Cambridge History of English Literature 6, Part 2
Author: A. W. Ward
Publisher: CUP Archive
Published: 1969
Total Pages: 428
ISBN-13: 9780521045209
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The Cambridge History of the English Language
Author: Norman Francis Blake
Publisher:
Published: 1992
Total Pages: 676
ISBN-13: 9780511468469
DOWNLOAD EBOOKVolume two of this set covers the Middle English Period, approximately 1066-1476, and describes and analyses developments in the language from the Norman Conquest to the introduction of printing.
The Journal of Education
Author:
Publisher:
Published: 1892
Total Pages: 704
ISBN-13:
DOWNLOAD EBOOKThe Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914
Author: M. A. R. Habib
Publisher: Cambridge University Press
Published: 2013-02-07
Total Pages: 796
ISBN-13: 1316175170
DOWNLOAD EBOOKIn the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
The Cambridge History of English Literature, 1660-1780
Author: John Richetti
Publisher: Cambridge University Press
Published: 2005-01-06
Total Pages: 974
ISBN-13: 9780521781442
DOWNLOAD EBOOKThe Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Shakespeare and the Versification of English Drama, 1561-1642
Author: Marina Tarlinskaja
Publisher: Routledge
Published: 2016-12-05
Total Pages: 362
ISBN-13: 1317056345
DOWNLOAD EBOOKSurveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. The main aim of the book is to analyze the evolution of Renaissance dramatic poetry. Shakespeare is the central figure of the research, but his predecessors, contemporaries and followers are also important: Shakespeare, the author argues, can be fully understood and appreciated only against the background of the whole period. Tarlinskaja surveys English plays by Elizabethan, Jacobean and Caroline playwrights, from Norton and Sackville’s Gorboduc to Sirley’s The Cardinal. Her analysis takes in such topics as what poets treated as a syllable in the 16th-17th century metrical verse, the particulars of stressing in iambic pentameter texts, word boundary and syntactic segmentation of verse lines, their morphological and syntactic composition, syllabic, accentual and syntactic features of line endings, and the way Elizabethan poets learned to use verse form to enhance meaning. She uses statistics to explore the attribution of questionable Elizabethan and Jacobean plays, and to examine several still-enigmatic texts and collaborations. Among these are the poem A Lover's Complaint, the anonymous tragedy Arden of Faversham, the challenging Sir Thomas More, the later Jacobean comedy The Spanish Gypsy, as well as a number of Shakespeare’s co-authored plays. Her analysis of versification offers new ways to think about the dating of plays, attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.
Six Renaissance Men and Women
Author: Elisabeth Salter
Publisher: Routledge
Published: 2018-01-18
Total Pages: 275
ISBN-13: 1351149067
DOWNLOAD EBOOKThe English Renaissance is frequently defined in the context of the Elizabethans and early-Stuarts, but here we focus on the early Renaissance, and the important cultural transitions of the late-medieval/early-Tudor period. In this innovative study, Elisabeth Salter reconstructs the lives and experiences of six men and women of the early Renaissance and leads us on a quest to reconstruct their lost cultural worlds. The six men and women are all figures from the margins of the royal courts during the reigns of Henry VII and Henry VIII: Gilbert Banaster, present at the court of Henry VII in the guise of writer and musician; The Anonymous Witness, spectator to the marriage of Prince Arthur and Katherine of Aragon; William Cornish, playwright and musician at Henry VIII's household; Elizabeth Philip, silk trader to the royal court; Dame Katherine Styles, whose biography is recreated through her will; and William Buckley, Educator and Schoolmaster to King Edward VI. Salter presents an exemplary model of how it is possible to reconstruct biography from sometimes fragmentary sources. The connections drawn between these six individuals display ample evidence for the cultural innovation and sophistication of these courts in terms of pageantry, music, the visual arts, fashions in luxury consumption, scientific discovery and literary invention. When all six lives are added together as a whole, the book will lead the reader to a richer understanding of the cultural context of the early English Renaissance.
Roman Women in Shakespeare and His Contemporaries
Author: Domenico Lovascio
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2020-04-06
Total Pages: 246
ISBN-13: 1501514202
DOWNLOAD EBOOKRoman Women in Shakespeare and His Contemporaries explores the crucial role of Roman female characters in the plays of Shakespeare and his contemporaries. While much has been written on male characters in the Roman plays as well as on non-Roman women in early modern English drama, very little attention has been paid to the issues of what makes Roman women ‘Roman’ and what their role in those plays is beyond their supposed function as supporting characters for the male protagonists. Through the exploration of a broad array of works produced by such diverse playwrights as Samuel Brandon, William Shakespeare, Matthew Gwynne, Ben Jonson, John Fletcher, Philip Massinger, Thomas May, and Nathaniel Richards under three such different monarchs as Elizabeth I, James I, and Charles I, Roman Women in Shakespeare and His Contemporaries contributes to a more precise assessment of the practices through which female identities were discussed in literature in the specific context of Roman drama and a more nuanced understanding of the ways in which accounts of Roman women were appropriated, manipulated and recreated in early modern England.
Moral Play and Counterpublic
Author: Ineke Murakami
Publisher: Taylor & Francis
Published: 2011-02-25
Total Pages: 261
ISBN-13: 113680711X
DOWNLOAD EBOOKIn this study, Murakami overturns the misconception that popular English morality plays were simple medieval vehicles for disseminating conservative religious doctrine. On the contrary, Murakami finds that moral drama came into its own in the sixteenth century as a method for challenging normative views on ethics, economics, social rank, and political obligation. From its inception in itinerate troupe productions of the late fifteenth century, "moral play" served not as a cloistered form, but as a volatile public forum. This book demonstrates how the genre’s apparently inert conventions—from allegorical characters to the battle between good and evil for Mankind’s soul—veiled critical explorations of topical issues. Through close analysis of plays representing key moments of formal and ideological innovation from 1465 to 1599, Murakami makes a new argument for what is at stake in the much-discussed anxiety around the entwined social practices of professional theater and the emergent capitalist market. Moral play fostered a phenomenon that was ultimately more threatening to ‘the peace’ of the realm than either theater or the notorious market--a political self-consciousness that gave rise to ephemeral, non-elite counterpublics who defined themselves against institutional forms of authority.
