Bunuel and Mexico
Bunuel and Mexico

Author: Ernesto R. Acevedo-Muñoz

Publisher: Univ of California Press

Published: 2003-11-13

Total Pages: 224

ISBN-13: 9780520930483

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Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films—made between 1947 and 1965—within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930s through the 1950s and the "new" Cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.

Buñuel and Mexico
Buñuel and Mexico

Author: Ernesto R. Acevedo-Muñoz

Publisher: Univ of California Press

Published: 2003-11-13

Total Pages: 215

ISBN-13: 0520239520

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The first extended study of Bunuel's Mexican films, which consititute a significant but neglected part of the great film maker's career.

Bunuel and Mexico
Bunuel and Mexico

Author: Ernesto R. Acevedo-Muñoz

Publisher:

Published: 2025-03-18

Total Pages: 0

ISBN-13: 9780520419292

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Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films--made between 1947 and 1965--within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930s through the 1950s and the "new" Cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.

Mexican Cinema
Mexican Cinema

Author: Paulo Antonio Paranaguá

Publisher:

Published: 1995

Total Pages: 344

ISBN-13:

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With essays by the most authoritative scholars, this unique study and reference work is the first English-language survey and analysis of Mexican cinema. The book provides extensive coverage of the delirious melodramas (of 'El Indio' Emilio Fernandez and Roberto Gavaldon, many shot by the supremely romantic cinematographer Gabriel Figueroa) and the contemporary successes of Jaime Humberto Hermosillo. It also includes the Mexican work of Luis Bunuel, the surreal, intense dramas of Felipe Cazals and Arturo Ripstein, the innovative work of Paul Leduc, and much more. This lavishly illustrated book also contains notes on over 150 individual films, an extensive dictionary of directors and other personalities, together with filmographies and an extensive chronicle of Mexico's political, cultural and cinematic history in the twentieth century.

The Classical Mexican Cinema
The Classical Mexican Cinema

Author: Charles Ramírez Berg

Publisher: University of Texas Press

Published: 2015-09-01

Total Pages: 255

ISBN-13: 1477308075

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From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

Luis Buñuel
Luis Buñuel

Author: Román Gubern

Publisher: University of Wisconsin Pres

Published: 2012-01-04

Total Pages: 458

ISBN-13: 0299284735

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The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.

Midday with Buñuel
Midday with Buñuel

Author: Claudio Isaac

Publisher:

Published: 2007

Total Pages: 184

ISBN-13:

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"Intimate photographs from the Isaac family archive complement the writing, and Bryan T. Scoular's careful translation makes this text available for the first time in English. The foreword by James D. Fernandez offers the reader eloquent insight into this " 'biography' of Luis Bunuel, which is structured not by the stepping-stones of his career, but by the self-spun spider's web of his many contradictions, as they are perceived, assimilated, and recorded by a chronicler who is himself always in motion and full of contradictions."" "Part biography, part memoir, Midday with Bunuel brings to life the creative milieu of Mexico City and gives readers a privileged view of the relationship between these two filmmakers."--BOOK JACKET.

My Last Sigh
My Last Sigh

Author: Luis Bunuel

Publisher: Vintage

Published: 2013-03-26

Total Pages: 290

ISBN-13: 0345803701

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ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • A provocative memoir from Luis Buñuel, the Academy Award winning creator of some of modern cinema's most important films, from Un Chien Andalou to The Discreet Charm of the Bourgeoisie. Luis Buñuel’s films have the power to shock, inspire, and reinvent our world. Now, in a memoir that carries all the surrealism and subversion of his cinema, Buñuel turns his artistic gaze inward. In swift and generous prose, Buñuel traces the surprising contours of his life, from the Good Friday drumbeats of his childhood to the dreams that inspired his most famous films to his turbulent friendships with Federico García Lorca and Salvador Dalí. His personal narratives also encompass the pressing political issues of his time, many of which still haunt us today—the specter of fascism, the culture wars, the nuclear bomb. Filled with film trivia, framed by Buñuel’s intellect and wit, this is essential reading for fans of cinema and for anyone who has ever wanted to see the world through a surrealist’s eyes.

Queering Buñuel
Queering Buñuel

Author: Julian Daniel Gutierrez-Albill

Publisher: Bloomsbury Publishing

Published: 2008-05-30

Total Pages: 256

ISBN-13: 0857716018

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As the father of cinematic Surrealism, extensive critical attention has been devoted to Luis Bunuel's cinema. Much has been written about his first Surrealist films of the 1920s and 1930s and the French art movies of the 1960s and 1970s. However, here for the first time is a queer re-reading of Bunuel's Spanish-language films allowing us to view Bunuel's cinema through a lens of queer spectatorship. Focusing on the films Bunuel produced in Mexico and Spain during the 1950s and 1960s, Julian Daniel Gutierrez-Albilla argues not that Bunuel's films have a homosexual subplot, but that there are multiple forms of identity, subjectivity and sexuality present in these films."Queering Bunuel" brings together the fields of film studies, feminist and queer theory, Hispanic studies, psychoanalysis and art theory. Gutierrez-Albilla succeeds in reconceptualizing Bunuel's Mexican and Spanish films beyond geographical, historical and disciplinary boundaries, questioning not just how we see Bunuel, but also how we see cinema.

Latin American Cinema
Latin American Cinema

Author: Lisa Shaw

Publisher: McFarland

Published: 2014-10-01

Total Pages: 228

ISBN-13: 078648425X

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Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes. These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay's ongoing identity crisis; and Brazil's use of Hollywood's stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.