This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An extensive, easy-to-read guide to growing healthy orchids again and again, perfect for beginners, as well as experts looking for new tricks. Orchids are more popular than ever but can be intimidating in their exotic beauty. In this start-to-finish guide, acclaimed orchid expert Bruce Rogers demystifies the growing process so you can watch your plants thrive and bloom year after year. The Orchid Whisperer outlines: · How to buy orchids: What to look for, how to get the most for your money, and what questions to ask for · Essentials for orchid care: Watering, fertilizing, repotting, and common myths · Popular easy-to-grow orchid types and what to know about them · Creative decorating ideas: Choosing containers, displaying orchids, and how to create centerpieces and garlands · And much more Packed with expert advice and helpful tips and featuring more than one hundred beautiful color photographs of breathtaking plants, The Orchid Whisperer is a must-have for orchid lovers of every stripe. Praise for The Orchid Whisperer “In layman’s language, Rogers shares his recommendations for plant selection, repotting, watering, and fertilizing most of the tropicals you will find at local markets. Sections such as “Orchid True and False” and “Location, Location, Location” share practical advice with a splash of humor.” —Marin Independent Journal “An eminently intelligent and attractive book for beginning orchid growers. Rogers’ language is engaging and humorous, and strikes the right balance between being easy to read and needing a science degree to understand. . . . The Orchid Whisperer is one to put on the holiday list for novice orchidists.” —Orchids
This volume offers a detailed analysis of how the current phase of capitalism is eating away at social, interpersonal, and psychological health. Drawing upon an interdisciplinary body of research, Bruce Rogers-Vaughn describes an emerging form of human distress—what he calls ‘third order suffering’—that is rapidly becoming normative. Moreover, this new paradigm of affliction is increasingly entangled with already-existing genres of misery, such as sexism, racism, and class struggle, mutating their appearances and mystifying their intersections. Along the way, Rogers-Vaughn presents stimulating reflections on how widespread views regarding secularization and postmodernity may divert attention from contemporary capitalism as the material origin of these developments. Finally, he explores his own clinical practice, which yields clues for addressing the double unconsciousness of third order suffering and outlining a vision for caring for souls in these troubling times.
Roughly fifteen years after Gutenberg printed the first substantial book in Mainz in 1455, Nicolas Jenson of Venice produced what has been universally recognized among the most beautiful typefaces ever created. Based on the humanistic calligraphy of the Renaissance, an even and infinitely various set of lowercase letters that had evolved from the Carolingian minuscules of the ninth century, Jenson's types were a miracle of proportion and evenness of color. In the late nineteenth century, it was imitated by Morris in his Golden Type of 1892 (far too heavy), and in the next by Cobden-Sanderson with his Doves Type, Goudy with his Deepdene, and Hunter Middleton with his Eusebius. But it was really not until Bruce Rogers, following his stint at the Riverside Press in Cambridge, Massachusetts, where he first attempted a version of the type in his Montaigne font, tackled the challenge of creating a roman equal to (and in some ways surpassing) the Jenson original. The proof of his success is that it has been used, and held in high esteem, ever since. The story behind the type, the many permutations through which it went, the myths that accrued and surrounded it (many based on Rogers's somewhat erratic and chimerical memory) are all exposed in this fully documented account of the type's genesis and development. All the variations are included, from the 16-pt. roman originally produced for the exclusive use of the Metropolitan Museum of Art, to its conversion to the Monotype machine under the supervision of Stanley Morison, a typewriter version, a short-lived film version, and its ultimate appearance as a digital face. Included as well is a discussion of the Arrighi italic, developed to accompany the roman by Frederic Warde and Stanley Morison at the Monotype Corporation. The book has been designed and set in a new digital version of Centaur, often and justly called "the noblest roman of them all," created by Jerry Kelly. The authors have unearthed, mined, and refined a trove of typographic material to create the definitive history of what many consider the most beautiful typeface created by an American in the last century and used, to immortal effect, in two of the century's greatest books, T.E. Lawrence's Odyssey of Homer and the Oxford Lectern Bible. Illustrated with many examples in full color, with a dust jacket printed letterpress, issued in an edition of only 1,000 copies, this is a book no certified member of the lunatic fringe of type fanatics can afford to ignore.
This volume features an essay that examines and outlines Rogers' tenure at Riverside, a checklist of all the work he executed there, and numerous pages of reproductions displaying the full range of Rogers titles.
