In Fiona MacCarthy’s riveting account, Burne-Jones’s exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.
Burne-Jones, the Pre-Raphaelite painter and leader of the Aesthetic Movement is celebrated in this biographical, art and reference title that reproduces many of his works. Born in Birmingham, the son of a craftsman, Burne-Jones showed precocious ability at school. At Oxford University he met William Morris where they established a mutual interest in art. Their first important influence was that of one of the founding fathers of Pre-Raphaelitism, Dante Gabriel Rossetti, with whom in 1857 they painted murals at the Oxford Union. After Oxford his painting career developed and he rapidly established his position as the leader of the Aesthetic Movement. Burne-Jones also worked for Morris's firm, supplying designs for stained glass, tapestries, tiles and other products, including his own illustrations for the celebrated Kelmscott Chaucer.
This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."
In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
Essentially a domestic biography whose main concern is the tragicomedy of manners enacted by a closely knit group of friends and lovers, Wives and Stunners tells the story of Janey Morris, Georgie Burne-Jones, Lizzie Siddall, Effie Gray and less well-known, Marie Spartali, Aglaia Coronio and Mary Zambacco. These women were the wives, mistresses andmuses, of the Pre-Raphaelite Brotherhood, the inspiration behind the work of Dante Gabriel Rossetti, William Holman Hunt, William Morris, Edward Burne-Jones and John Millais. Set against the background of mid-Victorian bohemian England, Henrietta Garnett vividly evokes the world they inhabited and the lives they lived. She recounts the romances and friendships between the artists and the 'stunners' in a lively and original way and her book will appeal to anyone interested in Victorian England, the history of the Pre-Raphaelites and, significantly, to everyone who wants to read a spellbinding story of a bygone era.
The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.
In Victorian England, with the country swept up in the Industrial Revolution, the Pre-Raphaelites, close to William Morris’ Arts and Crafts movement, yearned for a return to bygone values. Wishing to revive the pure and noble forms of the Italian Renaissance, the major painters of the circle (such as John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt) favoured realism and biblical themes over the academicism of the time. This work, with its captivating text and rich illustrations, describes with enthusiasm this singular movement which notably inspired Art Nouveau and Symbolism.