Atlas of Benthic Foraminifera
Atlas of Benthic Foraminifera

Author: Ann Holbourn

Publisher: John Wiley & Sons

Published: 2013-04-03

Total Pages: 1115

ISBN-13: 1118452526

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An up-to-date atlas of an important fossil and living group, with the Natural History Museum. Deep-sea benthic foraminifera have played a central role in biostratigraphic, paleoecological, and paleoceanographical research for over a century. These single–celled marine protists are important because of their geographic ubiquity, distinction morphologies and rapid evolutionary rates, their abundance and diversity deep–sea sediments, and because of their utility as indicators of environmental conditions both at and below the sediment–water interface. In addition, stable isotopic data obtained from deep–sea benthic foraminiferal tests provide paleoceanographers with environmental information that is proving to be of major significance in studies of global climatic change. This work collects together, for the first time, new morphological descriptions, taxonomic placements, stratigraphic occurrence data, geographical distribution summaries, and palaeoecological information, along with state-of-the-art colour photomicrographs (most taken in reflected light, just as you would see them using light microscopy), of 300 common deep-sea benthic foraminifera species spanning the interval from Jurassic - Recent. This volume is intended as a reference and research resource for post-graduate students in micropalaeontology, geological professionals (stratigraphers, paleontologists, paleoecologists, palaeoceanographers), taxonomists, and evolutionary (paleo)biologists.

The Invention of the American Art Museum
The Invention of the American Art Museum

Author: Kathleen Curran

Publisher: Getty Publications

Published: 2016-07-01

Total Pages: 260

ISBN-13: 1606064789

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American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.