridge navigation software. The primary focus of Photoshop RAW is, as the title suggests, Photoshop editing technique: automating RAW workflow, correcting exposures, extending exposure range, manipulating grayscale and working with the new DNG (Digital Negative) open standard that Adobe supports. Presented by photographer Mikkel Aaland, a pioneer of digital photography and author of eight books, including O'Reilly's Photoshop for the Web and the award-winning Shooting Digital, Photoshop CS2 RAW investigates and instructs in an accessible visual style. Required reading for professionals and dedicated photo hobbyists alike.
