A searingly personal memoir of the great Russian poet by his American friend and publisher, containing much previously unknown material about how Brodsky left Russia and how he made his way in the new world, and how, during the cold war, Americans played a crucial role in his fate.
Brodsky describes his post-Russian life in New York and reveals for the first time his active participation in one of the cold war's most noted cultural confrontations - the famous defection of the Bolshoi Ballet star Alexander Godunov. In this and all his tales recounted here, we meet a Brodsky his readers have not heard before, both contentious and gracious, breaking all the rules, never succumbing to the straitjacketing of literary or political cliques in New York or anywhere else. In these raw Russian conversations, superbly translated by Marian Schwartz, is the journey of a poet-hero around the world and through this century's most troubling and sensational times.
A pathbreaking work for the next stage of the #MeToo movement, showing how we can address sexual harms with fairness to both victims and the accused, and exposing the sexism that shapes today's contentious debates about due process Over the past few years, a remarkable number of sexual harassment victims have come forward with their stories, demanding consequences for their assailants and broad societal change. Each prominent allegation, however, has also set off a wave of questions – some posed in good faith, some distinctly not – about the rights of the accused. The national conversation has grown polarized, inflamed by a public narrative that wrongly presents feminism and fair process as warring interests. Sexual Justice is an intervention, pointing the way to common ground. Drawing on core principles of civil rights law, and the personal experiences of victims and the accused, Alexandra Brodsky details how schools, workplaces, and other institutions can – indeed, must – address sexual harms in ways fair to all. She shows why these allegations cannot be left to police and prosecutors alone, and outlines the key principles of fair proceedings outside the courts. Brodsky explains how contemporary debates continue the long, sexist history of “rape exceptionalism,” in which sexual allegations are treated as uniquely suspect. And she calls on readers to resist the anti-feminist backlash that hijacks the rhetoric of due process to protect male impunity. Vivid and eye-opening, at once intellectually rigorous and profoundly empathetic, Sexual Justice clears up common misunderstandings about sexual harassment, traces the forgotten histories that underlie our current predicament, and illuminates the way to a more just world.
A deeply researched account of Joseph Brodsky’s evolution in English as a self-translator and a poet in translation Joseph Brodsky’s translations of his own Russian-language poems into English “new originals” have been criticized for their “un-Englishness,” an appraisal based on a narrow understanding of translation itself. With this radical reassessment of the Nobel Prize winner’s self-translations, Zakhar Ishov proposes a fresh approach to poetry translation and challenges the assumption that poetic form is untranslatable. Brodsky in English draws on previously unexamined archival materials, including drafts and correspondence with translators and publishers, to trace the arc of Brodsky’s experience with the English language. Ishov shows how Brodsky’s belief in the intellectual continuity between his former life in the Soviet Union and his new career in the United States, including as Poet Laureate, anchored his insistence on maintaining the formal architecture of his poems in translation, locating the transmission of poetic meaning in the rhythms of language itself. This book highlights Brodsky’s place within the long history of the compromises translation must make between linguistic material and poetic process.
"On Grief and Reason c"ollects the essays Joseph Brodsky wrote between his reception of the Nobel Prize in Literature in 1987 and his death in January 1996. The volume includes his Nobel lecture; essays on the condition of exile, the nature of history, the art of reading, and the notion of the poet as an inveterate DonGiovanni; his "Immodest Proposal" for the future of poetry, written when he was serving as Poet Laureate of the United States; a consideration of the poetry of Robert Frost; Brodsky's searching estimations of Hardy, Horace, and Rilke; and an affecting memoir of Stephen Spender.
With All Our Strength is the inside story of this women-led underground organization and their fight for the rights of Afghan women. Anne Brodsky, the first writer given in-depth access to visit and interview their members and operations in Afghanistan and Pakistan, shines light on the gruesome, often tragic, lives of Afghan women under some of the most brutal sexist oppression in the world.
In this modern-day "lively re-imagining of classical mythology" (Deborah Harkness), when a string of women are murdered in an ancient pagan ritual, Selene DiSilvia -- known by some as the goddess Artemis -- hears their cries for help and takes up her bow once more. Manhattan has many secrets. Some are older than the city itself. The city sleeps. In the predawn calm, Selene DiSilva finds the body of a young woman washed ashore, gruesomely mutilated and wreathed in laurel. Her ancient rage returns, along with the memory of a promise she made long ago -- when her name was Artemis. Jordanna Max Brodsky's acclaimed debut sets Greek Gods against a modern Manhattan backdrop, creating an unputdownable blend of myth and mystery.