British Printmakers, 1855-1955
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Publisher:
Published: 1992
Total Pages: 326
ISBN-13:
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Author:
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Published: 1992
Total Pages: 326
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DOWNLOAD EBOOKAuthor: Katherine Haskins
Publisher: Routledge
Published: 2017-07-05
Total Pages: 226
ISBN-13: 1351546287
DOWNLOAD EBOOKFocusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Author: Robin Garton
Publisher: Routledge
Published: 2017-12-15
Total Pages:
ISBN-13: 9781138713413
DOWNLOAD EBOOKThis title was first published in 2000: An examination of developments in British printmaking which started in the middle of the 19th century with the Etching Revival and continued into the middle of the 20th century with the experimental work carried out at Corsham and St Ives in the 1950s. During this period, printmaking came to be regarded as a direct means of artistic expression rather than a means of reproduction. Chapters are devoted to: wood engraving; etching; lithography from 1875 to the 1920s; the colour woodcut; the linocut; modern lithography; the poster-print; the monotype; and St Ives. The main emphasis in these essays is the development of printmaking techniques throughout the century, as new techniques enabled artists to develop their ideas and expression. This approach avoids the usual method of categorization of artists into schools and trends. An A to Z of artists includes biographies and reference material for over 400 principal artists, all of whom are represented by at least one illustration. The 585 illustrations follow each chapter and are cross-referenced from the artists' biographies. Fourteen appendices provide useful lists of artists, exhibitions and published prints, and include a complete catalogue of all known poster-prints.
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Publisher: Global Oriental
Published: 2010-09-23
Total Pages: 698
ISBN-13: 9004218033
DOWNLOAD EBOOKThis latest volume of leading figures in the history of Anglo-Japanese relations offers a classic menu of personalities, themes and events (in all 25 contributions). Contents include the writings of the Cambridge scholar Carmen Blacker and leading historian William Beasley; British military observer and Times reporter of the Russo-Japanese War General Sir Ian Hamilton; philosophers Arnold Toynbee, Bertrand Russell and George Bernard Shaw; the Chosu students Inoue Kaoru and Yamao Yozo who were later key figures in the Meiji period modernization of Japan; and Walter Dening, scholar and missionary. Subjects treated include horse breeding and horse-racing, the Japanese influence on British architects, the beginnings of golf in Japan and Japanese gardeners in Britain.
Author: Witt Library of the Courtauld Institute
Publisher: Routledge
Published: 2014-06-03
Total Pages: 558
ISBN-13: 1134264135
DOWNLOAD EBOOKFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Brian Maidment
Publisher: Manchester University Press
Published: 2001-12-07
Total Pages: 212
ISBN-13: 9780719033711
DOWNLOAD EBOOKEach chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries.
Author: Robin Garton
Publisher:
Published: 2017
Total Pages:
ISBN-13: 9781315198880
DOWNLOAD EBOOK"This title was first published in 2000: An examination of developments in British printmaking which started in the middle of the 19th century with the Etching Revival and continued into the middle of the 20th century with the experimental work carried out at Corsham and St Ives in the 1950s. During this period, printmaking came to be regarded as a direct means of artistic expression rather than a means of reproduction. Chapters are devoted to: wood engraving; etching; lithography from 1875 to the 1920s; the colour woodcut; the linocut; modern lithography; the poster-print; the monotype; and St Ives. The main emphasis in these essays is the development of printmaking techniques throughout the century, as new techniques enabled artists to develop their ideas and expression. This approach avoids the usual method of categorization of artists into schools and trends. An A to Z of artists includes biographies and reference material for over 400 principal artists, all of whom are represented by at least one illustration. The 585 illustrations follow each chapter and are cross-referenced from the artists' biographies. Fourteen appendices provide useful lists of artists, exhibitions and published prints, and include a complete catalogue of all known poster-prints."--Provided by publisher.
Author: T. Victoria Hansen
Publisher: Hudson Hills
Published: 2000
Total Pages: 234
ISBN-13: 9781555951610
DOWNLOAD EBOOKThis magnificent volume brings together essays from four different leading authorities, covering various aspects of Mazur's life and career, along with a comprehensive catalogue raisonne of his prints. 44 colour& 121 b/w illustrations
Author: Wolfgang M. Freitag
Publisher: Taylor & Francis
Published: 1997
Total Pages: 572
ISBN-13: 9780824033262
DOWNLOAD EBOOKExpanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Paul Bevan
Publisher: City University of HK Press
Published: 2023-07-19
Total Pages: 457
ISBN-13: 9629376601
DOWNLOAD EBOOKShao Xunmei, poet, essayist, publisher, and printer, played a significant role in the publication and dissemination of journals and pictorial magazines in Shanghai during the 1920s and 1930s. His poetry has been translated by several prominent scholars through the years, but remarkably few of his essays have received the same attention, and this is the first collection of his prose writings to be published in English. Shao has been described by a phalanx of scholars as the most seriously underestimated modern cultural Chinese figure. This collection of his writings joins several recent publications that aim to raise Shao’s literary and historical profile. It will appeal to a broad swathe of readers interested in the transnational and transcultural dimensions of twentieth-century experience that have become so important for contemporary scholarship. The essays in this book, some of which were selected by the writer’s daughter, Shao Xiaohong, include long essays such as “One Man Talking” and “A Year in Shanghai” as well as several shorter essays on subjects as diverse as the caricatures of Miguel Covarrubias, woodblock printing, and pictorial magazines — all of which were published in Shao’s own magazines. Although his essays may be less well known than those of other writers of the same period, without his unique and valuable contribution, the literary, artistic, and poetic worlds of twentieth-century Shanghai would have been very different indeed.