Bulletin of the Charleston Museum
Author: Charleston Museum (Charleston, S.C.)
Publisher:
Published: 1909
Total Pages: 298
ISBN-13:
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Author: Charleston Museum (Charleston, S.C.)
Publisher:
Published: 1909
Total Pages: 298
ISBN-13:
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Publisher:
Published: 1914
Total Pages: 556
ISBN-13:
DOWNLOAD EBOOKAuthor: New Jersey State Museum, Trenton
Publisher:
Published: 1910
Total Pages: 928
ISBN-13:
DOWNLOAD EBOOKAuthor: British Colombia. Parliament
Publisher:
Published: 1915
Total Pages: 1458
ISBN-13:
DOWNLOAD EBOOKAuthor: John Bernhard Smith
Publisher:
Published: 1910
Total Pages: 918
ISBN-13:
DOWNLOAD EBOOKAuthor: British Columbia Provincial Museum
Publisher:
Published: 1918
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKAuthor: British Columbia
Publisher:
Published: 1918
Total Pages: 962
ISBN-13:
DOWNLOAD EBOOKAuthor: Milwaukee Public Museum
Publisher:
Published: 1911
Total Pages: 140
ISBN-13:
DOWNLOAD EBOOKTwenty-fifth report includes historical sketch of the museum, by Henry L. Ward, director (p. 25-40).
Author: Illinois
Publisher:
Published: 1923
Total Pages: 998
ISBN-13:
DOWNLOAD EBOOKVols. for 1917/18- contain reports of the following departments: Dept. of Finance, Dept. of Agriculture, Dept. of Labor, Dept. of Mines and Minerals, Dept. of Public Works and Buildings, Dept. of Public Welfare, Dept. of Public Health, Dept. of Trade and Commerce, Dept. of Registration and Education, Military nd Naval Dept.
Author: Harlan Greene
Publisher: University of Georgia Press
Published: 2010-06-01
Total Pages: 410
ISBN-13: 0820336246
DOWNLOAD EBOOKBased on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.