The people who populate Michael Martin's world are complex and disturbing. Burning just beneath the surface is a frightening stockpile of emotional confusion and silent rage. Jealousy and passion, loneliness and self-destruction heat the pages of these fifteen stories of the often volatile relationships between men and women, friends and lovers, and the interactions with those not so rare individuals who possess the pathological ability to become whoever you want them to be.Each story in this moving collection burns with the heat of human emotion. Written in a powerful narrative voice, often lyrical and poetic, BURNING IN THE HEAT is an astounding display of storytelling depth and versatility from the author of FUNERALS FOR FRIENDS.
A major figure in the history of post-Revolutionary literature in Mexico, Juan Rulfo received international acclaim for his brilliant short novel Pedro Páramo (1955) and his collection of short stories El llano en llamas (1953), translated as a collection here in English for the first time. In the transition of Mexican fiction from direct statements of nationalism and social protest to a concentration on cosmopolitanism, the works of Rulfo hold a unique position. These stories of a rural people caught in the play of natural forces are not simply an interior examination of the phenomena of their world; they are written for the larger purpose of showing the actions of humans in broad terms of reality.
When The Sky Blue Ball comes soaring over the fence, a high-school girl is confronted with the haunting memory of childhood. A jealous teen lets her cousin go off alone with a dangerous Capricorn, aware of the terrifying possibilities. A vulnerable young girl cunningly outwits a menacing stranger and exults in her newfound power, surviving the first of many Small Avalanches. In these twelve riveting tales, master storyteller Joyce Carol Oates visits the dark, enigmatic psyche of the teenage years. Intense and unnerving, uplifting and triumphant, the stories in this collection explore the fateful consequences of the choices we make in our everyday lives.
This new printing of Pamela Zoline's famous cross-genre story collection reproduces the 1988 text, but with an important emendation on page 123. Aside from that, and a dazzling new cover, this edition brings to a new audience, a new generation, the same excitement that comes of encountering the emergence of an important new voice for visionary fiction. Only very rarely does there appear a book that captures the attention of a broad spectrum of readers, draws extraordinary praise from critics, and catapults the author overnight into an established presence. That is exactly what has happened with this collection. This book presents two novellas (including "Sheep," which appeared first in our Likely Stories) and three long stories. Alongside her oft-anthologized story "The Heat Death of the Universe," will be found "Instructions for Exiting This Building in Case of Fire," "The Holland of the Mind," and "Busy About the Tree of Life." We're taken from the ontological recesses of Sarah Boyle's kitchen into an encyclopedic cure for insomnia, and then find recounted what must surely be the most catastrophic (and hilarious) genealogy in modern fiction. All along the way, as the cultural detritus of Western Civ seeps in between the quotidian cracks, Zoline never loses sight of the personal dimensions of life.
The “propulsive and mesmerizing” (The New York Times) story collection by the International Booker–shortlisted author of The Dangers of Smoking in Bed and Our Share of Night—now with a new short story. The short stories of Mariana Enriquez are: “The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro “Violent and cool, told in voices so lucid they feel spoken.”—The Boston Globe (Best Books of the Year) Electric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves and regrets, there is also friendship, compassion, and humor. Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories ask the biggest questions of life and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.
“Moniz sings of Florida, girlhood, family, loss, and the glorious, ecstatic, devastating human body. A gorgeous debut from a wickedly talented new writer.” —Lauren Groff, New York Times–bestselling author Named a Best Book of the Year by The Atlantic, TIME, Washington Independent Review of Books, Kirkus, Chicago Public Library, Library Journal, Literary Hub, Audible, Largehearted Boy, Entropy, Millions, and Tampa Bay Times Set among the cities and suburbs of Florida, each story in Milk Blood Heat delves into the ordinary worlds of young girls, women, and men who find themselves confronted by extraordinary moments of violent personal reckoning. These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them. Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth, announcing the arrival of a bright new literary star. “A fresh feel for the intensity and contradictions of girlhood sings across tough stories.” —Entertainment Weekly
Susan Orlean’s bestseller and New York Times Notable Book is “a sheer delight…as rich in insight and as varied as the treasures contained on the shelves in any local library” (USA TODAY)—a dazzling love letter to a beloved institution and an investigation into one of its greatest mysteries. “Everybody who loves books should check out The Library Book” (The Washington Post). On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. The fire was disastrous: it reached two thousand degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a “delightful…reflection on the past, present, and future of libraries in America” (New York magazine) that manages to tell the broader story of libraries and librarians in a way that has never been done before. In the “exquisitely written, consistently entertaining” (The New York Times) The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries; brings each department of the library to vivid life; studies arson and attempts to burn a copy of a book herself; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago. “A book lover’s dream…an ambitiously researched, elegantly written book that serves as a portal into a place of history, drama, culture, and stories” (Star Tribune, Minneapolis), Susan Orlean’s thrilling journey through the stacks reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country.
