BY CHANCE OR PROVIDENCE collects BECKY CLOONAN's award-winning trilogy: WOLVES, THE MIRE, and DEMETER, with lush colors by LEE LOUGHRIDGE and a sketchbook/illustration section. These stories cast a spell of hypnotic melancholy, weaving their way through medieval landscapes of ancient curses and terrible truths that will haunt you long after you've set them down.
This fifth volume begins the doctrinal treatises of Perkins with three contributions of catechetical theology. The first treatise is An Exposition of the Symbol or Apostles’ Creed . Examining the contours of Christian faith, Perkins handles each article of the Creed according to its basic meaning, the duties it calls us to, and the consolation it brings. He closes the entire work by explaining how the Creed is a “storehouse of remedies against all troubles and temptations whatsoever.” The second treatise is An Exposition of the Lord’s Prayer . Detailing the chief Christian desires, Perkins explains the meaning of the petitions of the Lord’s Prayer and the “manifold uses” for each. Perkins closes his exposition with the proper uses of the Lord’s Prayer in general, the circumstances related to the way we pray, and a word on God hearing our prayers. This treatise also includes a collection of prayers (with short expositions) from the Bible and a poetic song “gathered out of the Psalms, containing the sobs and sighs of all repentant sinners.” The third treatise is The Foundation of Christian Religion Gathered into Six Principles , which sets down the principle points of Christian religion in order to establish readers in true knowledge, unfeigned faith, and sound repentance. Providing a rudimentary understanding of the Ten Commandments, the Creed, the Lord’s Prayer, and the two sacraments, Perkins’s Foundation sets a framework for people to profit more from sermons and to receive the Lord’s Supper with comfort.
By Chance or Providence collects Becky Cloonan's award-winning trilogy: Wolves, The Mire and Demeter, with lush colors by Lee Loughridge and a sketchbook/illustration section. These stories cast a spell of hypnotic melancholy, weaving their way through medieval landscapes of ancient curses and terrible truths that will haunt you long after you've set them down.
One of the most important and controversial themes in the contemporary dialogue among scientists and Christian theologians is the issue of "divine action" in the world. This volume brings together contributions from leading scholars on this topic, which emerged out of the Scientific Perspectives on Divine Action project, co-sponsored by the Vatican Observatory and the Center for Theology and Natural Science. This multi-year collaboration involved over 50 authors meeting at five international conferences. The essays collected here demonstrate the pervasive role of philosophy in this dialogue. Contributors include: Ian Barbour, Philip Clayton, George F. R. Ellis, Nancey Murphy, Arthur Peacocke, John Polkinghorne, Robert John Russell, F. LeRon Shults, William Stoeger, Thomas F. Tracy and Wesley Wildman.
Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the emergence of romance and of the modern novel. As a result, if Chaucer cannot be thought of as the father of English poetry, he is, however, the father of English prose and one of the main artisans of what Mikhail Bakhtin called the polyphonic novel.
