The transcendental pastimes of Lord Caitanya (Sri Chaitanya Mangal (Vol 1)) Previously in Bengal the poets used to compose sacred songs and verses in different forms of classic rhymes and rythmic meters called Panchali. The Panchali style of composition was especially used for glorifying the Lord. Srila Locana Dasa Thakura used the Panchali form of verse-meter in composing his famous work, Sri Caitanya Mangala. The Panchali form employs five different kinds of song styles.
The transcendental pastimes of Lord Caitanya (Sri Chaitanya Mangal (Vol 2)) Previously in Bengal the poets used to compose sacred songs and verses in different forms of classic rhymes and rythmic meters called Panchali. The Panchali style of composition was especially used for glorifying the Lord. Srila Locana Dasa Thakura used the Panchali form of verse-meter in composing his famous work, Sri Caitanya Mangala. The Panchali form employs five different kinds of song styles.
Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math, this is Volume 9 of the nine volume series constituting 'The Complete Works of Swami Vivekananda'. In these volumes we have not only a gospel to the world at large, but also, to its own children, the Charter of the Hindu faith. For the first time in history, Hinduism itself forms here the subject of generalization of a Hindu mind of the highest order. What Hinduism had needed was the organizing and consolidating of its own idea, a rock where she could lie at anchor, and an authoritative utterance in which she might recognise herself. What the world had needed was a faith that had no fear of truth. Both are found in the words and writings of Swami Vivekananda. It is the latest gospel of a modern Prophet of religion and spirituality to the mankind.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-02-1949 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 83 VOLUME NUMBER: Vol. XIV. No. 4 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 8-9, 11-39, 42-77, 79-80 ARTICLE: Non-violence And The world Order AUTHOR: Mr. Sampurnanand KEYWORDS: Non-violence, World order, Socialism Document ID: INL-1948-49 (D-J) Vol-I (04)
