Broken Embouchures

Broken Embouchures

Author: Lucinda Lewis

Publisher:

Published: 2002

Total Pages: 192

ISBN-13:

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Resource guide for professional woodwind and brass players suffering from performance related injuries.


Arnold Jacobs

Arnold Jacobs

Author: Brian Frederiksen

Publisher: Windsong Press (IL)

Published: 1996

Total Pages: 304

ISBN-13:

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Arnold Jacobs: Song and Wind is written by Mr. Jacobs' assistant, Brian Frederiksen, and edited by John Taylor. Material comes from masterclasses, private interviews, previously published writings and contributions from his students and colleagues.


The European Commission of the Danube, 1856-1948

The European Commission of the Danube, 1856-1948

Author: Constantin Ardeleanu

Publisher: BRILL

Published: 2020-02-25

Total Pages: 393

ISBN-13: 9004425969

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The history of the world’s second international organisation, an innovative techno-political institution established by Europe’s Concert of Powers to remove insecurity from the Lower Danube.


The Reinhardt Routines, by Donald S. Reinhardt

The Reinhardt Routines, by Donald S. Reinhardt

Author: Donald S. Reinhardt

Publisher:

Published: 2007

Total Pages: 44

ISBN-13: 9780971798359

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At last, an organized regimen of Reinhardt routines presented in a manner that builds every aspect of your playing: range, endurance, sound, technique, shakes, breathing, articulation, key fluency, tonguing, slurring, multiple tonguing, consistency . . . it's all here.For years people have been asking for a collection of Reinhardt routines that would work without the benefit of studying with Reinhardt. Most dedicated Reinhardt students know that's a tall order, because you can't just turn a player loose with many of the Reinhardt routines ? every routine had a specific purpose and was assigned at a specific time. Reinhardt knew there was no ?one size fits all? way of teaching brass players.But thanks to Dave Sheetz and Rich Willey, a set of routines has been laid out, about half of which are based on his never-before-published revisions to his Manual of Studies. These comprise a rotating Nine Day plan followed by a series of Supplemental Routines (including Reinhardt's now-famous Warm Up #57), all of which players will benefit from simply by reading the instructions and playing the drills accordingly.The Reinhardt Routines'a total embouchure development plan has what it takes to develop that embouchure you've been dreaming of. It's all laid out for you right here, at last.Forty-four pages, printed on high quality paper, GBC comb-bound with heavy (10 ml.) mylar protective covers.


The Art of French Horn Playing

The Art of French Horn Playing

Author: Philip Farkas

Publisher: Alfred Music

Published: 1999-10-19

Total Pages: 100

ISBN-13: 9781457400094

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First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.


Song of Myself

Song of Myself

Author: Walt Whitman

Publisher: Gildan Media LLC aka G&D Media

Published: 2024-03-20

Total Pages: 68

ISBN-13: 1722525053

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One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”