The central characters in these 11 stories are men who can't find peace, who find themselves in conflict with their world and with themselves. Often, the conflict is rooted in the past, in a relationship with a family member, or in a loss of some kind--a loved one, ideals, dreams, ambitions. Remarkably, these men don't seem very different from the rest of us, man or woman, young or old, past or present. "A splendid book of stories that ravish and ennoble and hearten, even as the news remains bad. Falco has more talent than ought to be legal or mortal. I can't imagine a better book of stories will be published this year. "--Lee K. Abbott, author of All Things, All at Once: New and Selected Stories "As much as I love some of Falco's earlier work--stories like 'Gifts,' for instance, or 'Silver Dollars,' which seem to be among the most powerful fiction of the last quarter-century--in this new book he's taken his work to even greater heights. The title story is a stunner, and so are several others. But frankly, there's no point in my directing readers to the highlights. The highlight is the collection itself."--Steve Yarbrough, author of Safe from the Neighbors "Burning Man is a lean, forthright, often devastating examination of our ineluctable longing for beauty and truth."--Susann Cokal, author of Mirabilis "Ed Falco is an enchanter who casts his spell with what Ford Madox Ford called the 'fresh usual word,' with impeccable sentences, and with unerring and exquisite details. These unsettling explorations of men at a dangerous age, whose quiet lives are often haunted and shaped by loss, are savvy, fearless, and achingly beautiful. Burning Man represents Ed Falco at the height of his considerable narrative powers. What talent, what nerve, what a wondrous and spellbinding collection."--John Dufresne, author of Requiem, Mass.
In this brilliant book of recollection, one of America's finest writers re-creates people, places, and events spanning some fifty years, bringing to life an entire era through one man's sensibility. Scenes of love and desire, friendship, ambition, life in foreign cities and New York, are unforgettably rendered here in the unique style for which James Salter is widely admired. Burning the Days captures a singular life, beginning with a Manhattan boyhood and then, satisfying his father's wishes, graduation from West Point, followed by service in the Air Force as a pilot. In some of the most evocative pages ever written about flying, Salter describes the exhilaration and terror of combat as a fighter pilot in the Korean War, scenes that are balanced by haunting pages of love and a young man's passion for women. After resigning from the Air Force, Salter begins a second life, becoming a writer in the New York of the 1960s. Soon films beckon. There are vivid portraits of actors, directors, and producers--Polanski, Robert Redford, and others. Here also, more important, are writers who were influential, some by their character, like Irwin Shaw, others because of their taste and knowledge. Ultimately Burning the Days is an illumination of what it is to be a man, and what it means to become a writer. Only once in a long while--Vladimir Nabokov's Speak, Memory or Isak Dinesen's Out of Africa--does a memoir of such extraordinary clarity and power appear. Unconventional in form, Burning the Days is a stunning achievement by the writer The Washington Post Book World said "inhabits the same rarefied heights as Flannery O'Connor, Paul Bowles, Tennessee Williams and John Cheever" --a rare and unforgettable book. BONUS: This edition includes an excerpt from James Salter's All That Is.
If you can't stand the heat, don't walk into the fire. Danny knew his sophomore year would be stressful . . . but he didn't expect his school to burn down on the first day. To make matters worse (and they were about to get a lot worse), he -- and his three best friends -- receive an email in their inboxes from the principal of their rival, King's Academy, offering full-rides to attend the town's prestigious boarding school. Danny wants nothing to do with King's Academy and says no. Of course his mother says yes. So off he goes to be bullied and picked on for not being part of the popular and rich "in crowd." From day one at King's, Danny encounters hazing, mocking insults from girls at the "popular and pretty" table, and cafeteria food that, for such a prestigious school, tastes as if it were purchased from a military surplus supply warehouse. If he survives, Danny will have to overcome his fears of failure, rejection, and loneliness--all while standing strong in his beliefs and walking into the fire.
