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Author: Jim Hillier
Publisher:
Published: 1985
Total Pages: 392
ISBN-13:
DOWNLOAD EBOOKIncluded in this anthology are revealing articles and interviews on the work of Godard, Resnais, Chabrol, Rohmer, Truffaut and Rivette, as well as polemical discussion of popular film-makers like Ray, Hitchcock and Losey.
Author: Emilie Bickerton
Publisher: Verso Books
Published: 2014-04-15
Total Pages: 177
ISBN-13: 1844678318
DOWNLOAD EBOOKCahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
Published: 1990
Total Pages: 988
ISBN-13: 9780838631867
DOWNLOAD EBOOKThe four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author: Patrick ffrench
Publisher: Bloomsbury Publishing
Published: 2019-10-31
Total Pages: 325
ISBN-13: 1350120529
DOWNLOAD EBOOKSuspicious of what he called the spectator's “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and “myth”. In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films – and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in “leaving the cinema” – disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance – he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Author: David Brancaleone
Publisher: Bloomsbury Publishing USA
Published: 2021-07-15
Total Pages: 464
ISBN-13: 1501316982
DOWNLOAD EBOOKHow many Zavattinis are there? During a life spanning most of the twentieth century, the screenwriter who wrote Sciuscià, Bicycle Thieves, Miracle in Milan, and Umberto D. was also a pioneering magazine publisher in 1930s Milan, a public intellectual, a theorist, a tireless campaigner for change within the film industry, a man of letters, a painter and a poet. This intellectual biography is built on the premise that in order to understand Zavattini's idea of cinema and his legacy of ethical and political cinema (including guerrilla cinema), we must also tease out the multi-faceted strands of his interventions and their interplay over time. The book is for general readers, students and film historians, and anyone with an interest in cinema and its fate.
Author: Jonathan L. Owen
Publisher: Berghahn Books
Published: 2011-02-01
Total Pages: 255
ISBN-13: 0857451278
DOWNLOAD EBOOKThe cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.
Author: Alexandra Seros
Publisher: University of Texas Press
Published: 2024-12-10
Total Pages: 357
ISBN-13: 1477330674
DOWNLOAD EBOOKAn archival study of Ida Lupino’s work in film and television directing, writing, producing, and acting from the 1940s to the 1970s. Though her acting career is well known, Ida Lupino was, until very recently, either unknown or overlooked as an influential director. One of the few female directors in Classical Hollywood, Lupino was the only woman with membership in the Directors Guild of America between 1948 and 1971. Her films were about women without power in society and engaged with highly controversial topics despite Hollywood’s strict production code. Working in a male-dominated field, Lupino was forced to manage her public persona carefully, resisting attempts by the press to paint her solely as a dutiful wife and mother—a continual feminization—just so that she could continue directing. Filmmaker Alexandra Seros retells the story of Ida Lupino’s career, from actor to director, first in film, then in television, using archival materials from collections housed around the world. The result provides rich insights into three of Lupino’s independently directed films and a number of episodes from her vast television oeuvre. Seros contextualizes this analysis with discussions of gendered labor in the film industry, the rise of consumerism in the United States after World War II, and the expectations put on women in their family lives during the postwar era. Seros’s portrait of Lupino ultimately paints her life and career as an exemplar of collaborative auteurship.
Author: Wheeler Winston Dixon
Publisher: Indiana University Press
Published: 1993-02-22
Total Pages: 196
ISBN-13: 9780253113436
DOWNLOAD EBOOKBefore turning to filmmaking, Francois Truffaut was a film critic writing for Cahiers du Cinema during the 1950s. The Early film Criticism of Francois Truffaut makes available, for the first time in English, articles that originally appeared in French journals such as Cahiers du Cinema and Arts. Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.
Author: David BORDWELL
Publisher: Harvard University Press
Published: 2009-06-30
Total Pages: 353
ISBN-13: 0674028538
DOWNLOAD EBOOKDavid Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.
Author: Jim Hillier
Publisher: Psychology Press
Published: 1985-03-21
Total Pages: 330
ISBN-13: 0415151058
DOWNLOAD EBOOK'With admirable clarity, Mrs Peters sums up what determines competence in spelling and the traditional and new approaches to its teaching.' -Times Literary Supplement
