A historic gold coin marches across history and the world from the time of Julius Caesar to modern America--cursed in death, war, betrayal, hate and finally embraced by love and honor.
The third volume of the fully revised and expanded general catalogue of Roman coins extends coverage of the Imperial series from the accession of Maximinus I in AD 235 down to the assassination of Carinus and the accession of Diocletian half a century later. This turbulent period, during which the Empire came close to total collapse and disintegration, witnessed great changes in the Imperial coinage including unprecedented debasement and the beginning of the decentralization of the mint system.
From the bestselling author of SPQR: A History of Ancient Rome, the fascinating story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book—against a background of today’s “sculpture wars”—Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars,” from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns. Beginning with the importance of imperial portraits in Roman politics, this richly illustrated book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the nineteenth-century American sculptor Edmonia Lewis, as well as by generations of weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority. From Beard’s reconstruction of Titian’s extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII’s famous Caesarian tapestries, Twelve Caesars includes fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
The twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze constitute perhaps the most enigmatic masterpiece of Renaissance European metalwork. Topped with statuettes of the Twelve Caesars, the tazze are decorated with marvelously detailed scenes illustrating the lives of those ancient Roman rulers. The work’s origin is unknown, and the ensemble was divided in the nineteenth century and widely dispersed, greatly hampering study. This volume, inspired by a groundbreaking symposium at The Metropolitan Museum of Art, examines topics ranging from the tazze’s representation of the ancient world to their fate in the hands of nineteenth-century collectors, and presents newly discovered archival material and advanced scientific findings. The distinguished essayists propose answers to critical questions that have long surrounded the set and shed light on the stature of Renaissance goldsmiths’ work as an art form, establishing a new standard for the study of Renaissance silver.
The pursuit of collecting ancient Roman coins creates a legacy rich in historical intrigue and a lasting store of wealth. Western, Middle Eastern, and North African civilizations are deeply rooted in what we remember as the Roman Empire. Today collectors, numismatic scholars, and history buffs are inspired by these little works of art.For thousands of collectors and investors, the contributions of Adam Crum to the world of rare and historical gold coins form a foundation that can assist a collector of any level. His countless published articles, many contributions to numismatic books, and his own authored books have entertained, inspired, and stimulated thousands of collectors for decades.In this book, Adam takes you on a historical journey from the beginnings of Julius Caesar's rule in 44 BC to the end of the Flavian Dynasty in 96 AD. I believe any reader interested in historically significant rarities will be inspired to seek out more in-depth tales that these coins rich in history have inspired. The amazing set highlighted in this little book is a beautiful example of a Twelve Caesars collection that can be assembled with patience and perseverance. Each coin within is a true rarity of museum quality and the entire collection is one in which a legacy can be formed.
The original edition of Sear's Roman Coins and Their Values was published by Seaby thirty-six years ago and has been through four revisions (1970, 1974, 1981 and 1988). However, the publication of the 'Millennium Edition' of this popular work makes a radical departure from previous editions.
The story of how images of Roman autocrats have influenced art, culture, and the representation of power for more than 2,000 years. What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore?
In this story of the most famous assassination in history, “the last bloody day of the [Roman] Republic has never been painted so brilliantly” (The Wall Street Journal). Julius Caesar was stabbed to death in the Roman Senate on March 15, 44 BC—the Ides of March according to the Roman calendar. He was, says author Barry Strauss, the last casualty of one civil war and the first casualty of the next civil war, which would end the Roman Republic and inaugurate the Roman Empire. “The Death of Caesar provides a fresh look at a well-trodden event, with superb storytelling sure to inspire awe” (The Philadelphia Inquirer). Why was Caesar killed? For political reasons, mainly. The conspirators wanted to return Rome to the days when the Senate ruled, but Caesar hoped to pass along his new powers to his family, especially Octavian. The principal plotters were Brutus, Cassius (both former allies of Pompey), and Decimus. The last was a leading general and close friend of Caesar’s who felt betrayed by the great man: He was the mole in Caesar’s camp. But after the assassination everything went wrong. The killers left the body in the Senate and Caesar’s allies held a public funeral. Mark Antony made a brilliant speech—not “Friends, Romans, Countrymen” as Shakespeare had it, but something inflammatory that caused a riot. The conspirators fled Rome. Brutus and Cassius raised an army in Greece but Antony and Octavian defeated them. An original, new perspective on an event that seems well known, The Death of Caesar is “one of the most riveting hour-by-hour accounts of Caesar’s final day I have read....An absolutely marvelous read” (The Times, London).