A powerful perspective about preaching, "Cadences of Home" suggests that sermons must speak to those who are lost and searching for their rightful home. Brueggemann argues for a dynamic transformation of preaching to proclaim to the world that there is a home for all people.
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
“Exquisitely written with compelling characters and romance . . . I was swept away by the enchanting and magical world Rebecca Ross crafted, and loved every moment of it.” — Sue Lynn Tan, bestselling author of Daughter of the Moon Goddess Enter the isle of Cadence in this novel from the #1 New York Times bestselling author of Divine Rivals—a Scottish-inspired fantasy brimming with enemies-to-lovers romance, magic and spirits, and a captivating mystery It starts with a letter and an ominous journey across dark waters. Ten years after being sent away to the mainland to become a bard, Jack Tamerlaine is summoned home to Cadence. Girls are going missing from the island, and Adaira, his childhood nemesis and the future leader of the clan, believes Jack is the only one who can find them. The elemental spirits that dwell in every breath of air, splash of water, blade of grass, and flicker of fire find mirth in the lives of the humans, and a bard’s music is the only way to summon them and ask that the girls be returned. Yet as Jack and Adaira get closer to solving the mystery, it becomes apparent that an older, darker secret about Cadence lurks beneath the surface, and no harp song may be strong enough to stop it. With unforgettable characters, a thrilling plot, and a lush folklore-infused world, A River Enchanted is a stirring story of duty, love, and creating harmony between opposing forces. This first book in the Elements of Cadence duology marks Rebecca Ross’s brilliant entry on the adult fantasy stage.
#1 NEW YORK TIMES BESTSELLER • A modern, sophisticated suspense novel from National Book Award finalist, and Printz Award honoree E. Lockhart. Don't miss the #1 New York Times bestselling prequel, Family of Liars. A beautiful and distinguished family. A private island. A brilliant, damaged girl; a passionate, political boy. A group of four friends—the Liars—whose friendship turns destructive. A revolution. An accident. A secret. Lies upon lies. True love. The truth. Read it. And if anyone asks you how it ends, just LIE. "Thrilling, beautiful, and blisteringly smart, We Were Liars is utterly unforgettable." —John Green, #1 New York Times bestselling author of The Fault in Our Stars
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Winner of 2020 W.Y. Boyd Literary Award for Excellence in Military Fiction Military Writers Society of America Award Winner: Gold Medal in Historical Fiction Winner of the 2021 William E. Colby Award Sometimes it takes years for a combat vet to understand what war did to him when he was nineteen. With the perception and reflection of a man on the cusp of retirement from a career teaching high school kids, Marty McClure recalls the relentless intensity of prolonged combat as a teenaged Marine machine gunner facing booby traps and battles in a war with few boundaries. Family and friends know Marty as a kind, peaceful man. They aren‘t aware that when he was young, he plumbed the depths of terror, hatred, and despair with no assurance he‘d ever surface again. Now he needs to reveal what happened in Vietnam and how, with the help of Patti, his wife, Corrie Corrigan, a disabled vet, and Doc Matheson, a corpsman turned trauma surgeon, he works to become a good husband, father, and teacher while he fights to bury the war. Only if he accepts help from his wife and his friends will he find real peace.
The variety and complexity of cadenceThe concept of closure is crucial to understanding music from the “classical” style. This volume focuses on the primary means of achieving closure in tonal music: the cadence. Written by leading North American and European scholars, the nine essays assembled in this volume seek to account for the great variety and complexity inherent in the cadence by approaching it from different (sub)disciplinary angles, including music-analytical, theoretical, historical, psychological (experimental), as well as linguistic. Each of these essays challenges, in one way or another, our common notion of cadence. Controversial viewpoints between the essays are highlighted by numerous cross-references. Given the ubiquity of cadences in tonal music in general, this volume is aimed not only at a broad portion of the academic community, scholars and students alike, but also at music performers. Contributors Pieter Bergé (KU Leuven), Poundie Burstein (City University of New York), Vasili Byros (Northwestern University), William Caplin (McGill University), Felix Diergarten (Schola Cantorum Basiliensis), Nathan John Martin (Yale University / KU Leuven), Danuta Mirka (University of Southampton), Markus Neuwirth (KU Leuven), Julie Pedneault-Deslauriers (University of Ottawa), Martin Rohrmeier (Massachusetts Institute of Technology), and David Sears (McGill University)
This book explores the unique challenges of disenfranchisement faced by Christian chaplains working within the secular and pluralistic context of contemporary healthcare. The case study focuses on practitioners in Hong Kong and showcases the utilisation of interpretative phenomenological analysis (IPA) as a fruitful basis for practical theological endeavours. The role and perspective of the palliative chaplain as spiritual care specialist is examined, along with the tension that exists with the cultural and organisational context in which they operate. The chapters examine how end of life care practitioners can often face marginalisation, oppression, vulnerability, and disorientation among other difficult experiences that the author unites under a general theme of “homelessness”. The book contributes to discussions regarding fuller integration of the spiritual dimension within a holistic vision of end of life care provision. It will be of particular interest to scholars of practical theology and chaplaincy, as well as palliative medicine.
Combining poetic language and the traditions of magic realism to paint a vivid portrait of her family, Pat Mora’s House of Houses is an unconventional memoir that reads as if every member, death notwithstanding, is in one room talking, laughing, and crying. In a salute to the Day of the Dead, the story begins with a visit to the cemetery in which all of her deceased relatives come alive to share stories of the family, literally bringing the food to their own funerals. From there the book covers a year in the life of her clan, revealing the personalities and events that Mora herself so desperately yearns to know and understand.