Brother and Sister. A comic operatic drama in one act, etc. [The lyrics by Charles I. M. Dibdin.]
Author: William DIMOND
Publisher:
Published: 1860
Total Pages: 38
ISBN-13:
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Author: William DIMOND
Publisher:
Published: 1860
Total Pages: 38
ISBN-13:
DOWNLOAD EBOOKAuthor: British museum. Dept. of printed books
Publisher:
Published: 1931
Total Pages: 512
ISBN-13:
DOWNLOAD EBOOKAuthor: British Library (London)
Publisher:
Published: 1981
Total Pages: 536
ISBN-13:
DOWNLOAD EBOOKAuthor: Avero Publications Limited
Publisher:
Published: 1988
Total Pages: 632
ISBN-13: 9780907977292
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1984
Total Pages: 780
ISBN-13:
DOWNLOAD EBOOKAuthor: Folger Shakespeare Library
Publisher:
Published: 1970
Total Pages: 696
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Dept. of Printed Books
Publisher:
Published: 1967
Total Pages: 1288
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Colman Moore
Publisher:
Published: 2012-06-01
Total Pages: 500
ISBN-13: 9781258422691
DOWNLOAD EBOOKAuthor: Katherine Ann Williams
Publisher: Cambridge University Press
Published: 2016-02-25
Total Pages: 385
ISBN-13: 1107063647
DOWNLOAD EBOOKThis Companion explores the historical and theoretical contexts of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d'Urfey through to Kanye West.
Author: Richard Middleton
Publisher: Routledge
Published: 2013-09-05
Total Pages: 343
ISBN-13: 1136092749
DOWNLOAD EBOOKHow does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.