Britpop and the English Music Tradition

Britpop and the English Music Tradition

Author: Jon Stratton

Publisher: Routledge

Published: 2016-04-15

Total Pages: 242

ISBN-13: 1317171225

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Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.


Britishness, Popular Music, and National Identity

Britishness, Popular Music, and National Identity

Author: Irene Morra

Publisher: Routledge

Published: 2013-10-30

Total Pages: 303

ISBN-13: 1135048940

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This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.


Britpop and national identity

Britpop and national identity

Author: Christina Binter

Publisher: GRIN Verlag

Published: 2022-07-13

Total Pages: 25

ISBN-13: 3346677834

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Seminar paper from the year 2018 in the subject Cultural Studies - Miscellaneous, grade: 2,0, , language: English, abstract: At the beginning of the paper the British music culture, including the historical development, and the term Britpop will be explained. In the next chapter, the definition of National identity will be in the focus before going on with the role of music, in regard to Britpop, as identity markers will be discussed. Moreover, the role of politics during the rise of the Britpop movement, which must be taken into account, will be mentioned. Due to the fact that certain motives are seen as British and play a key role in helping to create a national identity, this seminar paper will be accompanied by an Oasis song and there will be a short examination regarding lyrics and video performance before coming up with a final conclusion.


Britpop and the English Music Tradition

Britpop and the English Music Tradition

Author: Professor Andy Bennett

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 246

ISBN-13: 1409494071

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Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years – a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.


Questioning Identity

Questioning Identity

Author: Kath Woodward

Publisher: Psychology Press

Published: 2000

Total Pages: 180

ISBN-13: 9780415222877

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First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.


Litpop: Writing and Popular Music

Litpop: Writing and Popular Music

Author: Rachel Carroll

Publisher: Routledge

Published: 2016-05-13

Total Pages: 258

ISBN-13: 131710420X

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Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.


Britishness, Popular Music, and National Identity

Britishness, Popular Music, and National Identity

Author: Irene Morra

Publisher: Routledge

Published: 2024-10-14

Total Pages: 0

ISBN-13: 9781032925028

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This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English 'folk', and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.


Across the margins

Across the margins

Author: Glenda Norquay

Publisher: Manchester University Press

Published: 2018-07-30

Total Pages: 224

ISBN-13: 1526137224

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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The concept of 'margins' denotes geographical, economic, demographic, cultural and political positioning in relation to a perceived centre. This book aims to question the term 'marginal' itself, to hear the voices talking 'across' borders and not only to or through an English centre. The first part of the book examines debates on the political and poetic choice of language, drawing attention to significant differences between the Irish and Scottish strategies. It includes a discussion of the complicated dynamic of woman and nation by Aileen Christianson, which explores the work of twentieth-century Scottish and Irish women writers. The book also explores masculinities in both English and Scottish writing from Berthold Schoene, which deploys sexual difference as a means of testing postcolonial theorizing. A different perspective on the notion of marginality is offered by addressing 'Englishness' in relation to 'migrant' writing in prose concerned with India and England after Independence. The second part of the book focuses on a wide range of new poetry to question simplified margin/centre relations. It discusses a historicising perspective on the work of cultural studies and its responses to the relationship between ethnicity and second-generation Irish musicians from Sean Campbell. The comparison of contemporary Irish and Scottish fiction which identifies similarities and differences in recent developments is also considered. In each instance the writers take on the task of examining and assessing points of connection and diversity across a particular body of work, while moving away from contrasts which focus on an English 'norm'.


Beyond Subculture

Beyond Subculture

Author: Rupa Huq

Publisher: Routledge

Published: 2007-01-24

Total Pages: 226

ISBN-13: 1134470657

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Using case studies and first-hand interviews with consumers and producers including Noel Gallagher and Talvin Singh, Rupa Huq investigates a series of musically-centred global youth cultures and re-examines the link between music and subcultures.


Fanatics

Fanatics

Author: Adam Brown

Publisher: Routledge

Published: 2002-09-11

Total Pages: 310

ISBN-13: 1134677294

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Embracing studies of football fans across Europe, this book tackles questions of power, national and regional identities, and race and racism, highlighting the changing role of fans in the game. Combining new approaches to the study of fan culture with critical assessments of the commercialization of the game, this fascinating book offers a comprehensive and timely examination of the state of European football supporters culture as the game prepares itself for the next millennium. The contributors, all leading figures in sports studies, consider: * whether football remains the peoples game, or if it is now run entirely by and for club owners and directors who have overseen the flotation of clubs on the stock exchange, a new focus on merchandising and the escalation of players salaries * the role of FIFA and UEFA in the struggle for control of world football * manifestations of racism and extreme nationalism in football, from the English medias xenophobic coverage of Euro 96 to the demonisation of Eric Cantona * media representations of national identity in football coverage in Germany, France and Spain * the interplay of national, religious and club identities among fans in England, Scotland, Ireland, Portugal and Scandinavia * the role of the law in regulating football * the future for supporters at a time when watching the match is more likely to mean turning on the television than going to a football ground.