A never-before-published picture book from Margaret Wise Brown, the bestselling author of Goodnight Moon, brought to life by Loren Long, #1 New York Times bestselling illustrator. When the sun comes up and the day begins, the little bunny says good day to all the familiar things outside. To the birds in the skies and the bees in their hives, to everything one by one. And as the sun starts to set, it's time for the little bunny to say good night. Good night, kitty. Good night, bear. Good night, people everywhere. This never-before-published text by beloved children's book author Margaret Wise Brown uses her signature word pattern from the classic Goodnight Moon that has soothed generations of children to sleep. Paired with Loren Long's gorgeous illustrations, this story is perfect for sleepy children aged 3 and up.
Boyton's classic bestseller is now available in this lap-sized board book edition. An assortment of animals on a boat take a bath, put on their pajamas, brush their teeth, and exercise before going to bed. Full color.
The Postcolonial World presents an overview of the field and extends critical debate in exciting new directions. It provides an important and timely reappraisal of postcolonialism as an aesthetic, political, and historical movement, and of postcolonial studies as a multidisciplinary, transcultural field. Essays map the terrain of the postcolonial as a global phenomenon at the intersection of several disciplinary inquiries. Framed by an introductory chapter and a concluding essay, the eight sections examine: Affective, Postcolonial Histories Postcolonial Desires Religious Imaginings Postcolonial Geographies and Spatial Practices Human Rights and Postcolonial Conflicts Postcolonial Cultures and Digital Humanities Ecocritical Inquiries in Postcolonial Studies Postcolonialism versus Neoliberalism The Postcolonial World looks afresh at re-emerging conditions of postcoloniality in the twenty-first century and draws on a wide range of representational strategies, cultural practices, material forms, and affective affiliations. The volume is an essential reading for scholars and students of postcolonialism.
Imagnate encontrarte en una oscuridad miedosa, llena de preguntas, dudas, y dolor. Imagnate que tu vida cambie en un instante tan drsticamente que no te reconozcas. Los cambios en la vida son difciles, pero ms an cuando uno no escoge esos cambios. El accidente que ocurri en un diciembre caluroso le cambi la vida a Amparo para siempre. Recibe este regalo de amor y compasin, esta aventura y reencuentro con seres amados. Acompaa a Amparo y a su familia en esta historia de apoyo y descubrimiento, del valor de la familia y los amigos eternos. Es la historia una nueva vida, Otra Oportunidad.
Hay situaciones, que están destinadas a pasar. No puedes esconderte del destino, porque este siempre te encuentra. Puede un amor del pasado, volver y desmoronarte toda tu vida, en una sola décima de segundo. Dónde hubo fuego... ¿Quedan cenizas? No esperes más, sumérgete en el mundo de Emma y vive sus aventuras.
In the summer of 2000, two award-winning photographers, Claire Garoutte and Anneke Wambaugh, were researching Afro-Cuban religious practices in Santiago de Cuba, a city on the southeastern coast of Cuba. A chance encounter led them to the home of Santiago Castañeda Vera, a priest-practitioner of Santería, Palo Monte, and Espiritismo, a Cuban version of nineteenth-century European Spiritism. Out of that initial meeting, a unique collaboration developed. Santiago opened his home and many aspects of his spiritual practice to Garoutte and Wambaugh, who returned to his house many times during the next five years, cameras in hand. The result is Crossing the Water, an extraordinary visual record of Afro-Cuban religious experience. A book of more than 150 striking photographs in both black and white and color, Crossing the Water includes images of elaborate Santería altars and Palo spirit cauldrons, as well as of Santiago and his religious "family" engaged in ritual practices: the feeding of the spirits, spirit possession, and private and collective healing ceremonies. As the charismatic head of a large religious community, Santiago helps his godchildren and others who consult him to cope with physical illness, emotional crises, contentious relationships, legal problems, and the hardships born of day-to-day survival in contemporary Cuba. He draws on the distinct yet intertwined traditions of Santería, Palo Monte, and Espiritismo to foster healing of both mind and body--the three religions form a coherent theological whole for him. Santiago eventually became Garoutte's and Wambaugh's spiritual godfather, and Crossing the Water is informed by their experiences as initiates of Santería and Palo Monte. Their text provides nuanced, clear explanations of the objects and practices depicted in the images. Describing the powerful intensity of human-spirit interactions, and evoking the sights, smells, sounds, and choreography of ritual practice, Crossing the Water takes readers deep inside the intimate world of Afro-Cuban spirituality.
