In this text, Bruce Chatwin writes of his father, of his friend Howard Hodgkin, and of his talks with Andre Malraux and Nadezhda Mandelstram. He also follows unholy grails on his travels, such as the rumour of a "wolf-boy" in India, or the idea of looking for a Yeti.
"Wonderful...the closest we are ever going to get to a Chatwin autobiography." -William Dalrymple, The Times Literary Supplement (London) The celebrated author of such beloved works as In Patagonia and The Songlines, Bruce Chatwin was a nomad whose desire for adventure and enlightenment was made wholly evident by his writing. This marvelous selection of letters-to his wife, to his parents, and to friends, including Patrick Leigh Fermor, James Ivory, and Paul Theroux- reveals a passionate man and a storyteller par excellence. Written with the verve and sharpness of expression that first marked him as an author of singular talent, Chatwin's letters provide a window into his remarkable life and strikingly detailed insights regarding his literary ambitions and tastes.
The masterpiece of travel writing that revolutionized the genre and made its author famous overnight An exhilarating look at a place that still retains the exotic mystery of a far-off, unseen land, Bruce Chatwin’s exquisite account of his journey through Patagonia teems with evocative descriptions, remarkable bits of history, and unforgettable anecdotes. Fueled by an unmistakable lust for life and adventure and a singular gift for storytelling, Chatwin treks through “the uttermost part of the earth”—that stretch of land at the southern tip of South America, where bandits were once made welcome—in search of almost-forgotten legends, the descendants of Welsh immigrants, and the log cabin built by Butch Cassidy. An instant classic upon publication in 1977, In Patagonia is a masterpiece that has cast a long shadow upon the literary world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Bruce Chatwin’s debut novel: “Conrad’s Heart of Darkness seen through a microscope” (The Atlantic) In this vivid, powerful novel, Chatwin tells of Francisco Manoel de Silva, a poor Brazilian adventurer who sails to Dahomey in West Africa to trade for slaves and amass his fortune. His plans exceed his dreams, and soon he is the Viceroy of Ouidah, master of all slave trading in Dahomey. But the ghastly business of slave trading and the open savagery of life in Dahomey slowly consume Manoel's wealth and sanity.
Although he is best known for his luminous reports from the farthest-flung corners of the earth, Bruce Chatwin possessed a literary sensibility that reached beyond the travel narrative to span a world of topics—from art and antiques to archaeology and architecture. This spirited collection of previously neglected or unpublished essays, articles, short stories, travel sketches, and criticism represents every aspect and period of Chatwin’s career as it reveals an abiding theme in his work: his fascination with, and hunger for, the peripatetic existence. While Chatwin’s poignant search for a suitable place to “hang his hat,” his compelling arguments for the nomadic “alternative,” his revealing fictional accounts of exile and the exotic, and his wickedly en pointe social history of Capri prove him to be an excellent observer of social and cultural mores, Chatwin’s own restlessness, his yearning to be on the move, glimmers beneath every surface of this dazzling body of work.
A tale of two brothers (identical twins) who stay in the farmhouse on the English-Welsh border where they were born, tilling the rough soil and sleeping in the same bed, touched only occasionally by the advance of the 20th century.
As Gnass explains in his notes, Nowhere Is a Place offers "a clear impression of one of the wildest places on earth, and also encourages understanding of this unique region and a realization of the need for such wild places where man is forever a visitor."
Few writers have had as many distinct lives as Bruce Chatwin and few have been as compelling in person as in print. Chatwin was a traveller, an aesthete and an anthropologist. In his twenties he was a star at Sotheby's; in his thirties he was a star at The Sunday Times. A solitary man and a socialite; he was always exotic. He became famous as the person who reinvented travel-writing and when he died in 1989, aged 48, he had published six strikingly varied books. Susannah Clapp's book is not a biography, but collects her own memories of Chatwin and those of his friends, acquaintances and colleagues, with the aim of producing a chronology of the author's life and, more important, of illuminating particular fields of interest. This is not merely a celebratory volume, but a investigatory one, illustrated with photographs of and by Bruce Chatwin.
Throughout his travels, Bruce Chatwin took thousands of photographs. They demonstrate his legendary `eye' at its best, showing an extraordinary sense of colour and surface, an ability to find beauty in the most mundane of objects or prosaic of places. This new collection of his photographs, much larger than PHOTOGRAPHS AND NOTEBOOKS, is edited and introduced by Roberto Calasso.