Sheriff's investigator Rob Neill made a mess of his first case, the theft of sacred artifacts belonging to the Klalo, a Native American tribe from the western end of the Columbia River Gorge. Ten years later, a stolen petroglyph emerges-along with a body buried in a garage. Neill sees a chance to redeem himself, with the help of his new neighbor, librarian Meg McLean. Her information-retrieval skills work together with the police investigation-but the partnership threatens to turn unprofessionally romantic. Meanwhile, two more people are murdered, and the Klalos' feisty chief, Madeline Thomas, has her own agenda that seems to hinder as much as help. Can a kind of justice finally come to Latouche County?
"The Buffalo Bills of the National Football League are known for having a fervent fan base. The team had such an impact on the city and on professional football that franchise owner Ralph Wilson, when searching for a home for his American Football Leagueteam, settled in Buffalo and named the team in honor of the original Bills"--Provided by publisher.
Presented here in a bold new edition, E. E. Cummings: Complete Poems 1904–1962 showcases Cummings’s transcendent body of work, collected in its entirety. Combining Thoreau’s controlled belligerence with the brash abandon of an uninhibited bohemian, E. E. Cummings, together with Ezra Pound, T. S. Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. Today Cummings is recognized as the author of some of the most sensuous lyric poems in the English language, as well as one of the most inventive American poets of his time. Formally fractured and yet gleefully alive and whole, at once cubistic and figurative, Cummings’s work expanded the boundaries of what language is and can do. With a new introduction by Pulitzer Prize–winning poet Stephen Dunn, this redesigned, newly corrected, and fully reset edition of Complete Poems collects and presents all the poems published or designated for publication by E. E. Cummings in his lifetime. It includes 36 poems that were first collected in the 1991 edition and 164 unpublished poems issued in 1983 under the title Etcetera. It spans his earliest creations, his vivacious linguistic acrobatics, up through his last valedictory sonnets. In the words of Randall Jarrell, “No one else has ever made avant-garde, experimental poems so attractive to the general and special reader.”
William F. “Buffalo Bill” Cody was the most famous American of his age. He claimed to have worked for the Pony Express when only a boy and to have scouted for General George Custer. But what was his real story? And how did a frontiersman become a worldwide celebrity? In this prize-winning biography, acclaimed author Louis S. Warren explains not only how Cody exaggerated his real experience as an army scout and buffalo hunter, but also how that experience inspired him to create the gigantic, traveling spectacle known as Buffalo Bill’s Wild West Show. A dazzling mix of Indians, cowboys, and vaqueros, they performed on two continents for three decades, offering a surprisingly modern view of the United States and a remarkably democratic version of its history. This definitive biography reveals the genius of America’s greatest showman, and the startling history of the American West that drove him and his performers to the world stage.
The Buffalo Bills of the National Football League have a fervent fan base; the city's love affair with their football team dates back more than six decades. The Buffalo Bills were one of the strongest teams in the All-America Football Conference in 1948 and 1949, their final years of play. The team had such an impact on the city and on professional football that current franchise owner Ralph Wilson, when searching for a home for his American Football League team, settled in Buffalo and named the team in honor of the original Bills.
Rockin' the Rockpile is a complete and comprehensive history of the Buffalo Bills AFL era -- from the first meetings of the "Foolish Club" to the eventual merger with the senior NFL -- and it brings to life the stories of a bygone time that fans regard as Buffalo's golden age of sport. Rockin' the Rockpile resonates with the words of the men who lived it. More than 60 former players, coaches, and administrative staff -- including Ralph Wilson -- shared their thoughts and memories for this book. As this book was intended as a collective memoir of the Buffalo Bills' AFL era, those interviews constitute the foundation upon which this book was written. It offers the average fan a glimpse into the locker room, film room, whirlpool, coach's office, press box, as well as the huddle, to see and hear just what the players and coaches were thinking or saying during a significant game or play. The Buffalo Bills of the 1960s represent a special time in the collective conscience of Buffalonians, a time when their team was twice champion of the renegade American Football League, and when Jack Kemp, Billy Shaw, Cookie Gilchrist, Mike Stratton, Tom Sestak, Elbert Dubenion, Ron McDole, and O.J. Simpson, captured the imagination of an entire community. They were the antithesis of the high-scoring, pass-happy AFL. When high-powered offenses were the main attraction, the Bills competed, and won, with a ball-control offense and a stingy defense. For three consecutive years, Buffalo's defensive unit was the best in the league, and was one of the best throughout the AFL's history. Western New Yorkers loved this team and its successful approach -- the Buffalo Bills mirrored the community they represented.
Buffalo Bill's Wild West presents a fascinating analysis of the first famous American to erase the boundary between real history and entertainment Canada, and Europe. Crowds cheered as cowboys and Indians--and Annie Oakley!--galloped past on spirited horses, sharpshooters exploded glass balls tossed high in the air, and cavalry troops arrived just in time to save a stagecoach from Indian attack. Vivid posters on billboards everywhere made William Cody, the show's originator and star, a world-renowned figure. Joy S. Kasson's important new book traces Cody's rise from scout to international celebrity, and shows how his image was shaped. Publicity stressed his show's "authenticity" yet audiences thrilled to its melodrama; fact and fiction converged in a performance that instantly became part of the American tradition. But how, precisely, did that come about? How, for example, did Cody use his audience's memories of the Civil War and the Indian wars? He boasted that his show included participants in the recent conflicts it presented theatrically, yet he also claimed it evoked "memories" of America's bygone greatness. Kasson's shrewd, engaging study--richly illustrated--in exploring the disappearing boundary between entertainment and public events in American culture, shows us just how we came to imagine our memories.
A history of this historic avenue of Westward emigration, from the first explorations through the Indian Wars. Over this route the Mormons made their lonely migration to the Great Salt Lake Valley. Also there were expeditions by Fremont, Stansbury, Lander. A final chapter describes the building of the transcontinental railroad.
Winner of the 2018 Ohioana Book Award for Nonfiction The little-known but uniquely American story of the unlikely friendship of two famous figures of the American West—Buffalo Bill Cody and Sitting Bull—told through the prism of their collaboration in Cody's Wild West show in 1885. “Splendid… Blood Brothers eloquently explores the clash of cultures on the Great Plains that initially united the two legends and how this shared experience contributed to the creation of their ironic political alliance.” —Bobby Bridger, Austin Chronicle It was in Brooklyn, New York, in 1883 that William F. Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. It was a great success, and for four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration, in “a compelling narrative that reads like a novel” (Orange County Register). “Thoroughly researched, Deanne Stillman’s account of this period in American history is elucidating as well as entertaining” (Booklist), complete with little-told details about the two men whose alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85.” Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West show. When Cody died in 1917, a large contingent of Native Americans attended his public funeral. An iconic friendship tale like no other, Blood Brothers is a timeless story of people from different cultures who crossed barriers to engage each other as human beings. Here, Stillman provides “an account of the tragic murder of Sitting Bull that’s as good as any in the literature…Thoughtful and thoroughly well-told—just the right treatment for a subject about which many books have been written before, few so successfully” (Kirkus Reviews, starred review).
