The Broadside Ballad
The Broadside Ballad

Author: Leslie Shepard

Publisher:

Published: 1978

Total Pages: 232

ISBN-13:

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Broadside ballads were the printed sheets of verse that were sold in the streets from the early 16th to the late 19th century. They were the documents of the folk ballad, the forerunner of the popular newspaper. Through four centuries such sheets have been eagerly bought and the songs sung by the common people. The whole field of street literature has begun to emerge as a subject in its own right, with great relevance to mass culture. For such study, this work is an original, and primary source. -- Provided by publisher.

Broadsheets
Broadsheets

Author: Andrew Pettegree

Publisher: BRILL

Published: 2017-07-10

Total Pages: 564

ISBN-13: 9004340319

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This volume offers an expansive survey of the role of single-sheet publishing in the European print industry during the first two centuries after the invention of printing. Drawing on new materials made available during the compilation of the Universal Short Title Catalogue, the twenty contributors explore the extraordinary range of broadsheet publishing and its contribution to government, pedagogy, religious devotion and entertainment culture. Long disregarded as ephemera or cheap print, broadsheets emerge both as a crucial communication medium and an essential underpinning of the economics of the publishing industry.

The Broadside Ballad in Early Modern England
The Broadside Ballad in Early Modern England

Author: Patricia Fumerton

Publisher: University of Pennsylvania Press

Published: 2021-01-01

Total Pages: 480

ISBN-13: 0812252314

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In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive. In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama. A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.

The Book of Ballads
The Book of Ballads

Author: Charles Vess

Publisher: Macmillan

Published: 2006-03-07

Total Pages: 198

ISBN-13: 9780765312150

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Now in trade paperback, a unique collection of ballads, folktales, and magical sagas, retold in graphic-novel form by an all-star cast of modern fantasists

Language, the Singer and the Song
Language, the Singer and the Song

Author: Richard J. Watts

Publisher: Cambridge University Press

Published: 2019-01-31

Total Pages: 391

ISBN-13: 1107112710

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The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.

Ovidian Bibliofictions and the Tudor Book
Ovidian Bibliofictions and the Tudor Book

Author: Lindsay Ann Reid

Publisher: Routledge

Published: 2016-05-23

Total Pages: 270

ISBN-13: 1317084454

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Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.

The Music Sound
The Music Sound

Author: Nicolae Sfetcu

Publisher: Nicolae Sfetcu

Published: 2014-05-07

Total Pages: 6042

ISBN-13:

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A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.

Knoxville Music before Bluegrass
Knoxville Music before Bluegrass

Author: Tim Sharp

Publisher: Arcadia Publishing

Published: 2020-01-13

Total Pages: 128

ISBN-13: 1439668752

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Since colonial times, generations of families from Ireland, Scotland, Wales, and England have settled in Knoxville and East Tennessee. Early on, they arrived with ballads, stories, instruments, and folk music from their former homes. "Songcatchers," including Francis James Child, Olive Dame Campbell, Maud Pauline Karpeles, Cecil J. Sharp, William Francis Allen, Lucy McKim Garrison, Charles Pickard Ware, and George Pullen Jackson, journeyed deep into the remotest areas of East Tennessee to capture their songs in the late 19th and early 20th centuries. This music existed almost unchanged until the introduction of commercial recording and radio broadcasting in the 1920s. The historic recording sessions in Bristol, Tennessee, in the summer of 1927 sparked new genres of music, and through the contribution of musicians like Lester Flatt, Josh Graves, Dolly Parton, Earl Scruggs, Ralph Stanley, the Carter Family, Bill Monroe, and many others, Knoxville and East Tennessee are acknowledged for the roles they played in the birth of country and bluegrass music.