The beloved Harpers series kicks off with a thrilling tale about an outcast witch, a foreign agent, and the endangered desert tribes of the Anauroch Determined to drive a trade route through Anauroch, the Zhentarim have sent an army to enslave the fierce nomads of the great desert. As tribe after tribe fall to the intruders, only a single woman, Rhua, sees the true danger—but what sheik will heed the advice of an outcast witch? Ruha finds help from an unexpected source. The Harpers, guardians of liberty throughout the Realms, have sent an agent to counter the Zhentarim. If she can help this stranger win the trust of the sheikhs, perhaps he can overcome the tribes’ ancestral rivalries and drive the invaders from the desert. The Parched Sea is the first book in a series of loosely-connected novels about the Harpers.
An astounding story, riveting from beginning to end, that covers 3 generations of a family caught in the maelstrom of WW I and WWW II, which left the most disturbing skeletons in the closet. Reminiscent of the excellent television series "Heimat" from the 1980's.
The Quick is a book of essences. Katrina Roberts's large-spirited and exhilarating poetry is at once celebratory and elegiac, lyric and narrative, striving to divine what's at the quick of this fleeting existence we share. Anchored in many ways by the long poem "Cantata," which chronicles her pregnancy and the birth of her son, the book turns and turns its kaleidoscopic lens, settling now on origins and creation myths, now on Greek or Welsh gods, now on a painting by Vermeer or on an article from the daily news, all slipping together to illuminate our coming to consciousness, our coming to "be." The poems ask how one might reconcile one's simple joys with the world's larger concerns. An inquiry of this depth cannot fail to encounter grief, but it is a grief tempered and transcended by the acceptance of ongoing life, as well as a consistently outward-focused eye and a passion for language. Sparked by Roberts's sharp imagery and daring cadences, this is a fresh and savvy collection, informed by science, myth, music, philosophy, and etymology, all braided within a sinuous narrative line that runs from sorrow to rich celebration.
This book presents the results of the Cide Archaeological Project, an archaeological surface survey undertaken between 2009 - 2011 in the coastal Black Sea district of Cide and the adjacent inland district of Senpazar, Kastamonu province, Turkey.
"'A donkey?' blurted my family as one. For a moment it didn't seem they'd ever be able to list all the reasons that made this so entertainingly ludicrous. . . .Yes, I'd never ridden a donkey on a beach or petted one at a city farm, never even pinned a cardboard tail to one's throat after the cake and ice cream....A donkey would be my hairy-coated hair shirt, making my pilgrimage to Santiago de Compostela a truer test of the will, a trial." With these words, having no knowledge of Spanish and even less about the care and feeding of donkeys, Tim Moore, Britain's indefatigable traveling Everyman, sets out on a pilgrimage to the cathedral at Santiago de Compostela with a donkey named Shinto as his companion. Armed only with the Codex Calixtinus, a twelfth-century handbook to the route, and expert advice on donkey management from Robert Louis Stevenson, Moore and his four-legged companion travel the ancient five-hundred-mile route from St. Jean Pied-de-Port, on the French side of the Pyrenees, to the cathedral at Santiago de Compostela, which houses the remains of Spain's patron saint, St. James. Over sun-scorched highways, precipitous bridges, dirt paths shaded by leafy trees, and vineyards occasionally lashed by downpours, Moore and Shinto pass through some of the oldest towns and cities in northern Spain in colorful company, both past and present. Pilgrims real and imagined have traveled this route throughout the ages, a diverse cast of wayfarers spanning Charlemagne, St. Francis of Assisi, Chaucer's Wife of Bath, and New Age diva, Shirley MacLaine. Moore's present-day companions are no less florid or poignant. Clearly more interested in Shinto than in Moore, their fellow walkers are an assortment of devout Christian pilgrims, New Age spirituality seekers, travelers grieving over a lost love affair, Baby Boomers contemplating the advent of middle age, and John Q. Public just out for a cheap, boozy sun-drenched outdoor holiday. As Moore pushes, pulls, wheedles, cajoles, and threatens Shinto across Spain toward the crypt of St. James in a quest to find the spiritual pilgrim within, the duo overnights in the bedrooms, dormitories, and---for Shinto---adjacent grassy fields of northern Spain's hostels, inns, convents, seminaries, and farmhouses. Shinto, a donkey with a finely honed talent for relieving himself at the most inopportune moments, has better luck in the search for his next meal than Moore does in finding his inner St. Francis. Undaunted, however, Man and Beast finally arrive at the cathedral and a successful end to their journey. For readers who delighted in his earlier books, Travels with My Donkey is the next hilarious chapter in the travels of Tim Moore, a book that keeps the bones of St. James rattling till this day.
Recipient of the Jo Anne Stolaroff Cotsen Prize Volume 2 presents the concluding research on Sitagroi, a prehistoric settlement mound in northeastern Greece, excavated between 1968 and 1970. This volume offers a detailed report on the plant remains along with a full treatment of craft and technology: artifacts of adornment; tools of bone and flaked stone; artifacts and tools of bone and ground and polished stone (and petrology); tools of the spinner, weaver and mat maker; pottery technology; metallurgy; and special clay finds such as seals, miniatures, and utensils. This rich presentation offers unparalleled insights into the life of the prehistoric inhabitants of the area. Sitagroi now becomes one of the most comprehensively published sites from prehistoric Europe and will be indispensable for all those concerned with European prehistory.
The earliest prehistoric excavations on the island took place in 1887, when W.R. Paton discovered Mycenaean chamber tombs in the side of the torrent bed, which runs into the harbour of Pothia to the east of the hill of Perakastro, where the Late Bronze Age settlement stood. Most of the vessels found from Paton were presented to the British Museum while others are preserved in other European Museums. The first systematic excavations, however, took place only in the early twenties of the past century when the Italian archaeologist A. Maiuri director of the archaeological exploration of the then Italian islands of the Dodecanese, excavated the three prehistoric caves of Ayia Varvara (1920), Choiromandres (1921), and Vathy-Dhaskalio (1922), which are the object of the present study.
Think nothing tastes as good as slim feels? You're obviously not eating the right food . . . Holly, Naomi and Kate are determined to win the battle of the bulge. So it's down to the local slimming club, where carbs are strictly off the menu and there's no escaping the scales. But calorie-counting isn't the only thing on their minds. Newly engaged Holly should be over the moon. So why does she blush every time her sexy boss walks into the room? Curvaceous Naomi finds herself the object of a very unusual fetish and a shocking secret is revealed when an unexpected visitor arrives on Kate's doorstep. Yet with a little group support (and a particularly brutal weight loss boot camp) the women manage to stick to their regime, in time for the glamorous Slimmer of the Year Awards. But with tempting buffet tables, highly competitive contestants and even the odd fat fetishist lurking, it's anyone's guess as to what will happen . . .
Sprung from a prison in the centre of a star, the universe's last criminal is employed to kill the population of a planet. It is a crime that will tear apart an interstellar utopia. Keeping ahead of detection and preparing the crime, the killer voyages to numerous worlds and hones the instincts required for murder. And wonders who is behind the contract. Roberts' new novel is an extraordinary fusing of ideas, exotic locations, personal drama and an enquiry into the nature of crime in a society that thinks it has forgotten how to commit it.
