Calvino and the Age of Neorealism

Calvino and the Age of Neorealism

Author:

Publisher: Stanford University Press

Published: 1990-08

Total Pages: 432

ISBN-13: 0804766576

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Italo Calvino's reputation as one of the great writers of our century rests chiefly on his allegorical fables and fantastic narratives, whose inventiveness, irreverence, and elegant style are universally admired. In this study, the author focuses on Calvino's first novel, The Path to the Nest of Spiders (1947), because in it she discerns a critical point of origin for Calvino's entire 'ethics' of writing. She shows how, in The Path, he challenges the poetics of objectivity of the Italian neorealists movement and offers a complex and ironic representation of the anti-Fascist armed resistance in Italy. Situating Calvino's early work in its historical and cultural context, the author reassesses Italian neorealism in terms of the theories and critical debates about realism of such critics as Lukacs, Sartre, Brecht, Adorno, and Barthes. She analyzes neorealism's narrative practices and cultural and political implications, while setting neorealism in the context of the resistance and the postwar Reconstruction in Italy and giving readings of major neorealist texts (novels by Pavese and Vittorini, films by Rossellini, Visconti, and others) as well as relatively obscure minor ones. The heart of the book consists of readings of The Path from four different but intersecting critical perspectives: formalist-narratological, sociohistorical, psychoanalytic, and Bakhtinian. The readings assess the importance of Calvino's beginnings for the body of his work and incorporate relevant references to his later fiction and critical essays. Out of these multiple readings, the ironic estrangement of the real through the act of writing itself emerges as his key narratological strategy.


Italian Film in the Light of Neorealism

Italian Film in the Light of Neorealism

Author: Millicent Marcus

Publisher: Princeton University Press

Published: 2020-03-31

Total Pages: 464

ISBN-13: 0691209472

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The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.


Italian Neorealist Cinema

Italian Neorealist Cinema

Author: Christopher Wagstaff

Publisher: University of Toronto Press

Published: 2007-12-29

Total Pages: 537

ISBN-13: 144269243X

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The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.


Italo Calvino's Architecture of Lightness

Italo Calvino's Architecture of Lightness

Author: Letizia Modena

Publisher: Routledge

Published: 2011-05-09

Total Pages: 351

ISBN-13: 1136730591

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This study recovers Italo Calvino's central place in a lost history of interdisciplinary thought, politics, and literary philosophy in the 1960s. Drawing on his letters, essays, critical reviews, and fiction, as well as a wide range of works--primarily urban planning and design theory and history--circulating among his primary interlocutors, this book takes as its point of departure a sweeping reinterpretation of Invisible Cities. Passages from Calvino's most famous novel routinely appear as aphorisms in calendars, posters, and the popular literature of inspiration and self-help, reducing the novel to vague abstractions and totalizing wisdom about thinking outside the box. The shadow of postmodern studies has had a similarly diminishing effect on this text, rendering up an accomplished but ultimately apolitical novelistic experimentation in endless deconstructive deferrals, the shiny surfaces of play, and the ultimately rigged game of self-referentiality. In contrast, this study draws on an archive of untranslated Italian- and French-language materials on urban planning, architecture, and utopian architecture to argue that Calvino's novel in fact introduces readers to the material history of urban renewal in Italy, France, and the U.S. in the 1960s, as well as the multidisciplinary core of cultural life in that decade: the complex and continuous interplay among novelists and architects, scientists and artists, literary historians and visual studies scholars. His last love poem for the dying city was in fact profoundly engaged, deeply committed to the ethical dimensions of both architecture and lived experience in the spaces of modernity as well as the resistant practices of reading and utopian imagining that his urban studies in turn inspired.


Italian Post-Neorealist Cinema

Italian Post-Neorealist Cinema

Author: Luca Barattoni

Publisher: Edinburgh University Press

Published: 2013-12-16

Total Pages: 253

ISBN-13: 0748650938

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This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati


The Italian Cinema Book

The Italian Cinema Book

Author: Peter Bondanella

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 392

ISBN-13: 1839020253

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THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.


Italian Neorealist Cinema

Italian Neorealist Cinema

Author: Torunn Haaland

Publisher: Edinburgh University Press

Published: 2013-12-17

Total Pages: 224

ISBN-13: 0748664785

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This book traces the roots of neorealist film and draws parallels to neorealist fiction, by surveying the major creative contributions to and critical receptions of this trend in Italian postwar cinema.


A History of Italian Cinema

A History of Italian Cinema

Author: Peter Bondanella

Publisher: Bloomsbury Publishing USA

Published: 2017-10-19

Total Pages: 753

ISBN-13: 1501307657

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A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.


The Author in Criticism

The Author in Criticism

Author: Elio Attilio Baldi

Publisher: Rowman & Littlefield

Published: 2020-03-11

Total Pages: 307

ISBN-13: 1683931920

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The Author in Criticism:Italo Calvino’s Authorial Image in Italy, the United States, and the United Kingdom explores the cultural and historic patterns and differences in the critical readings of Italian author Italo Calvino’s works in the United States of America, the United Kingdom, and Italy. It considers the external factors that contribute to create recognizable patterns in the readings of Calvino’s texts in different contexts. This volume therefore covers, most notably, matters of genre (science fiction, postmodernism), cultural perceptions and conventions, the (re)current image of the author in different media, academic schools, -curricula and -canons, biographical information (such as gender and background), and translation and the language in which the author speaks (or fails to speak) to us. It traces the influence of these aspects in the academic discourse on Calvino. The Author in Criticism also analyzes Calvino’s various professional roles as writer, editor, essayist, journalist, private correspondent, and public, cosmopolitan intellectual, reappraising their often little acknowledged importance for academic criticism. An important underlying idea is that the preconceived image that every critic has of Calvino before even opening one of his books is often solidified and repeated even in the most refined and complex critical analyses. This volume purposefully foregrounds the textual and non-textual parts that are usually considered peripheral to the works of an author, such as book covers, blurbs, reviews, talks, interviews, etc. In this way, this book provides insight into the reception of Calvino’s works in different countries. Moreover, it forms a broader reflection of and on important constants in the workings of literary criticism, and on the way academic discourses have developed in various cultural contexts over the last decades.


Understanding Italo Calvino

Understanding Italo Calvino

Author: Beno Weiss

Publisher: Univ of South Carolina Press

Published: 1993

Total Pages: 260

ISBN-13: 9780872498587

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Highlights Calvino's fascination with folk tales, knights, social & political allegories, & science fiction.