Boyd (communication, journalism, and telecommunications, U. of Kentucky-Lexington) discusses aspects of radio and television broadcasting in the Arab world, addressing the international, national, and regional radio and television media in the Middle East and North Africa through detailed examination of the system in each country and its relationship with the country's language, politics, economics, culture, and religion. Updates from the 1993 edition include a new chapter on international broadcasting and information on new developments in Palestinian rights to radio and television programming and the impact of direct-broadcast satellites.
A state-of-the-art analysis of the situation of national television in Arab countries, addressing what Arab national broadcastings today say about public policy and political opening. The essays deal with the reforms of public broadcasting organizations and the evolution, perspectives and issues of national broadcasting.
A balanced introduction to the 3 major Arab media channels: Al-Jazeera, Al-Hurra and Al-ArabiaEl Mustapha Lahlali presents a detailed study of the three dominant Arab media channels and their role post-9/11. The Arab world is currently undergoing a radical media revolution, with the launch of numerous satellite and cable channels. The era of state-controlled media is coming to an end as privately-owned channels emerge.
A state-of-the-art analysis of the situation of national television in Arab countries, addressing what Arab national broadcastings today say about public policy and political opening. The essays deal with the reforms of public broadcasting organizations and the evolution, perspectives and issues of national broadcasting.
Instant Nationalism: McArabism, al-Jazeera, and Transnational Media in the Arab World discusses the role of Arab transnational media, in particular the Qatar-based al-Jazeera, in the emergence of a new pan-Arabism. The book argues that through context and technology a new pan-Arab identity known as McArabism is being formed. McArabism, the author suggests, represents the convergence of local tribal identities with globalization and the forming, or reforming, of a new regional Arab identity. This book also explores the impact of this new identity on Arab society, the Arab-Israeli conflict, and new representations of the West and the Islamic and Arab World.
Since the turn of the twentieth century the dramatic rise of mass media has profoundly transformed music practices in the Arab world. Music has adapted to successive forms of media disseminationDLfrom phonograph cylinders to MP3sDLeach subjected to the political and economic forces of its particular era and region. Carried by mass media, the broader culture of Arab music has been thoroughly transformed as well. Simultaneously, mass mediated music has become a powerful social force. While parallel processes have unfolded worldwide, their implications in the Arabic-speaking world have thus far received little scholarly attention. This provocative volume features sixteen new essays examining these issues, especially televised music and the controversial new genre of the music video. Perceptive voicesDLboth emerging and establishedDLrepresent a wide variety of academic disciplines. Incisive essays by Egyptian critics display the textures of public Arabic discourse to an English readership. Authors address the key issues of contemporary Arab societyDLgender and sexuality, Islam, class, economy, power, and nationDLas refracted through the culture of mediated music. Interconnected by a web of recurrent concepts, this collection transcends music to become an important resource for the study of contemporary Arab society and culture. Contributors: Wael Abdel Fattah, Yasser Abdel-Latif, Moataz Abdel Aziz, Tamim Al-Barghouti, Mounir Al Wassimi, Walter Armbrust, Elisabeth Cestor, Hani Darwish, Walid El Khachab, Abdel-Wahab Elmessiri, James Grippo, Patricia Kubala, Katherine Meizel, Zein Nassar, Ibrahim Saleh, Laith Ulaby.
This book provides a clear and authoritative introduction to the emerging Arab media industries in the context of globalization and its impacts, with a focus on publishing, press, broadcasting, cinema and new media. Through detailed discussions of the regulation and economics of these industries, the authors argue that the political, technological and cultural changes on the global media scene have resulted in the reorganization of the Arab media field. They provide striking examples of this through the particular effects on media policies, media technology and the content and genres developed for the new generation of media consumers. As part of the book's overview of the contemporary characteristics of Arab media, the authors outline the development of the role of modern Arab media from a tool of mobilizing the public to a tool of commercial and symbolic profit. Overall, the volume illustrates how the Arab region represents a unique case where the commercialization and liberalization of selected media industries has gone hand in hand with continuous state intervention and an increasing self censorship. Written for students without prior knowledge of the topic, Arab Media will be essential reading for all interested in the contemporary global media industries.
